Daniel Schulman – författare
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5 produkter
5 produkter
Inbunden, Engelska, 2026
418 kr
Kommande
A richly illustrated book focused on Black designers, how they shaped the history of modern design, and how their designs in turn influenced modern Black life. In twentieth-century Chicago, generations of Black artisans, craftspeople, art educators, clothing makers, commercial illustrators, sign painters, furniture makers, beauticians, graphic designers, art directors, and screen printers made and remade the city into an energetic center for modern design. Ambitious, enterprising, and resolutely modern, these Black designers were workers and intellectuals, activists and entrepreneurs. They created works for commercial and everyday use and helped to build community institutions such as the South Side Community Art Center and businesses like the Johnson Publishing Company. Their works ranged from branding and housewares for major corporations to pamphlets and posters made in the name of civil rights and Black Power. Together, they made Black Chicago into a dynamic design scene, working against racism in their professions while embracing the possibilities of design as a medium of social change. This book is the first to chronicle their collective history while also celebrating their influence on design as well as African American culture more broadly. Based on extensive archival research and building on a major 2018 exhibition, Black Designers in Chicago presents essays by experts in African American history and design. The book features illustrations of a stunning variety of works—from graphic design to screenprints to textiles and household wares—placing African Americans at the center of modern design history, while highlighting the role of design in the cultural history of Black Chicago.
E-bok
Engelska, 2023162 kr
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Häftad, Engelska, 2009
440 kr
Skickas inom 3-6 vardagar
The Julius Rosenwald Fund has been largely ignored in the literature of both art history and African American studies, despite its unique focus, intensity, and commitment. Spertus Museum in Chicago has organized an exhibition, guest curated by Daniel Schulman, that presents and explores the work of funded artists as well as the history of the Fund. Through it, and this accompanying collection of essays, illustrations, and color plates, we see the Fund's groundbreaking initiative to address issues relating to the unequal treatment of blacks in American life. The book constitutes a veritable who's who of African American artists and intellectuals of the first half of the twentieth century, as well as a roll call of modern contributors who represent the leading scholars in their fields, including Peter M. Ascoli, grandson and biographer of Julius Rosenwald, and Kinshasha Holman Conwill, deputy director of the National Museum of African American Art and Culture. With far-reaching influence even today, the Julius Rosenwald Fund stands alongside the Rockefeller and Carnegie funds as a major force in American cultural history. This book takes an illuminating look at an innovative fund and the opportunities it brought to African American artists.
Häftad, Engelska, 2024
215 kr
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Häftad, Engelska, 2015
183 kr
Skickas inom 5-8 vardagar
Not long after the death of his father, whose heart gave out suddenly in November 1967, Charles Koch, then in his early 30s, discovered a letter his father had written when his four sons were small. "My dear boys," it began when you are 21, you will receive what now seems to be a large sum of money. It may either be a blessing or a curse." "Above all," he cautioned, "be kind and generous to one another."In the ensuing decades, Fred's legacy became a blessing and a curse. Two of his sons, Charles and David, joined forces to build Koch Industries, one of the largest private corporations in the world. But they ended up in an epic feud with brothers Bill and Frederick that spanned nearly two decades, tearing the family apart-and nearly Koch Industries along with it. Bill would start his own energy company and attain a modicum of fame as a litigious wine-collector and yachtsman (he likened winning The America's Cup in 1992 to the ecstasy of "10,000 orgasms.") After being marginalized by the patriarch because of his effete manner, Frederick became a patron of the arts and a fastidious refurbisher of historic estates.Starting with their boyhood when fraternal disputes were sometimes settled in the boxing ring, SONS OF WICHITA takes you inside this highly private family and traces the evolution of these four distinct personalities as well as their corporate, philosophical, social and political ambitions (many forget David Koch ran as the Libertarian Party's vp candidate in 1980). Influenced by the conservative, anti-communist sentiments of their father, a founding member of the John Birch Society, Charles and David devised an ambitious strategy to foist their ideological agenda upon the nation-quietly channeling millions of dollars of their fortune into a web of freemarket think tanks, academic programs, advocacy groups, and more, while also building what amounts to a shadow Republican Party, replete with a donor network capable of raising as much in an election cycle as the Republican National Committee. Never before did they flex their political muscles as vigorously as they did during the 2012 campaign, when Charles and David clashed with the Obama administration in what Charles described as the "mother of all wars."Like The Rockefellers before them, The Koch (pronounced like the soft-drink "Coke") Brothers are a great American dynasty. Unlike The Rockefellers, they have never been the subject of a major biography before.