David Dean – författare

Performing Public History explores history-telling as a performance across a wide range of media, including theatre and film, historical re-enactments and living history performances, operas, and video games.Taking historians as storytellers, this book illustrates how the choices they make shape historical meaning. While historians may strive to be objective when they research and write the past, they inevitably draw on their imagination, emotions, and creativity, aligning them with others who make history in public. The book explores issues such as the nature of archives, realism, fact and fiction, accuracy and authenticity, and actants and audiences. It draws on case studies from all parts of the world, offering global perspectives that invite a rethinking about what history is, and how and why we do it. Sharing work by graduate students, the author also offers an appendix of classroom exercises that instructors will find valuable.Written accessibly for students, this volume offers a succinct account of the discipline of history, the field of public history, and how performance is a useful concept for thinking about history work.

Museum Exhibition is the only textbook of its kind to consider exhibition development using both theory and practice in an integrated approach. This comprehensive study covers care of exhibits, writing accompanying text, using new technology, exhibition evaluation, administration and content for a wide range of collections. It provides a complete outline for all those concerned with providing displays in museums and other cultural heritage contexts.

Handbook for Museums is the definitive guide of need-to-know information essential for working in the museum world.Presenting a field-tested guide to best practice, the Handbook is formed around a commitment to professionalism in museum practice. The sections provide information on management, security, conservation and education.Including technical notes and international reading lists too, Handbook for Museusms is an excellent manual for managing and training.

Handbook for Museums provides basic information for people working in the museum world. Formed around a commitment to professionalism in museum practice, the sections provide basic information on management, security, conservation and education, and include technical notes and international reading lists. The book is intended as a manual for managing and training, and provides a field-tested guide to `best practice.'

The years leading up to this book's publication had seen a re-assessment by historians of the Elizabethan parliament. David Dean's book contributed to this development by offering the first detailed account and analysis of the legislative impulses of the men attending the last six parliaments of Elizabeth's reign. Examining a wide range of social and economic issues, law reform, religious and political concerns, and affairs both national and local, Law-Making and Society in Late Elizabethan England addresses the importance of parliament both as a political event and as a legislative institution. David Dean draws on an array of local, corporate and personal archives, as well as parliamentary records, to reinterpret the legislative history of the period.

The years leading up to this book's publication had seen a re-assessment by historians of the Elizabethan parliament. David Dean's book contributed to this development by offering the first detailed account and analysis of the legislative impulses of the men attending the last six parliaments of Elizabeth's reign. Examining a wide range of social and economic issues, law reform, religious and political concerns, and affairs both national and local, Law-Making and Society in Late Elizabethan England addresses the importance of parliament both as a political event and as a legislative institution. David Dean draws on an array of local, corporate and personal archives, as well as parliamentary records, to reinterpret the legislative history of the period.

Performing Public History explores history-telling as a performance across a wide range of media, including theatre and film, historical re-enactments and living history performances, operas, and video games.Taking historians as storytellers, this book illustrates how the choices they make shape historical meaning. While historians may strive to be objective when they research and write the past, they inevitably draw on their imagination, emotions, and creativity, aligning them with others who make history in public. The book explores issues such as the nature of archives, realism, fact and fiction, accuracy and authenticity, and actants and audiences. It draws on case studies from all parts of the world, offering global perspectives that invite a rethinking about what history is, and how and why we do it. Sharing work by graduate students, the author also offers an appendix of classroom exercises that instructors will find valuable.Written accessibly for students, this volume offers a succinct account of the discipline of history, the field of public history, and how performance is a useful concept for thinking about history work.

Museum Exhibition is the only textbook of its kind to consider exhibition development using both theory and practice in an integrated approach. This comprehensive study covers care of exhibits, writing accompanying text, using new technology, exhibition evaluation, administration and content for a wide range of collections. It provides a complete outline for all those concerned with providing displays in museums and other cultural heritage contexts.

This book is an interdisciplinary collection of essays that delves beneath the media headlines about the “migration crisis”, Brexit, Trump and similar events and spectacles that have been linked to the intensification and proliferation of stereotypes about migrants since 2015.  Topics include the representations of migration and stereotypes in citizenship ceremonies and culinary traditions, law and literature, and public history and performance. Bringing together academics in the arts, humanities and social sciences, as well as artists and theatre practitioners, the collection equips readers with new methodologies, keywords and collaborative research tools to support critical inquiry and public-facing research in fields such as Theatre and Performance Studies,  Cultural and Migration Studies, and Applied Theatre and History.

This book is an interdisciplinary collection of essays that delves beneath the media headlines about the “migration crisis”, Brexit, Trump and similar events and spectacles that have been linked to the intensification and proliferation of stereotypes about migrants since 2015.  Topics include the representations of migration and stereotypes in citizenship ceremonies and culinary traditions, law and literature, and public history and performance. Bringing together academics in the arts, humanities and social sciences, as well as artists and theatre practitioners, the collection equips readers with new methodologies, keywords and collaborative research tools to support critical inquiry and public-facing research in fields such as Theatre and Performance Studies,  Cultural and Migration Studies, and Applied Theatre and History.