Daniel Jolowicz – författare

Latin Poetry in the Ancient Greek Novels establishes and explores connections between Greek imperial literature and Latin poetry. This work challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks were not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. Three of these novels in particular-Chariton''s Chaereas and Callirhoe, Achilles Tatius'' Clitophon and Leucippe, and Longus'' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After establishing the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry. The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period.

Latin Poetry in the Ancient Greek Novels establishes and explores connections between Greek imperial literature and Latin poetry. This work challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks were not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. Three of these novels in particular-Chariton''s Chaereas and Callirhoe, Achilles Tatius'' Clitophon and Leucippe, and Longus'' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After establishing the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry. The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period.

Latin Poetry in the Ancient Greek Novels establishes and explores connections between Greek imperial literature and Latin poetry. This work challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks were not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. Three of these novels in particular-Chariton's Chaereas and Callirhoe, Achilles Tatius' Clitophon and Leucippe, and Longus' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After establishing the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry. The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period.

This book explores the many strategies by which elite Greeks and Romans resisted the cultural and political hegemony of the Roman Empire in ways that avoided direct confrontation or simple warfare. By resistance is meant a range of responses including 'opposition', 'subversion', 'antagonism', 'dissent', and 'criticism' within a multiplicity of cultural forms from identity-assertion to polemic. Although largely focused on literary culture, its implications can be extended to the world of visual and material culture. Within the volume a distinguished group of scholars explores topics such as the affirmation of identity via language choice in epigraphy; the use of genre (dialogue, declamation, biography, the novel) to express resistant positions; identity negotiation in the scintillating and often satirical Greek essays of Lucian; and the place of religion in resisting hegemonic power.

This book explores the many strategies by which elite Greeks and Romans resisted the cultural and political hegemony of the Roman Empire in ways that avoided direct confrontation or simple warfare. By resistance is meant a range of responses including ''opposition'', ''subversion'', ''antagonism'', ''dissent'', and ''criticism'' within a multiplicity of cultural forms from identity-assertion to polemic. Although largely focused on literary culture, its implications can be extended to the world of visual and material culture. Within the volume a distinguished group of scholars explores topics such as the affirmation of identity via language choice in epigraphy; the use of genre (dialogue, declamation, biography, the novel) to express resistant positions; identity negotiation in the scintillating and often satirical Greek essays of Lucian; and the place of religion in resisting hegemonic power.

This book explores the many strategies by which elite Greeks and Romans resisted the cultural and political hegemony of the Roman Empire in ways that avoided direct confrontation or simple warfare. By resistance is meant a range of responses including ''opposition'', ''subversion'', ''antagonism'', ''dissent'', and ''criticism'' within a multiplicity of cultural forms from identity-assertion to polemic. Although largely focused on literary culture, its implications can be extended to the world of visual and material culture. Within the volume a distinguished group of scholars explores topics such as the affirmation of identity via language choice in epigraphy; the use of genre (dialogue, declamation, biography, the novel) to express resistant positions; identity negotiation in the scintillating and often satirical Greek essays of Lucian; and the place of religion in resisting hegemonic power.