Daniel Gabelman - Böcker

This Element investigates the phenomenon of literary doodling-the making of playful verbal and visual creations by professional authors while engaged in another activity. The first part focuses on defining the form and structure of doodles, comparing and contrasting them with adjacent genres such as sketches, caricatures, and illustrations. The second part explores the modality of doodling, examining doodles through the lenses of spectrality, liminality, and play. Drawing on a wide range of theories and backed up with numerous close readings, the Element argues that doodles, despite their apparent triviality, provide valuable insights into the creative processes, authorial habits, and finished works of literary doodlers. Ultimately, this study aims to legitimise doodles as worthy of serious critical attention, demonstrating how they trouble the meaning of texts, introduce semantic flexibility into literary works and their reception, and rejuvenate the joy of readerly discovery.

The Scottish poet, author, and Christian minister George MacDonald is widely known as an inspiration for the works of C. S. Lewis, J. R. R. Tolkien, and Lewis Carroll, among others. Nineteenth century photographs of MacDonald present a forbidding visage, embodying Victorian-era solemnity. Yet behind the facade, as Daniel Gabelman writes, lived a whimsical and fantastical muse. Indeed, MacDonald imbued theological weight through childlike lightheartedness. Gabelman ably reveals in MacDonald's writings a bridge between playfulness and seriousness in the modern imagination. George MacDonald delivers a balanced reading of its subject that ultimately lends a new theological and literary weight to whimsy.