David Berger – författare

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This is an important new monograph on an overlooked aspect of Kant's aesthetic theory, presenting an innovative approach to one of modern philosophy's greatest works. Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant's distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant's various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant's substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant's distinction between beauty and agreeableness is ultimately epistemological.His interpretation brings Kant's aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.

The persistence of anti-Semitism is a phenomenon that challenges Jewish historians to make ethical judgments a part of historical analysis. This comprehensive collection meets that challenge as its authors provide fresh insight into the complexities of anti-Semitism. The eight essays included in this volume are by noted scholars, each an expert in a specific historical period—from the ancient world to the twentieth century.

Over the past century, the liturgy has been a flashpoint of theological interest. Few scholars, however, have examined what St. Thomas Aquinas has to say about the Liturgy. In this concise volume, David Berger ably takes on this task. A member of the Pontifical Academy of St. Thomas, Berger approaches his theme from a perspective in accord with Cardinal Ratzingers recent call for a ""reform of the reform."" Drawing together St. Thomas's life and theology, Berger illumines the role in St. Thomas's theology of his youthful training at the Benedictine monastery of Monte Cassino and his devotion to the Eucharist. Rightly renowned for his articulation of the real presence of Christ in the Eucharist by transubstantiation, St. Thomas deserves also to be regarded as a master of liturgics. Berger demonstrates that liturgy belongs to the heart of St. Thomas's speculative theological syntheses: For St. Thomas, lex orandi truly is lex credendi. As Berger shows, St. Thomas provides a supremely incamational view of the Christian liturgy, in which man. as a body-soul unity, is drawn with the angels into Christ's redemptive sacrifice.

Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant's distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant's various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant's substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant's distinction between beauty and agreeableness is ultimately epistemological. His interpretation brings Kant's aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.

Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant''s distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant''s various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant''s substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant''s distinction between beauty and agreeableness is ultimately epistemological. His interpretation brings Kant''s aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.

Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant's distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant's various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant's substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant's distinction between beauty and agreeableness is ultimately epistemological. His interpretation brings Kant's aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.

Persecution, Polemic, and Dialogue follows the interaction between Jews and Christians through the ages in all its richness, complexity, and diversity. This collection of essays analyzes anti-Semitism, perceptions of the Other, and religious debates in the Middle Ages and proceeds to consider modern and contemporary interactions, which are marked by both striking continuity and profound difference. These include controversies among historians, the promise and challenge of interfaith dialogue, and the explosive exchanges surrounding Mel Gibson’s film on the passion. This volume will engage scholars, students, and any reader intrigued by one of the longest and most fraught inter-group relationships in history.

The Music In Us chronicles the artistic journey of Bette Alexander. With singular devotion, she has painted both abstract and figurative work, driven by her love of texture and color and her curiosity about the world. Painting has always been her North Star, sustaining her through a life full of ups and downs.Alexander's artwork grew as her life evolved, reflecting her experience as a world traveler and social observer. She has taken on overlooked elderly women, genocidal oppression, prisoners in confinement, and the foibles of country life. Born Jewish, she has a fascination with ritual objects and the varieties of religious expression, from the lost synagogues of WWII to the colorful Christian Timkat festival of Ethiopia. Most recently, psychological themes related to COVID-19 and isolation have appeared in her art.Spanning more than forty years, these seventy works show an artist with a gift for expression, finely tuned to the currents of life around her.

The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman's Brooklyn and the Folies Bergère of Josephine Baker, Gertrude Stein's salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes.Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more.The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton's Playhouse.

The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman''s Brooklyn and the Folies Berg�re of Josephine Baker, Gertrude Stein''s salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes.Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more.The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton''s Playhouse.

This book is a history, an indictment, a lament, and an appeal, focusing on the messianic trend in Lubavitch hasidism. It demonstrates how hasidim who affirm the dead Rebbe's messiahship have abandoned one of Judaism's core beliefs in favour of adherence to the doctrine of a second coming. At the same time, it decries the remarkable equanimity with which the standard-bearers of Orthodoxy have granted legitimacy to this development by continuing to recognize such believers as Orthodox Jews in good standing. This dramatic abandonment of the age-old Jewish resistance to a quintessentially Christian belief is a development of striking importance for the history of religions, and it is an earthquake in the history of Judaism. David Berger chronicles the unfolding of this development from a personal viewpoint. He describes the growing concern that impelled him to undertake an anti-messianist campaign-publications, correspondence, and the sponsorship of a Rabbinical Council of America resolution excluding this belief from authentic Judaism. He argues that a large number, almost certainly a substantial majority, of Lubavitch hasidim believe in the Rebbe's messiahship; a significant segment, including educators in the central institutions of the movement, maintain a theology that goes beyond posthumous messianism to the affirmation that the Rebbe is pure divinity. While many Jews see Lubavitch as a marginal phenomenon, its influence is in fact growing at a remarkable rate-to the point where its representatives are poised to dominate Orthodox religious institutions not merely in isolated outposts but in several major countries throughout the world. This book analyses the boundaries of Judaism's messianic faith and its conception of God. It assesses the threat posed by the messianists of Lubavitch and points to the consequences, ranging from undermining a fundamental argument against the Christian mission to calling into question the kosher status of many foods and ritual objects prepared under Lubavitch supervision. Finally, it proposes a strategy to protect authentic Judaism from this assault.

Persecution, Polemic, and Dialogue follows the interaction between Jews and Christians through the ages in all its richness, complexity, and diversity. This collection of essays analyzes anti-Semitism, perceptions of the Other, and religious debates in the Middle Ages and proceeds to consider modern and contemporary interactions, which are marked by both striking continuity and profound difference. These include controversies among historians, the promise and challenge of interfaith dialogue, and the explosive exchanges surrounding Mel Gibson’s film on the passion. This volume will engage scholars, students, and any reader intrigued by one of the longest and most fraught inter-group relationships in history.

In Cultures in Collision and Conversation, David Berger addresses three broad themes in Jewish intellectual history: Jewish approaches to cultures external to Judaism and the controversies triggered by this issue in medieval and modern times; the impact of Christian challenges and differing philosophical orientations on Jewish interpretation of the Bible; and Messianic visions, movements, and debates from antiquity to the present. These essays include a monograph-length study of Jewish attitudes toward general culture in medieval and early modern times, analyses of the thought of Maimonides and Nahmanides, an assessment of the reactions to the most recent messianic movement in Jewish history, and reflections on the value of the academic study of Judaism.

Groer Erfolg entsteht selten durch groe Taten - sondern durch kleine, bestandige Schritte. In Mikrohabits Die stille Revolution der Leistung zeigt David Berger, wie winzige Verhaltensanderungen den entscheidenden Unterschied machen konnen. Mit wissenschaftlich fundierten Erkenntnissen aus Psychologie, Neurowissenschaft und Verhaltensokonomie erklart er, wie sich mit minimalem Aufwand nachhaltige Gewohnheiten etablieren lassen, die Konzentration, Produktivitat und innere Stabilitat fordern. Dieses Buch ist ein praziser Leitfaden fur alle, die ihr berufliches Potenzial entfalten wollen, ohne sich in komplexen Strategien zu verlieren. Es zeigt, wie kleine Handlungen das Denken verandern, Routinen starken und zu dauerhafter Leistungsfahigkeit fuhren. Eine Anleitung fur kluge Kopfe, die verstehen, dass wahre Starke in der Einfachheit liegt und dass 30 Sekunden ausreichen konnen, um den Lauf eines Tages, einer Karriere, eines Lebens zu verandern.

Die Autoren zeigen in diesem Buch, wie man für eigene Data-Science-Projekte mit Data Analytics und AI einen echten (Mehr-)Wert schafft. Sie entwickeln einen Leitfaden, mit dem Sie Ihre Datenanalyse systematisch, agil und nutzer:innenzentriert aufbauen und betreiben können. Zunächst machen die Autoren klar, wie wichtig es ist zu Beginn Ihrer Analytics-Projekte die für Ihr Geschäftsmodell richtigen und wertstiftenden Fragen zu stellen. Im Anschluss erläutern sie, wie Sie Technologien und Daten so einsetzen, dass sie einen echten Mehrwert erzeugen können. Schließlich zeigen sie, wie Sie die Projekte effektiv, effizient und gewinnbringend umsetzen können. Das Fundament dafür bilden agile Methoden und Design Thinking, die die Autoren für alltägliche Analytics- und Data-Science-Projekte überführt und adaptiert haben.Mit zahlreichen Beispielen und Erfahrungen aus Daten-, Web- und Digital-Analytics-Projekten sowie zwei realen Beispielen, wie man von der Idee und dem Auftrag zum Prototypen kommt. Aus dem Inhalt Agile Basics: Agile Prinzipien und ErfolgsfaktorenVom Design Thinking zum Data Thinking – wie Design Thinking Datenprojekte besser machtArtificial Intelligence – wie Künstliche Intelligenz mehrwertorientiert in Data Analytics eingesetzt werden kannEthische, rechtliche und ökologische Implikationen – wie Data Analytics und AI doch kein Schreckgespenst werdenDer Data Value Loop - Datenmehrwert agil und nutzer:innenzentriertAnalytics in der Praxis – von der Konzeption über Tracking und Reporting bis zum Arbeitsmeeting im AlltagAI in der Praxis - Data Science und Agile, geht das überhaupt zusammen? Zwei exemplarische ProjektdurchführungenGlossar

Die Autoren zeigen in diesem Buch, wie man für eigene Data-Science-Projekte mit Data Analytics und AI einen echten (Mehr-)Wert schafft. Sie entwickeln einen Leitfaden, mit dem Sie Ihre Datenanalyse systematisch, agil und nutzer:innenzentriert aufbauen und betreiben können. Zunächst machen die Autoren klar, wie wichtig es ist zu Beginn Ihrer Analytics-Projekte die für Ihr Geschäftsmodell richtigen und wertstiftenden Fragen zu stellen. Im Anschluss erläutern sie, wie Sie Technologien und Daten so einsetzen, dass sie einen echten Mehrwert erzeugen können. Schließlich zeigen sie, wie Sie die Projekte effektiv, effizient und gewinnbringend umsetzen können. Das Fundament dafür bilden agile Methoden und Design Thinking, die die Autoren für alltägliche Analytics- und Data-Science-Projekte überführt und adaptiert haben.Mit zahlreichen Beispielen und Erfahrungen aus Daten-, Web- und Digital-Analytics-Projekten sowie zwei realen Beispielen, wie man von der Idee und dem Auftrag zum Prototypen kommt. Aus dem Inhalt Agile Basics: Agile Prinzipien und ErfolgsfaktorenVom Design Thinking zum Data Thinking – wie Design Thinking Datenprojekte besser machtArtificial Intelligence – wie Künstliche Intelligenz mehrwertorientiert in Data Analytics eingesetzt werden kannEthische, rechtliche und ökologische Implikationen – wie Data Analytics und AI doch kein Schreckgespenst werdenDer Data Value Loop - Datenmehrwert agil und nutzer:innenzentriertAnalytics in der Praxis – von der Konzeption über Tracking und Reporting bis zum Arbeitsmeeting im AlltagAI in der Praxis - Data Science und Agile, geht das überhaupt zusammen? Zwei exemplarische ProjektdurchführungenGlossar