Darlene Clark Hine – författare

A record of the American civil rights movement. Included are speeches by Martin Luther King Jr, and his "Letter from Birmingham City Jail", an interview with Rosa Parks, selections from "Malcolm X Speaks"; Black Panther Bobby Seale's "Seize the Time", a piece by Herman Badillo on the infamous Attica prison uprising; addresses by Harold Washington, Jesse Jackson, Nelson Mandela and much more.

Winner of the Dartmouth Medal for Outstanding Reference Publication of 1994, the first edition of Black Women in America broke ground--pulling together for the first time all of the research in this vast but underrepresented field to provide one of the strongest building blocks of Black Women's Studies. Hailed by Eric Foner of Columbia University (for a Lingua Franca survey) as "one of those publishing events which changes the way we look at a field," it simultaneously filled a void in the literature and sparked new research and concepts regarding African-American women in history. Since the first edition was published, a new generation of American black women has flourished, demanding this landmark reference be brought up to date. Women such as Venus and Serena Williams, Condoleezza Rice, Carol Mosley-Braun, Ruth Simmons, and Ann Fudge have become household names for their remarkable contributions to sports, politics, academia, and business. In three magnificent volumes, Black Women in America, second edition celebrates the remarkable achievements of black women throughout history, highlights their ongoing contributions in America today, and covers the new research the first edition helped to generate.

Emancipation, manumission, and complex legalities surrounding slavery led to a number of women of color achieving a measure of freedom and prosperity from the 1600s through the 1800s. These black women held property in places like Suriname and New Orleans, headed households in Brazil, enjoyed religious freedom in Peru, and created new selves and new lives across the Caribbean. Beyond Bondage outlines the restricted spheres within which free women of color, by virtue of gender and racial restrictions, carved out many kinds of existences. Although their freedom--represented by respectability, opportunity, and the acquisition of property--always remained precarious, the essayists support the surprising conclusion that women of color often sought and obtained these advantages more successfully than their male counterparts.

The presence of Blacks in a number of European societies has drawn increasing interest from scholars, policymakers, and the general public. This interdisciplinary and multi-disciplinary collection penetrates the multifaceted Black presence in Europe, and, in so doing, complicates the notions of race, belonging, desire, and identities assumed and presumed in revealing portraits of Black experiences in a European context. In focusing on contemporary intellectual currents and themes, the contributors theorize and re-imagine a range of historical and contemporary issues related to the broader questions of blackness, diaspora, hegemony, transnationalism, and "Black Europe" itself as lived and perceived realities.  Contributors are Allison Blakely, Jacqueline Nassy Brown, Tina Campt, Fred Constant, Alessandra Di Maio, Philomena Essed, Terri Francis, Barnor Hesse, Darlene Clark Hine, Dienke Hondius, Eileen Julien, Trica Danielle Keaton, Kwame Nimako, Tiffany Ruby Patterson, T. Denean Sharpley-Whiting, Stephen Small, Tyler Stovall, Alexander G. Weheliye, Gloria Wekker, and Michelle M. Wright.

Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.

Emancipation, manumission, and complex legalities surrounding slavery led to a number of women of color achieving a measure of freedom and prosperity from the 1600s through the 1800s. These black women held property in places like Suriname and New Orleans, headed households in Brazil, enjoyed religious freedom in Peru, and created new selves and new lives across the Caribbean. Beyond Bondage outlines the restricted spheres within which free women of color, by virtue of gender and racial restrictions, carved out many kinds of existences. Although their freedom--represented by respectability, opportunity, and the acquisition of property--always remained precarious, the essayists support the surprising conclusion that women of color often sought and obtained these advantages more successfully than their male counterparts.

The presence of Blacks in a number of European societies has drawn increasing interest from scholars, policymakers, and the general public. This interdisciplinary and multi-disciplinary collection penetrates the multifaceted Black presence in Europe, and, in so doing, complicates the notions of race, belonging, desire, and identities assumed and presumed in revealing portraits of Black experiences in a European context. In focusing on contemporary intellectual currents and themes, the contributors theorize and re-imagine a range of historical and contemporary issues related to the broader questions of blackness, diaspora, hegemony, transnationalism, and "Black Europe" itself as lived and perceived realities.  Contributors are Allison Blakely, Jacqueline Nassy Brown, Tina Campt, Fred Constant, Alessandra Di Maio, Philomena Essed, Terri Francis, Barnor Hesse, Darlene Clark Hine, Dienke Hondius, Eileen Julien, Trica Danielle Keaton, Kwame Nimako, Tiffany Ruby Patterson, T. Denean Sharpley-Whiting, Stephen Small, Tyler Stovall, Alexander G. Weheliye, Gloria Wekker, and Michelle M. Wright.

Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.

". . . a much-needed volume on a neglected topic that is of great interest to scholars of women, slavery, and African American history." —Drew FaustGender was a decisive force in shaping slave society. Slave men's experiences differed from those of slave women, who were exploited both in reproductive as well as productive capacities. The women did not figure prominently in revolts, because they engaged in less confrontational resistance, emphasizing creative struggle to survive dehumanization and abuse.The contributors are Hilary Beckles, Barbara Bush, Cheryl Ann Cody, David Barry Gaspar, David P. Geggus, Virginia Meacham Gould, Mary Karasch, Wilma King, Bernard Moitt, Celia E. Naylor-Ojurongbe, Robert A. Olwell, Claire Robertson, Robert W. Slenes, Susan M. Socolow, Richard H. Steckel, and Brenda E. Stevenson.

"The history of African American women has become an important topic in the intellectual life of this country in the last fifteen years; and Darlene Clark Hine has been one of those most responsible for bringing the subject to its current level of importance." —from the Foreword by John Hope Franklin"In this absolutely needed collection of essays by one of the leading American historians of our generation, the richly intertwined community-making and self-making that shaped the historical experience of African American women shines out like a beacon." —Susan M. Reverby, Luella LaMer Associate Professor for Women's Studies, Wellesley College

Each of these essays illuminates an important dimension of the complex array of Black male experiences as workers, artists, warriors, and leaders. The essays describe the expectations and demands to struggle, to resist, and facilitate the survival of African American culture and community. Black manhood was shaped not only in relation to Black womanhood, but was variously nurtured and challenged, honed and transformed against a backdrop of white male power and domination, and the relentless expectations and demands on them to struggle, resist, and to facilitate the survival of African-American culture and community.

Now in paperback!Crossing BoundariesComparative History of Black People in Diaspora Edited by Darlene Clark Hine and Jacqueline McLeodSuggests new paradigms for the study of Blacks in diaspora."The 18 papers in this volume are original, clearly written, and of consistently high quality. Organized in four parts—'Comparative Diaspora Historiography,' 'Identity and Culture,' 'Domination and Resistance,' and 'Geo-Social History and the Atlantic World'—these essays complement each other in a way that makes the whole even more valuable than the sum of the parts."—ChoiceThe essays assembled in Crossing Boundaries reflect the international dimensions, commonalities, and discontinuities in the histories of diasporan communities of color. People of African descent in the New World (the United States, Latin America, and the Caribbean) share a common set of experiences: domination and resistance, slavery and emancipation, the pursuit of freedom, and struggle against racism. No single explanation can capture the varied experiences of Black people in diaspora. Crossing Boundaries probes differences embedded in Black ethnicities and helps to discover and to weave into a new understanding the threads of experience, culture, and identity across diasporas. Contributors include Allison Blakely, Kim Butler, Frederick Cooper, George Fredrickson, David Barry Gaspar, Jack P. Green, Thomas Holt, Earl Lewis, Elliott Skinner, and Rosalyn Terborg-Penn. Darlene Clark Hine, John A. Hannah Professor of History at Michigan State University, is author of Hine Sight: Black Women and the Re-Construction of American History (Indiana University Press); co-author of A Shining Thread of Hope: The History of Black Women in America and The African American Odyssey; and co-editor of More Than Chattel: Black Women and Slavery in the Americas and A Question of Manhood: A Reader in Black Men's History and Masculinity (both Indiana University Press).Jacqueline McLeod is Assistant Professor of History at Western Illinois University. She holds a J.D. degree from the University of Toledo College of Law.Blacks in the Diaspora—Darlene Clark Hine, John McCluskey, Jr., David Barry Gaspar, general editorsMarch 2001 (cloth 1999)520 pages, 6 1/8 x 9 1/4, 1 fig., notes, indexcloth0-253-33542-6$29.95 L / £22.95paper0-253-21450-5$17.95 s / £13.95

A Question of Manhood: A Reader in Black Men's History and Masculinity, is the first anthology of historical studies focused on themes and issues central to the construction of Black masculinities. The editors identified these essays from among several hundred articles published in recent years in leading American history journals and academic periodicals. Volume II picks up where volume I left off, continuing to focus on gender by examining the lives of African American men in the tumultuous period following the Civil War through the end of the nineteenth century. The writings included in volume two cover themes in the lives of black men that touch on leadership, work and the professions, family and community, sports and the military, and the image of black men in the larger society.

"[An important] detailing of the development and evolution of a major institution of the African Diaspora [and] of Brazilian and Afro-Brazilian identity." —Sheila S. WalkerThe Afro-Brazilian religion Candomblé has long been recognized as an extraordinary resource of African tradition, values, and identity among its adherents in Bahia, Brazil. Outlawed and persecuted in the late colonial and imperial period, Candomblé nevertheless developed as one of the major religious expressions of the Afro-Atlantic diaspora. Drawing principally on primary sources, such as police archives, Rachel E. Harding describes the development of the religion as an "alternative" space in which subjugated and enslaved blacks could gain a sense of individual and collective identity in opposition to the subaltern status imposed upon them by the dominant society.

In the fall of 1983 a group of scholars met at Purdue University for the American Historical Association Conference on the Study and Teaching of Afro-American history. This group included some of the most prominent historians and educators in their professions, and at this landmark meeting they assessed and evaluated the entire field of Afro-American history, its past, present, and future. The sponsorship of the American Historical Association officially acknowledged the coming of age of black history as a vital and respected part of American history.The contributions of many outstanding scholars and educators make The State of Afro-American History, the proceedings of that conference, an authoritative and provocative examination of the Afro-American experience during slavery and since emancipation. Individual essays cover the ways in which black slaves shaped their environment, the forces that influenced the black urban experience in the United States, the evolution of scholarship in Afro-American history, and the merger of American and Afro-American histories. The need for movement beyond the mere integration of blacks into existing textbooks and courses and the responsibility of the Afro-American scholar to the community are treated at length, as are media representation of black history and black women's history. The scholars are concerned with both the creation of histories and their dissemination through classrooms, texts, museums, and the popular media. Afro-American history is a relatively recent field of study, and the scholars represented in this book are only the fourth generation to pursue it. Earlier scholars have just recently gained wide recognition for their efforts. The contributors to this volume are very aware that they are living, reacting to, and shaping a history, as well as studying and teaching it. The effect of this dynamic on The State of Afro-American History is furthered by the essays' interactive structure: various pieces build on and critique other essays.This unique and remarkable volume will interest not only professional historians but students and secondary school teachers, school administrators, and librarians. It offers comprehensive and concise evaluations of where Afro-American history has been and is now, and suggestions for where it can go in the future.