Daniel Warner – författare

First Published in 1995. The outcome of the political transition in Eastern Europe depends not only on the politics pursued but on the understanding of politics in the countries involved. A key aspect of such understanding is the notion of ''citizenship'', an ancient term of striking contemporary relevance not only in Eastern Europe but in the West as well. What then are the dynamics of citizenship in Europe''s new democracies and how do emerging solutions to the question of citizenship there respond to the concerns that the issue of citizenship has raised and continues to raise elsewhere? These questions prompted the project which has led to this volume. Conceived in 1991, it focussed on Poland, Hungary and, what was then Czecho-Slovakia, as countries already grappling with the issue of post-communist citizenship.

First Published in 1995. The outcome of the political transition in Eastern Europe depends not only on the politics pursued but on the understanding of politics in the countries involved. A key aspect of such understanding is the notion of ''citizenship'', an ancient term of striking contemporary relevance not only in Eastern Europe but in the West as well. What then are the dynamics of citizenship in Europe''s new democracies and how do emerging solutions to the question of citizenship there respond to the concerns that the issue of citizenship has raised and continues to raise elsewhere? These questions prompted the project which has led to this volume. Conceived in 1991, it focussed on Poland, Hungary and, what was then Czecho-Slovakia, as countries already grappling with the issue of post-communist citizenship.

This title was first published in 2001: Japan has a long history of being isolated from multilateral diplomacy. With its increasing economic power, Japan has become more concerned with external foreign relations and hence more involved in multilateral diplomacy. This coherent and interrelated text, brings together studies of the central issues involved, written by prominent Japanese and Western scholars, analyzing the emergence of Japan in multilateral fora from historical, domestic and international perspectives. Those concerned with international relations will find this text an essential guide for courses and research.

This title was first published in 2001. An authoritative look at the operational role of the OSCE in South-Eastern Europe, this book provides in-depth examination of the efforts of an international organization to contribute to regional stability in the volatile Balkans in the 1990s. Essential reading for students and academics of international relations and specialists on South-Eastern Europe.

This title was first published in 2001. An authoritative look at the operational role of the OSCE in South-Eastern Europe, this book provides in-depth examination of the efforts of an international organization to contribute to regional stability in the volatile Balkans in the 1990s. Essential reading for students and academics of international relations and specialists on South-Eastern Europe.

First Published in 1995. The outcome of the political transition in Eastern Europe depends not only on the politics pursued but on the understanding of politics in the countries involved. A key aspect of such understanding is the notion of 'citizenship', an ancient term of striking contemporary relevance not only in Eastern Europe but in the West as well. What then are the dynamics of citizenship in Europe's new democracies and how do emerging solutions to the question of citizenship there respond to the concerns that the issue of citizenship has raised and continues to raise elsewhere? These questions prompted the project which has led to this volume. Conceived in 1991, it focussed on Poland, Hungary and, what was then Czecho-Slovakia, as countries already grappling with the issue of post-communist citizenship.

This title was first published in 2001. An authoritative look at the operational role of the OSCE in South-Eastern Europe, this book provides in-depth examination of the efforts of an international organization to contribute to regional stability in the volatile Balkans in the 1990s. Essential reading for students and academics of international relations and specialists on South-Eastern Europe.

This title was first published in 2001. An authoritative look at the operational role of the OSCE in South-Eastern Europe, this book provides in-depth examination of the efforts of an international organization to contribute to regional stability in the volatile Balkans in the 1990s. Essential reading for students and academics of international relations and specialists on South-Eastern Europe.

This title was first published in 2001: Japan has a long history of being isolated from multilateral diplomacy. With its increasing economic power, Japan has become more concerned with external foreign relations and hence more involved in multilateral diplomacy. This coherent and interrelated text, brings together studies of the central issues involved, written by prominent Japanese and Western scholars, analyzing the emergence of Japan in multilateral fora from historical, domestic and international perspectives. Those concerned with international relations will find this text an essential guide for courses and research.

This title was first published in 2001: Japan has a long history of being isolated from multilateral diplomacy. With its increasing economic power, Japan has become more concerned with external foreign relations and hence more involved in multilateral diplomacy. This coherent and interrelated text, brings together studies of the central issues involved, written by prominent Japanese and Western scholars, analyzing the emergence of Japan in multilateral fora from historical, domestic and international perspectives. Those concerned with international relations will find this text an essential guide for courses and research.

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical.Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical.Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical.Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical.Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

We live in an electronic world. Electronic sounds and electronic music have long permeated our sonic landscape. What began as the otherworldly sounds of the film score for the 1956 film Forbidden Planet and the rarefied, new timbres of Stockhausen’s Kontakte a few years later, is now a common soundscape in technology, media and an array of musical genres and subgenres. More people than ever before can produce and listen to electronic music, from isolated experimenters, classical and jazz musicians, to rock musicians, sound recordists and the newer generations of electronic musicians making hip-hop, house, techno and ambient music. Increasingly we are listening to electronic sounds, finding new meanings in them, experimenting with them and rehearing them as listeners and makers.Live Wires explores how the five key electronic technologies – the tape recorder, circuit, computer, microphone and turntable – revolutionized musical thought. Featuring the work of major figures from Schaeffer, Varèse, Xenakis, Babbitt and Oliveros to Eno, Keith Emerson, Grandmaster Flash, Juan Atkins and Holly Herndon, Live Wires presents many of the powerful musical ideas that are being recycled, rethought and remixed by some of the most electrifying composers and musicians today.