David F. Johnson – författare

Readings in Medieval Texts offers a thorough and accessible introduction to the interpretation and criticism of a broad range of Old and Middle English canonical texts from the ninth to the fifteenth centuries. The volume brings together 24 newly commissioned chapters by a leading international team of medieval scholars.An introductory chapter highlights the overarching trends in the composition of English Literature in the Medieval periods, and provides an overview of the textual continuities and innovations. Individual chapters give detailed information about context, authorship, date, and critical views on texts, before providing fascinating and thought-provoking examinations of crucial excerpts and themes.This book will be invaluable for undergraduate and graduate students on all courses in Medieval Studies, particularly those focusing on understanding literature and its role in society.

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. Delivers some fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENTThe influence and significance of the legend of Arthur are fully demonstrated by the subject matter and time-span of articles here. Topics range from early Celtic sources and analogues of Arthurian plots to popular interest in King Arthur in sixteenth-century London, from the thirteenth-century French prose Mort Artu to Tennyson's Idylls of the King. It includes discussion of shapeshifters and loathly ladies, attitudes to treason, royal deaths and funerals in the fifteenth century and the nineteenth, late medieval Scottish politics and early modern chivalry.Elizabeth Archibald is Professor of English, University of Durhaml; Professor David F. Johnson teaches in the English Department, Florida State University, Tallahassee.Contributors: Aisling Byrne, Emma Campbell, P.J.C. Field, Kenneth Hodges, Megan Leitch, Andrew Lynch, Sue Niebrzydowski, Karen Robinson.

Edition with English translation of Middle Dutch version of the adventures of Gawain.The gem in the crown of Middle Dutch Arthurian romance, the Roman van Walewein embodies the transformation of popular folktale into courtly romance. The framework of the romance is a tripartite series of quests, in which the hero, Walewein, must acquire and relinquish successive marvellous objects. Events are set in motion after Arthur and his knights have completed their meal, when a flying chess set enters the hall; Walewein embarks on a series ofquests to capture it and bring it back to Arthur. This edition of the text, accompanied by facing English translation, brings this important work to a wider audience; it is accompanied by an introduction, variants and rejected readings, and critical notes.David F. Johnson is Professor of English, Florida State University; Geert H.M. Claassens is Professor of Middle Dutch Literature at the Katholieke Universiteit Leuven, Belgium.

An adaptation of an Old French romance with parallel text, notes and a detailed introduction.Some time in the first quarter of the thirteenth century, Guillaume le Clerc composed the story of Fergus, a romance in which the main character features as a "new" Perceval in a realistically depicted Scottish landscape. Shortlythereafter, perhaps as early as 1250, the story was translated into Middle Dutch. The Ferguut, however, is an adaptation of the Old French Fergus, rather than a slavish translation. The result is a romance which possesses all the appeal of the Old French Fergus, but at the same time reveals something of the Middle Dutch romancer's tastes and techniques. This volume offers the first ever English translation, facing a new edition of thetext, and will thus bring this important work to a wider audience; it is accompanied by an introduction, variants and rejected readings, and critical notes.David F. Johnson is Professor of English, Florida State University; Geert H.M. Claassens is Professor of Middle Dutch Literature at the Katholieke Universiteit Leuven, Belgium.

The romances translated here are contained in the so-called Lancelot Compilation. Compiled in the early fourteenth century by five scribes, its 241 extant folios contain the lion's share of Arthurian romance in Middle Dutch, no fewer than ten texts. The core of this compilation is comprised of translations into rhymed couplets of the Lancelot-Queste-Mort, into which seven additional romances have been inserted. The result is a compilation that successfully transforms a number of disparate texts into an ordered sequence of ten Arthurian romances, a project that rivals similar ones in better known European vernaculars, and bears comparison with Malory's Morte Darthur. Parallel text with notes and an introduction.< The romances are: the Wrake van Ragisel (Vengeance of Raguidel), the Ridder metter mowen (Romance of the Knight of the Sleeve), Lanceloet en het hert metde witte voet (Lancelot and the Hart with the White Foot), Walewein ende Keye, and Torec.David F. Johnson is Professor of English, Florida State University; Geert H.M. Claassens is Professor of Middle Dutch Literature at the Katholieke Universiteit Leuven, Belgium.

Parallel texts of key Dutch Arthurian romances in acclaimed translations with notes and introductions.Available for the first time in paperback for the student, scholar or interested general reader, this 3 volume set from D.S. Brewer's Arthurian Archives series enable access to key texts - often for the first time - by the non-specialist. This specially-priced set includes Roman van Walewein, Ferguut and five interpolated romances from the Lancelot Compilation.Scholars of Arthurian romance who wish to add Middle Netherlandic texts to their scholarly discussion, or anyone simply wanting the pleasure of reading a good medieval story, will welcome these volumes... each translation reads wonderfully.. highly welcome additions to medieval scholarship. SPECULUM

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENTThe richness and interdisciplinarity of the Arthurian tradition are well represented by the essays collected here, which range from early Celtic texts to twentieth-century children's books, and include discussion of Welsh, Irish,English, French and Latin material in both literary and historical contexts. Many of the articles focus on less well-known late medieval versions of the legend, a somewhat neglected area until recently: an Irish Grail narrative, the Burgundian prose Erec, the enormous prequel Perceforest, Ysaïe le Triste, Le Conte du Papegau, and Froissart's Mélyador (the last three discussed as exercises in nostalgia). Meanwhile, anotherchapter approaches Sir Gawain and the Green Knight from the perspective of forest ecology.The contributions represent expanded and revised versions of selected papers given at the XXIIIrd Triennial Congress of the International Arthurian Society held in Bristol in July 2011; they include two of the plenary lectures, one on "Celtic Magic" and one on the reception of Geoffrey of Monmouth in the eighteenth and nineteenth centuries.Elizabeth Archibald is Professor of English Studies at Durham University, and Principal of St Cuthbert's Society; David F. Johnson is Professor of English at Florida State University, Tallahassee.Contributors: Richard Barber, Nigel Bryant, Aisling Byrne, Carol J. Chase, Siân Echard, Helen Fulton, Michael W. Twomey, Patricia Victorin.

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENTThe studies collected in this volume demonstrate the enduring vitality of the Arthurian legend in a wide range of places, times and media. Chrétien's Conte du Graal features first in a study of the poem's place in its Anglo-Norman context, followed by four essays on Malory's Morte Darthur. Two of these deal with the significance of wounds and wounding in Malory's text, while the third explores the problematic aspects of sleep and the "slepynge knight" in that same romance. The fourth considers "transformative female corpses" as, quite literally, the embodiment of critical comment on the chivalric community in the Morte Darthur. There follow two studies of the Arthurian legend captured in material objects: the first concerns the early twelfth-century images on a marble column from the cathedral at Santiago de Compostela, the second a twentieth-century tapestry created by Lady Trevelyan for the family home at Wallington Hall. The volume closes with an essay that brings us into the twenty-first century, with an assessment of Kaamelott, an irreverent French Pythonesque television series.ElizabethArchibald is Professor of English Studies at Durham University, and Principal of St Cuthbert's Society; David F. Johnson is Professor of English at Florida State University, Tallahassee.Contributors: Karen Cherewatuk,Tara Foster, Joan Tasker Grimbert, Erin Kissick, Irit Ruth Kleiman, Megan Leitch, Roger Simpson, K.S. Whetter.

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENTThe essays collected here put considerable emphasis on Arthurian narratives in material culture and historical context, as well as on purely literary analysis, a reminder of the enormous range of interests in Arthurian narrativesin the Middle Ages, in a number of different contexts.The volume opens with a study of torture in texts from Chrétien to Malory, and on English law and attitudes in particular. Several contributors discuss the undeservedly neglected Stanzaic Morte Arthur, a key source for Malory. His Morte Darthur is the focus of several essays, respectively on the sources of the "Tale of Sir Gareth"; battle scenes and the importance of chivalric kingship; Cicero's De amicitia and the mixed blessings and dangers of fellowship; and comparison of concluding formulae in the Winchester Manuscript and Caxton's edition. Seven tantalizing fragments of needlework, all depictingTristan, are discussed in terms of the heraldic devices they include. The volume ends with an update on newly discovered manuscripts of Geoffrey of Monmouth's seminal Historia regum Britanniae, the twelfth-century best-seller which launched Arthur's literary career.Elizabeth Archibald is Professor of English Studies at Durham University, and Principal of St Cuthbert's Society; David F. Johnson is Professor of English at Florida State University, Tallahassee.Contibutors: David Eugene Clark, Marco Nievergelt, Ralph Norris, Sarah Randles, Lisa Robeson, Richard Sévère, Jaakko Tahkokallio, Larissa Tracy

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENTA wide range of Arthurian material is discussed here, reflecting its diversity, and enduring vitality. Geoffrey of Monmouth's best-selling Historia regum Britannie is discussed in the context of Geoffrey's reception in Wales and the relationship between Latin and Welsh literary culture. Two essays deal with the Middle English Ywain and Gawain: the first offers a comparative study of the Middle English poem alongside Chrétien's Yvainand the Welsh Owein, while the second considers Ywain and Gawain with the Alliterative Morte Arthure in their northern English cultural and political context, the world of the Percys and the Nevilles. It isfollowed by a discussion of Edward III's recuperation of his abandoned Order of the Round Table, which offers an intriguing explanation for this reversal in the context of Edward's victory over the French at Poitiers. The final essay is a comparison of fifteenth- and twentieth-century portrayals of Camelot in Malory and T.H. White, as both idea and locale, and a centre of hearsay and gossip. The volume is completed with a unique and little-known medievalGreek Arthurian poem, presented in facing-page edition and modern English translation.Elizabeth Archibald is Professor of English Studies at Durham University, and Principal of St Cuthbert's Society; David F. Johnson is Professor of English at Florida State University, Tallahassee.Contributors: Christopher Berard, Louis J. Boyle, Thomas H. Crofts, Ralph Hanna, Georgia Lynn Henley, Erich Poppe

The continued influence and significance of the legend of Arthur are demonstrated by the articles collected in this volume.The enduring appeal and rich variety of the Arthurian legend are once again manifest here. Chrétien's Erec et Enide features first in a case study of the poet's endings and medieval theories of poetic composition. Next follows an essay that comes to the rather surprising-but- convincing conclusion that the "traitor" spoken of in the opening lines of Sir Gawain and the Green Knight is neither Aeneas nor Antenor, but Paris. Another essay dealing with Sir Gawain, this time in Malory's Morte Darthur, offers among other things an answer to the question of how Gawain knows the exact hour of his death. Few native Irish Arthurian tales have come down to us: a discussion of "The Tale of the Crop-Eared Dog" shows it to be both bizarre and popular, as witnessed by the many manuscripts in which it is preserved. The materiality of the Arthurian legend is represented here by a detailed treatment of the lead cross supposedly found in the grave of King Arthur at Glastonbury Abbey in 1191. Finally, this volume continues Arthurian Literature's tradition of publishing unfamiliar or previously unknown Arthurian texts, in this instance an original Middle English translation of the story of the sword in the stone, from the Old French Merlin. ELIZABETH ARCHIBALD is Professor of English Studies at Durham University, and Principal of StCuthbert's Society; DAVID F. JOHNSON is Professor of English at Florida State University, Tallahassee.Contributors: Lindy Brady, David Carlton, Neil Cartlidge, Nicole Clifton, Oliver Harris, Richard Moll, Rebecca Newby.

The continued influence and significance of the legend of Arthur are demonstrated by the articles collected in this volume.The rich vitality of both the Arthurian material itself and the scholarship devoted to it is manifested in this volume. It begins with an interdisciplinary study of swords belonging to Arthurian and other heroes and of the smithswho made them, assessed both in their literary contexts and in "historical" references to their existence as heroic relics. Two essays then consider the use of Arthurian material for political purposes: a discussion of Caradog's Vita Gildae throws light on the complex attitudes to Arthur of contemporaries of Geoffrey of Monmouth in a time of political turmoil in England, and an investigation into borrowings from Geoffrey's Historia in a chronicle of Anglo-Scottish relations in the time of Edward I, a well-known admirer of the Arthurian legend, argues that they would have appealed to the clerical élite. Romance motifs link the subsequent pieces: women and their friendships in Ywain and Gawain, the only known close English adaptation of a romance by Chrétien, and the mixture of sacred and secular in The Turke and Gawain, with fascinating alchemical parallels for a puzzling beheading episode. This is followed by a discussion of the views on native and foreign sources of three sixteenth-century defenders of Arthur, John Leland, John Prise and Humphrey Llwyd, and their responses to the criticisms of Polydore Vergil. In twentieth-century reception history, John Steinbeck was an ardent Arthurian enthusiast: an essay looks at the significance of his annotations to his copy of Malory as he worked on his adaptation, The Acts of King Arthur and his Noble Knights. The volume moves to even more recent territory with an exploration of the adaptations of Malory and other Arthurian writers that occur in the comic books by Geoff Johns about Arthur Curry, aka Aquaman, King of Atlantis. The book is completed by a reprint of a classic essay by Norris Lacy on the absence and presence of the Grail in Arthurian texts from the twelfth century on.