David Atkinson – författare

The bestselling author of Love Byte is back with this laugh-out-loud hilarious rom com! Getting hit by a bus was the best thing that ever happened to him… When one wrong step – and the poor timing of the number 19 bus – send Nathan Jones to the Edinburgh morgue his story should have ended…but then he went and woke up.Returned to real life Nathan finds a wife disappointed that he’s miraculously returned from the dead and an unshakeable attraction for mortuary technician Kat – the woman who brought him back to life, in more ways than one.Now, as his world implodes and Kat leads him down an unexpected path, Nathan somehow finds himself having the time of his second life… A hilarious, uplifting story of second chances, death defying hijinks and motorhome mayhem – Mhairi McFarlane meets Eleanor Oliphant!

Condemned as an intellectul poison by the late American geographer Richard Hartshbornem geopolitics has confounded its critics. Today it remains a popular and important intellectul field despite the persistent allegations that geopolitics helped to legitimate Hitler's policies of spatial expansionism and the domination of place. Using insights from critical geopolitics and cultural history, the contributoirs focus on how geopolitics has been created, negotiated and contested within a variety of intellectual and popular contexts. Geopolitical Traditions argues that geopolitics has to take responsibility for the past whilst at the same time reconceptualising geopolitics in a manner which accounts for the dramatic changes in the late twentieth century. The book is divided into three sections: firstly Rehtinking Geopolitical Histories concentrates on how geopolitical conversations between European scholars and the wider world unfolded; secondly Geopolitics, Nationa and Spirituality considers how geopolitical writings have been strongly influenced by religions, iconography adn doctrine with examples drawn from Catholicicsm, Judaism and Hinduism; and thirdly Reclaiming and Refocusing Geopolitics contemplates how geopolitics has been reformulated in the post-war period with illustrations from France and the United States. Geopolitical Traditions brings together scholars working in a variety of disciplines and locations in order to explore a hundred years of geopolitical thought. Sanjay Chaturedi Punjab University, India. Paul Claval, Eaubonne, France . Michael J. Heffernan Notingham University, UK, Les Hepple University of Bristol.

Condemned as an intellectul poison by the late American geographer Richard Hartshbornem geopolitics has confounded its critics. Today it remains a popular and important intellectul field despite the persistent allegations that geopolitics helped to legitimate Hitler's policies of spatial expansionism and the domination of place. Using insights from critical geopolitics and cultural history, the contributoirs focus on how geopolitics has been created, negotiated and contested within a variety of intellectual and popular contexts. Geopolitical Traditions argues that geopolitics has to take responsibility for the past whilst at the same time reconceptualising geopolitics in a manner which accounts for the dramatic changes in the late twentieth century. The book is divided into three sections: firstly Rehtinking Geopolitical Histories concentrates on how geopolitical conversations between European scholars and the wider world unfolded; secondly Geopolitics, Nationa and Spirituality considers how geopolitical writings have been strongly influenced by religions, iconography adn doctrine with examples drawn from Catholicicsm, Judaism and Hinduism; and thirdly Reclaiming and Refocusing Geopolitics contemplates how geopolitics has been reformulated in the post-war period with illustrations from France and the United States. Geopolitical Traditions brings together scholars working in a variety of disciplines and locations in order to explore a hundred years of geopolitical thought. Sanjay Chaturedi Punjab University, India. Paul Claval, Eaubonne, France . Michael J. Heffernan Notingham University, UK, Les Hepple University of Bristol.

A groundbreaking book that addresses the science that underpins organic agriculture and horticulture and its impact upon the management of organic systemsWith contributions from noted experts in the field, Organic Agriculture explores the cultural context of food production and examines the historical aspects, economic implications, and key scientific elements that underpin organic crop production. The book shows how a science-based approach to organic farming is grounded in history and elements of the social sciences as well as the more traditional areas of physics, chemistry and biology. Organic Agriculture offers a detailed explanation of the differences between organic systems and other approaches, answering questions about crop production and protection, crop rotations, soil health, biodiversity and the use of genetic resources. The authors identify current gaps in our understanding of the topic and discuss how organic farming research may be better accomplished in the future. This important book: Explores the science that underpins organic farmingContains illustrative case studies from around the worldExamines organic agriculture’s philosophical roots and its socio-economic contextWritten for scientists and students of agriculture and horticulture, this book covers the issues linked to the use of science by organic producers and identifies key elements in the production of food.

This book explores key areas of modern society in which language is used to form power and social relations. These are presented in five sections:Language and the MediaLanguage and OrganisationsLanguage and GenderLanguage and YouthMultilingualism, Identity and EthnicityWith a unique combination of selected readings and student-centred tasks in a single volume, the book covers contemporary issues in language and power, ranging from the global to the interpersonal. Each area - and each reading chosen to explore it - is substantially contextualised and discussed through a detailed introduction and then followed up with related activities.Each section comprises:*a substantial, specific introduction which draws students’ attention to key themes and issues relevant to its topic; *a set of four or five selected readings which encourages students to locate critically these issues in context; *a task, or set of tasks, obliging students to undertake ‘hands-on’ linguistic analysis of data and engage in more sophisticated discussion of pertinent issues.*In-depth exploration of a variety of approaches to the study of language and power*Unique combination of advanced readings, student-centred tasks and editorial guidance*Hands-on activities at the end of each chapter

Ballads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The English Traditional Ballad, David Atkinson examines the ways in which the body of ballads known in England make reference both to ballads from elsewhere and to other English folk songs. The book outlines current theoretical directions in ballad scholarship: structuralism, traditional referentiality, genre and context, print and oral transmission, and the theory of tradition and revival. These are combined to offer readers a method of approaching the central issue in ballad studies - the creation of meaning(s) out of ballad texts. Atkinson focuses on some of the most interesting problems in ballad studies: the 'wit-combat' in versions of The Unquiet Grave; variable perspectives in comic ballads about marriage; incest as a ballad theme; problems of feminine motivation in ballads like The Outlandish Knight and The Broomfield Hill; murder ballads and murder in other instances of early popular literature. Through discussion of these issues and themes in ballad texts, the book outlines a way of tracing tradition(s) in English balladry, while recognizing that ballad tradition is far from being simply chronological and linear.

The Generative AI revolution is driven by corporations demanding legal superpowers. If we allow it to continue unchecked, the implications will be profound. This urgent, critical book exposes the unprecedented push by trillion-dollar companies to build AI on billions of unauthorized human works and redefine fundamental areas of law, including copyright, contract, and free speech. Written by an industry insider who turned from AI champion to AI critic, this highly accessible work promotes AI literacy and provides essential tools to pierce the hype. Readers will learn how to assess AI's profound societal risks to democracy and autonomy and ensure that we are the architects of-and not bystanders in-our artificial future.

The Generative AI revolution is driven by corporations demanding legal superpowers. If we allow it to continue unchecked, the implications will be profound. This urgent, critical book exposes the unprecedented push by trillion-dollar companies to build AI on billions of unauthorized human works and redefine fundamental areas of law, including copyright, contract, and free speech. Written by an industry insider who turned from AI champion to AI critic, this highly accessible work promotes AI literacy and provides essential tools to pierce the hype. Readers will learn how to assess AI's profound societal risks to democracy and autonomy and ensure that we are the architects of-and not bystanders in-our artificial future.

In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.

Chester’s history goes back 2,000 years, from the Romans to recent times, and in the course of the centuries the city has witnessed many dark deeds and events. Chester’s historical buildings and streets were part of this history and in this book local writer and tourist guide David Atkinson investigates the darker side of Chester’s past. With help from experts in their fields, he tells stories concerning Chester Cathedral’s stones, the famous Rows and pubs and churches in the city, with ghosts, poltergeists and an apparent visit by the devil. The entertainment in the amphitheatre played an often brutal role in Roman Chester, public executions were held in the city with heads displayed on spikes, the local museum has a spooky side to its doll collection, and plague and pestilence were regular visitors. These tales and many more will be of interest to all those who are visiting Chester for the first time, have lived in the city or know it well. Join David for a walk on the dark side.

In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.