David Berger – författare

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This is an important new monograph on an overlooked aspect of Kant's aesthetic theory, presenting an innovative approach to one of modern philosophy's greatest works. Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant's distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant's various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant's substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant's distinction between beauty and agreeableness is ultimately epistemological.His interpretation brings Kant's aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.

The persistence of anti-Semitism is a phenomenon that challenges Jewish historians to make ethical judgments a part of historical analysis. This comprehensive collection meets that challenge as its authors provide fresh insight into the complexities of anti-Semitism. The eight essays included in this volume are by noted scholars, each an expert in a specific historical period—from the ancient world to the twentieth century.

Over the past century, the liturgy has been a flashpoint of theological interest. Few scholars, however, have examined what St. Thomas Aquinas has to say about the Liturgy. In this concise volume, David Berger ably takes on this task. A member of the Pontifical Academy of St. Thomas, Berger approaches his theme from a perspective in accord with Cardinal Ratzingers recent call for a ""reform of the reform."" Drawing together St. Thomas's life and theology, Berger illumines the role in St. Thomas's theology of his youthful training at the Benedictine monastery of Monte Cassino and his devotion to the Eucharist. Rightly renowned for his articulation of the real presence of Christ in the Eucharist by transubstantiation, St. Thomas deserves also to be regarded as a master of liturgics. Berger demonstrates that liturgy belongs to the heart of St. Thomas's speculative theological syntheses: For St. Thomas, lex orandi truly is lex credendi. As Berger shows, St. Thomas provides a supremely incamational view of the Christian liturgy, in which man. as a body-soul unity, is drawn with the angels into Christ's redemptive sacrifice.

Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant's distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant's various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant's substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant's distinction between beauty and agreeableness is ultimately epistemological. His interpretation brings Kant's aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.

Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant''s distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant''s various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant''s substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant''s distinction between beauty and agreeableness is ultimately epistemological. His interpretation brings Kant''s aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.

Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant's distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant's various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant's substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant's distinction between beauty and agreeableness is ultimately epistemological. His interpretation brings Kant's aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.

Persecution, Polemic, and Dialogue follows the interaction between Jews and Christians through the ages in all its richness, complexity, and diversity. This collection of essays analyzes anti-Semitism, perceptions of the Other, and religious debates in the Middle Ages and proceeds to consider modern and contemporary interactions, which are marked by both striking continuity and profound difference. These include controversies among historians, the promise and challenge of interfaith dialogue, and the explosive exchanges surrounding Mel Gibson’s film on the passion. This volume will engage scholars, students, and any reader intrigued by one of the longest and most fraught inter-group relationships in history.

The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman's Brooklyn and the Folies Bergère of Josephine Baker, Gertrude Stein's salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes.Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more.The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton's Playhouse.

The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman''s Brooklyn and the Folies Berg�re of Josephine Baker, Gertrude Stein''s salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes.Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more.The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton''s Playhouse.

This book is a history, an indictment, a lament, and an appeal, focusing on the messianic trend in Lubavitch hasidism. It demonstrates how hasidim who affirm the dead Rebbe's messiahship have abandoned one of Judaism's core beliefs in favour of adherence to the doctrine of a second coming. At the same time, it decries the remarkable equanimity with which the standard-bearers of Orthodoxy have granted legitimacy to this development by continuing to recognize such believers as Orthodox Jews in good standing. This dramatic abandonment of the age-old Jewish resistance to a quintessentially Christian belief is a development of striking importance for the history of religions, and it is an earthquake in the history of Judaism. David Berger chronicles the unfolding of this development from a personal viewpoint. He describes the growing concern that impelled him to undertake an anti-messianist campaign-publications, correspondence, and the sponsorship of a Rabbinical Council of America resolution excluding this belief from authentic Judaism. He argues that a large number, almost certainly a substantial majority, of Lubavitch hasidim believe in the Rebbe's messiahship; a significant segment, including educators in the central institutions of the movement, maintain a theology that goes beyond posthumous messianism to the affirmation that the Rebbe is pure divinity. While many Jews see Lubavitch as a marginal phenomenon, its influence is in fact growing at a remarkable rate-to the point where its representatives are poised to dominate Orthodox religious institutions not merely in isolated outposts but in several major countries throughout the world. This book analyses the boundaries of Judaism's messianic faith and its conception of God. It assesses the threat posed by the messianists of Lubavitch and points to the consequences, ranging from undermining a fundamental argument against the Christian mission to calling into question the kosher status of many foods and ritual objects prepared under Lubavitch supervision. Finally, it proposes a strategy to protect authentic Judaism from this assault.

Persecution, Polemic, and Dialogue follows the interaction between Jews and Christians through the ages in all its richness, complexity, and diversity. This collection of essays analyzes anti-Semitism, perceptions of the Other, and religious debates in the Middle Ages and proceeds to consider modern and contemporary interactions, which are marked by both striking continuity and profound difference. These include controversies among historians, the promise and challenge of interfaith dialogue, and the explosive exchanges surrounding Mel Gibson’s film on the passion. This volume will engage scholars, students, and any reader intrigued by one of the longest and most fraught inter-group relationships in history.

In Cultures in Collision and Conversation, David Berger addresses three broad themes in Jewish intellectual history: Jewish approaches to cultures external to Judaism and the controversies triggered by this issue in medieval and modern times; the impact of Christian challenges and differing philosophical orientations on Jewish interpretation of the Bible; and Messianic visions, movements, and debates from antiquity to the present. These essays include a monograph-length study of Jewish attitudes toward general culture in medieval and early modern times, analyses of the thought of Maimonides and Nahmanides, an assessment of the reactions to the most recent messianic movement in Jewish history, and reflections on the value of the academic study of Judaism.

Studienarbeit aus dem Jahr 2020 im Fachbereich Soziale Arbeit / Sozialarbeit, Note: 1.0, Fachhochschule Potsdam, Sprache: Deutsch, Abstract: Das deutsche Schulsystem gliedert sich in drei Stufen, die Primärstufe, die Sekundarstufe I und die Sekundarstufe II. Darüber hinaus gibt es allerdings wenig einheitliche Regelungen, denn die Bildungshoheit liegt bei den Ländern. Man findet die unterschiedlichsten Schulformen; jedoch haben alle eines gemeinsam: Es gibt einen Unterrichtsablauf, der von dem oder der Lehrer*in bestimmt wird. Außerdem gibt es fremdbestimmte Leistungsbeurteilungen, wenn auch an manchen Schulen keine Noten (wohl aber Beurteilungen) vergeben werden (z. B. Waldorfschule). Das Paradigma, dass es Lernvorgaben und Bewertungen für die Jugendlichen geben müsse, scheint genauso tiefverankert zu sein wie die Annahme, dass von alleine - ohne Stundenpläne - nicht viel passiert in der Schule.An einer Demokratischen Schule verhält es sich anders: dort werden Unterrichtskurse nur als eine von vielen verschiedenen Lernmöglichkeiten gesehen. Schüler*innen einer Demokratischen Schule entscheiden selbst, was und wie sie lernen, undmachen ihre Umgangsregeln selbst nach dem Grundsatz: Ein Mensch - eine Stimme. Über diese Schulen soll die folgende Arbeit handeln.