Mark P. Worrell – författare

The United States has been involved in many wars, sometimes for noble causes like defeating Nazism, and, at other times, it has compromised its own ideals, leading to a lot of soul searching and regrets. Some wars are celebrated as glorious achievements (World War II), some are ‘forgotten’ (Korea), and some are ‘ignored’ (Afghanistan). The current wars in the Middle East represent a complex interplay of motivations, challenges, and threats to America’s role as the world’s democratic leadership. In the case of Afghanistan, we find that during the Cold War the US defense and intelligence apparatus directly and indirectly created an incalculable number of radical extremists that have now turned their sights on their former benefactor. The invasion of Iraq represents a different calculus: under the multitude of rationalizations rests a simple political-economic case of a master nation punishing a disobedient subject. In this brief book, America’s relationship with war is explored with an eye toward changes in capitalism from industrialism to post-industrialism, America’s involvement in the Cold War, nuclear proliferation, terrorism, torture, culture, and ideology. The goal of this new, unique Series is to offer readable, teachable "thinking frames" on today’s social problems and social issues by leading scholars, all in short 60 page or shorter formats, and available for view on http://routledge.customgateway.com/routledge-social-issues.html For instructors teaching a wide range of courses in the social sciences, the Routledge Social Issues Collection now offers the best of both worlds: originally written short texts that provide "overviews" to important social issues as well as teachable excerpts from larger works previously published by Routledge and other presses.

The United States has been involved in many wars, sometimes for noble causes like defeating Nazism, and, at other times, it has compromised its own ideals, leading to a lot of soul searching and regrets. Some wars are celebrated as glorious achievements (World War II), some are ‘forgotten’ (Korea), and some are ‘ignored’ (Afghanistan). The current wars in the Middle East represent a complex interplay of motivations, challenges, and threats to America’s role as the world’s democratic leadership. In the case of Afghanistan, we find that during the Cold War the US defense and intelligence apparatus directly and indirectly created an incalculable number of radical extremists that have now turned their sights on their former benefactor. The invasion of Iraq represents a different calculus: under the multitude of rationalizations rests a simple political-economic case of a master nation punishing a disobedient subject. In this brief book, America’s relationship with war is explored with an eye toward changes in capitalism from industrialism to post-industrialism, America’s involvement in the Cold War, nuclear proliferation, terrorism, torture, culture, and ideology. The goal of this new, unique Series is to offer readable, teachable "thinking frames" on today’s social problems and social issues by leading scholars, all in short 60 page or shorter formats, and available for view on http://routledge.customgateway.com/routledge-social-issues.html For instructors teaching a wide range of courses in the social sciences, the Routledge Social Issues Collection now offers the best of both worlds: originally written short texts that provide "overviews" to important social issues as well as teachable excerpts from larger works previously published by Routledge and other presses.

This book addresses core questions about the nature and structure of contemporary capitalism and the social dynamics and countervailing forces that shape modern life.

This book addresses core questions about the nature and structure of contemporary capitalism and the social dynamics and countervailing forces that shape modern life.

Analyzes contemporary capitalism through the products of culture and art for fresh insight into emancipatory possibilities concealed within capitalism's darkest dynamics.Aesthetic objects, crafted as poetic reflections of the contradictory worlds that they inhabit, are simultaneously theorized and theorizing. In Capital in the Mirror, eminent critical theorists explore the aesthetic dimension for reflective visions of capital that are difficult to obtain through even the most rigorous statistical analyses. Chapters address inequality, alienation, ideology, warfare, and other problems of contemporary capitalism through the cultural prisms of Herman Melville, Thomas Mann, Charles Dickens, J. W. Goethe, Friedrich Hölderlin, Walt Whitman, Bertolt Brecht, and science-fiction cinema. Famous narrative elements in their works, such as Ahab's pursuit of the white whale in Melville's Moby-Dick, demonic production and perverse desire in Mann's Doctor Faustus, socially electrified bodies of Whitman's Leaves of Grass, and dystopian projections of current sci-fi cinema, are theorized as stylistically distorted reflections of social life within capital. The authors reveal theoretical powers latent within these condensed images that prefigure the dark dynamics of capitalism. Focusing on dark images of domination and also prophetic images of transformation, the book points the way toward emancipation, social regeneration, and human flourishing.

Analyzes contemporary capitalism through the products of culture and art for fresh insight into emancipatory possibilities concealed within capitalism's darkest dynamics.Aesthetic objects, crafted as poetic reflections of the contradictory worlds that they inhabit, are simultaneously theorized and theorizing. In Capital in the Mirror, eminent critical theorists explore the aesthetic dimension for reflective visions of capital that are difficult to obtain through even the most rigorous statistical analyses. Chapters address inequality, alienation, ideology, warfare, and other problems of contemporary capitalism through the cultural prisms of Herman Melville, Thomas Mann, Charles Dickens, J. W. Goethe, Friedrich Hölderlin, Walt Whitman, Bertolt Brecht, and science-fiction cinema. Famous narrative elements in their works, such as Ahab's pursuit of the white whale in Melville's Moby-Dick, demonic production and perverse desire in Mann's Doctor Faustus, socially electrified bodies of Whitman's Leaves of Grass, and dystopian projections of current sci-fi cinema, are theorized as stylistically distorted reflections of social life within capital. The authors reveal theoretical powers latent within these condensed images that prefigure the dark dynamics of capitalism. Focusing on dark images of domination and also prophetic images of transformation, the book points the way toward emancipation, social regeneration, and human flourishing.

This collection brings together contributions from social theorists in sociology, philosophy, and cultural studies to dissect and critique capitalist crises, left-liberalism, left-Thatcherism, resistance to risk-pooling, idealist philosophy, undemocratic social character, status wages and authoritarian spectacles. Throughout, Marx's centrality to critical social theory is confirmed, both alone and in powerful combination with Adorno, Durkheim, Dubois, Lacan, Veblen, Weber and others.

The Sociogony re-examines the social ontology of what Durkheim calls 'social facts' in the light of critical and progressive hostilities to the facticity of facts and the necessity of moral absolutes in the shift from bourgeois liberalism to a neoliberal global order. The introduction offers a wide-ranging rumination on the concept of the absolute after its apparent downfall; the chapter on facts turns the problem of external authority on its head and the chapter dealing with the sociogony situates facts in a process of generation, rule, and decay. Drawing heavily on the works of Hegel, Marx, Weber, and Durkheim, the resulting synthesis is what the author refers to as a Marxheimian Social Theory that offers a new map and a stable ontology for the homeless mind.

Together again for the first time, Marx and Durkheim join forces in the pages of Disintegration: Bad Love, Collective Suicide, and the Idols of Imperial Twilight for a dialectical exploration of the moral economy of neoliberalism, animated, as it is not only by the capitalist chase for surplus value, but also by an immortal vortex of sacred powers. Classical sociology and psychoanalysis are reconstituted within Hegelian social ontology and dialectical method that differentiates between the ephemeral and free and the eternal and fixed aspects of modern life.