John McCluskey – författare

Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.

Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.

"[An important] detailing of the development and evolution of a major institution of the African Diaspora [and] of Brazilian and Afro-Brazilian identity." —Sheila S. WalkerThe Afro-Brazilian religion Candomblé has long been recognized as an extraordinary resource of African tradition, values, and identity among its adherents in Bahia, Brazil. Outlawed and persecuted in the late colonial and imperial period, Candomblé nevertheless developed as one of the major religious expressions of the Afro-Atlantic diaspora. Drawing principally on primary sources, such as police archives, Rachel E. Harding describes the development of the religion as an "alternative" space in which subjugated and enslaved blacks could gain a sense of individual and collective identity in opposition to the subaltern status imposed upon them by the dominant society.

One of the premier writers of the Harlem Renaissance, Rudolph Fisher wrote short stories depicting the multifaceted black urban experience that are still acclaimed today for their humor, grace, and objective view of Harlem life. Through his words, wrote the ""New York Times Book Review"", 'one feels, smells, and tastes his Harlem; its people come alive and one cares about them.'A definitive collection of Fisher's short stories, ""The City of Refuge"" offers vibrant tales that deal with the problems faced by newcomers to the city, ancestor figures who struggle to instill a sense of integrity in the young, problems of violence and vengeance, and tensions of caste and class. This anthology has now been expanded to include seven previously unpublished stories that take up such themes as marital infidelity and passing for black and also relate the further adventures of Jinx and Bubber, the comic duo who appeared in Fisher's two novels.This new edition also includes two unpublished speeches and the popular article ""The Caucasian Storms Harlem,"" describing the craze for black music and dance. John McCluskey's introduction has been updated to place the additional works within the context of Fisher's career while situating his oeuvre within the broader context of American writing during the twenties.Fisher recognized the comic power in African American folklore and music and frequented Harlem's many cabarets, speakeasies, and nightclubs, and at the core of his work is a strong regard for music as context and counterpoint. ""The City of Refuge"" now better captures the sounds of the city experience by presenting all of Fisher's known stories. It offers a portrait of Harlem unmatched in depth and range by Fisher's contemporaries or successors, celebrating, as Booklist noted, 'the complexity of black urban life in its encounter with the dangers and delights of the city.' This expanded edition adds new perspectives to that experience and will enhance Fisher's status for a new generation of readers.

This book on systematic social observation (SSO) methodology provides detailed, step-by-step guidance for researchers on using the method. It identifies varieties of approaches and uses of SSO, the different steps used when performing SSO, and the benefits and challenges associated with using SSO.