David Fanning – författare
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24 produkter
24 produkter
Häftad, Engelska, 2006
756 kr
Skickas inom 7-10 vardagar
Few composers' posthumous reputations have grown as steadily as Shostakovich's. Yet outside the concert hall the focus of attention seems to have been on the extraordinary circumstances of his life rather than on the music itself. This book seeks to show that the power of his work stems as much from its craftsmanship as from its political and personal context. The theoretical chapters lay the foundation for a proper understanding of Shostakovich's musical language for the first time in the West. The social context is not neglected, however, and alongside many new insights spread through the book, a substantial and provocative chapter considers the issues surrounding the composition of the Fifth Symphony. The eleven essays in the volume draw together some of the finest scholars of Russian music in Europe, Russia and America.
Inbunden, Engelska, 1997
729 kr
Skickas inom 7-10 vardagar
After the death of Mahler in 1911 the great Austro-German symphonic line was carried on mainly in England, America, Scandinavia and Russia. The Fifth Symphony of Carl Nielsen, Denmark's greatest composer, was composed in 1921-2. David Fanning discusses its place within the symphonic tradition since Beethoven, revealing the personal background to the work and taking full account of the extensive Danish commentaries, including the composer's own, which are given in English for the first time. In an absorbing analysis of the music he lays bare the origins of its images of inertia, anxiety and collapse in Nielsen's tone poems and incidental music for the theatre. Insights are offered into the symphony's 'progressive tonality' and its relationship to traditional structural models.
Häftad, Engelska, 1997
199 kr
Skickas inom 7-10 vardagar
After the death of Mahler in 1911 the great Austro-German symphonic line was carried on mainly in England, America, Scandinavia and Russia. The Fifth Symphony of Carl Nielsen, Denmark's greatest composer, was composed in 1921-2. David Fanning discusses its place within the symphonic tradition since Beethoven, revealing the personal background to the work and taking full account of the extensive Danish commentaries, including the composer's own, which are given in English for the first time. In an absorbing analysis of the music he lays bare the origins of its images of inertia, anxiety and collapse in Nielsen's tone poems and incidental music for the theatre. Insights are offered into the symphony's 'progressive tonality' and its relationship to traditional structural models.
Inbunden, Engelska, 1995
1 705 kr
Skickas inom 7-10 vardagar
Few composers' posthumous reputations have grown as steadily as Shostakovich's. Yet outside the concert hall the focus of attention seems to have been on the extraordinary circumstances of his life rather than on the music itself. This book seeks to show that the power of his work stems as much from its craftsmanship as from its political and personal context. The theoretical chapters lay the foundation for a proper understanding of Shostakovich's musical language for the first time in the West. The social context is not neglected, however, and alongside many new insights spread through the book, a substantial and provocative chapter considers the issues surrounding the composition of the Fifth Symphony. The eleven essays in the volume draw together some of the finest scholars of Russian music in Europe, Russia and America.
Häftad, Engelska, 2008
416 kr
Skickas inom 7-10 vardagar
As the Soviet Union's foremost composer, Shostakovich's status in the West has always been problematic. Regarded by some as a collaborator, and by others as a symbol of moral resistance, both he and his music met with approval and condemnation in equal measure. The demise of the Communist state has, if anything, been accompanied by a bolstering of his reputation, but critical engagement with his multi-faceted achievements has been patchy. This Companion offers a starting point and a guide for readers who seek a fuller understanding of Shostakovich's place in the history of music. Bringing together an international team of scholars, the book brings research to bear on the full range of Shostakovich's musical output, addressing scholars, students and all those interested in this complex, iconic figure.
Inbunden, Engelska, 2008
1 237 kr
Skickas inom 7-10 vardagar
As the Soviet Union's foremost composer, Shostakovich's status in the West has always been problematic. Regarded by some as a collaborator, and by others as a symbol of moral resistance, both he and his music met with approval and condemnation in equal measure. The demise of the Communist state has, if anything, been accompanied by a bolstering of his reputation, but critical engagement with his multi-faceted achievements has been patchy. This Companion offers a starting point and a guide for readers who seek a fuller understanding of Shostakovich's place in the history of music. Bringing together an international team of scholars, the book brings research to bear on the full range of Shostakovich's musical output, addressing scholars, students and all those interested in this complex, iconic figure.
Inbunden, Engelska, 2004
1 716 kr
Skickas inom 5-8 vardagar
When it was first performed in October 1960, Shostakovich's Eighth String Quartet was greeted with a standing ovation and given a full encore. Its popularity has continued to the present day with over a hundred commercial recordings appearing during the last 40 years. The appeal of the work is not hard to identify; immediately communicative, the quartet also contains rich seams of deeper meaning. This book is the first to examine its musical design in detail and seeks to overthrow the charges of superficiality that have arisen as a result of the work's popular success. The core of this study is the close analysis of the work, but this is placed in context with a discussion of Shostakovich's reputation and historical position, the circumstances of the quartet's composition and the subsequent controversies that have surrounded it. The work was composed during the so-called 'Thaw' years of the Soviet Union, and the cultural and political backgrounds of this period are considered, together with Shostakovich's life and work during this time. David Fanning argues persuasively that the Eighth String Quartet is a landmark in twentieth-century music in its transcendence of the extra-musical meanings that it invokes; that it is 'music that liberates itself from the shackles of its context'. The book features an accompanying CD of the work.
Inbunden, Engelska, 1989
2 130 kr
Skickas inom 10-15 vardagar
In 1946 Schoenberg wrote of Sibelius and Shostakovich, 'I feel they have the breath of symphonists.' This book poses the question of what exactly that 'breath' means in the context of Shostakovich's 10th Symphony (1953). Written shortly after Stalin's death, the work marks a turning point in the composer's output and in the history of Russian music, heralding the possibility of a new creative direction for Soviet artists. David Fanning's close analysis of the 10th sheds light on issues associated with the genre of the twentieth-century epic symphony, issues of structure and expression, unity and contrast. The book reveals how the work displays some of Shostakovich's most effective strategies for confronting these issues.
Häftad, Engelska, 2021
193 kr
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Inbunden, Engelska, 2022
385 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2022
201 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2022
345 kr
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Häftad, Engelska, 2022
195 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2023
385 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2023
345 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2023
180 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2021
722 kr
Skickas inom 10-15 vardagar
Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.
Inbunden, Engelska, 2019
3 369 kr
Skickas inom 10-15 vardagar
Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.
Inbunden, Engelska, 2015
497 kr
Skickas inom 3-6 vardagar
419 kr
Skickas inom 3-6 vardagar
Del 277 - Proceedings of the British Academy
Mieczysław Weinberg
Between East and West
Inbunden, Engelska, 2026
1 545 kr
Skickas inom 5-8 vardagar
Polish-born, Soviet-domiciled composer Mieczysław Weinberg (1919–1996) is the 21st century’s most remarkable rediscovery in the field of art music. He enjoyed considerable renown in his adopted Russia from the 1940s to the 1970s. Subsequently, however, his reputation tailed off, as he increasingly became regarded as a Shostakovich epigone. As a composer of non-orthodox background, he was never marketed for export. It has taken the posthumous advocacy of top-class Western performers to fully reveal the quality of his music and its distinctiveness from the Shostakovich circle, not least in the areas of memory and memorialisation.This edited volume of papers brings together musicologists, performers and personal acquaintances of the composer from Eastern, Central and Western Europe, the United States and Australia, to provide a state-of-the-art compendium of research on his life and music. Newly uncovered documentation is offered on Weinberg’s traumatic early years (which involved two narrow escapes from Nazi invasions) and his family background, along with reflections on identity, his place within 20th-century music history, and close readings of individual works, notably through the lens of intertextuality.
Häftad, Engelska, 2017
303 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2018
1 067 kr
Skickas inom 11-20 vardagar
Häftad, Engelska, 2019
226 kr
Skickas inom 5-8 vardagar