Danielle Kirby – författare

New Religious Movements (NRMs) came into being as a distinct subfield of academic study in the 1970s in response to the explosion of non-traditional religions that took place in the waning years of the Sixties counterculture. (The designation ‘New Religion’ is a direct translation of a Japanese term coined for the many new religions that emerged in the wake of the Second World War, and was adopted by Western scholars in the late Sixties/early Seventies in preference to the pejorative term ‘cult’.) These movements, and those termed ‘sects’ and ‘cults’, initially attracted the attention of American and European sociologists of religion because of the controversy that arose in response to their expansion.Religious Studies, which at the time was still in the process of establishing itself as a legitimate discipline distinct from Theology and traditional Biblical Studies, was only too happy to leave NRMs to Sociology. This situation gradually changed, however, so that at present at least as many scholars of NRMs come from Religious Studies backgrounds as come from the social sciences.The collection consists of four volumes which together provide a one-stop source for crucial information on—and theoretical/methodological approaches to—contemporary New Religions. The set brings together thinking on a wide variety of themes associated with NRMs (e.g. apocalypticism, typologies, conversion, gender) and major works on the NRMs that have attracted the most scholarly attention (e.g. the ‘Moonies’, The Family International, Osho Rajneesh). Some influential ‘anti-cult’ articles (normally not considered part of mainstream scholarship) have also been included as well.Sects, Cults, and New Religions is fully indexed and includes a comprehensive introduction, newly written by the editor, and is destined to be valued as a vital research resource.

Religion and spirituality are being transformed in our late modern and secularising times. New forms of belief proliferate, often notable for not being limited to traditional systems of reference or expression. Increasingly, these new religions present worldviews which draw directly upon popular culture - or occulture - in fiction, film, art and the internet. Fantasy and Belief explores the context and implications of these types of beliefs through the example of the Otherkin community. The Otherkin are a loosely-affiliated group who believe themselves to be in some way more than just human, their non-humanity often rooted in the characters and narratives of popular fantasy and science fiction. Challenging much current sociological thinking about spirituality and consumption, Fantasy and Belief reveals how popular occulture operates to recycle, develop, and disseminate metaphysical ideas, and how the popular and the sacred are combining in new ways in today''s world.