David Farrell Krell - Böcker

This text reflects on nine writers and philosophers, including Heidegger, Derrida, Blanchot and Holderlin, in a personal exploration of the meaning of sensual love, language, tragedy and death. The moon provides a unifying image that guides Krell's development of a new poetics in which literature and philosophy become one. The author pursues important philosophical motifs such as time, rhythm and desire, through texts by Nietzsche, Trakl, Empedocles, Kafka and Garcia Marquez. He surveys instances in which poets or novelists explicitly address philosophical questions, and philosophers confront literary texts - Heidegger's and Derrida's appropriations of Georg Trakl's poetry, Blanchot's obsession with Kafka's tortuous love affairs and Garcia Marquez's use of Nietzsche's idea of the Eternal Return - all linked by the tragic hero Empedocles. In his search to understand the insatiable desire for completeness that patterns so much art and philosophy, Krell investigates the identification of the lunar voice with woman in various roles - lover, friend, sister, shadow and narrative voice.

Jacques Derrida's final seminars were devoted to animal life and political sovereignty—the connection being that animals slavishly adhere to the law while kings and gods tower above it and that this relationship reveals much about humanity in the West. David Farrell Krell offers a detailed account of these seminars, placing them in the context of Derrida's late work and his critique of Heidegger. Krell focuses his discussion on questions such as death, language, and animality. He concludes that Heidegger and Derrida share a commitment to finding new ways of speaking and thinking about human and animal life.

Jacques Derrida's final seminars were devoted to animal life and political sovereignty—the connection being that animals slavishly adhere to the law while kings and gods tower above it and that this relationship reveals much about humanity in the West. David Farrell Krell offers a detailed account of these seminars, placing them in the context of Derrida's late work and his critique of Heidegger. Krell focuses his discussion on questions such as death, language, and animality. He concludes that Heidegger and Derrida share a commitment to finding new ways of speaking and thinking about human and animal life.

In 1974, thirty-year-old philosopher and translator David Farrell Krell began corresponding and meeting with Martin Heidegger and Hannah Arendt. Years later, he would meet Jacques Derrida and, through many letters and visits, come to know him well. Drawing on unpublished correspondence and Krell's warmly told personal recollections, Three Encounters presents an intimate and highly insightful look at the lives and ideas of three noted philosophers at the peak of their careers. Three Encounters offers a chance for readers to encounter these three great philosophers and their ideas, not merely through the lens of their biographies, but as "people" we come to know through their personal correspondence and Krell's recollections. Three Encounters demonstrates the intertwining of thought and lived experience.

In 1974, thirty-year-old philosopher and translator David Farrell Krell began corresponding and meeting with Martin Heidegger and Hannah Arendt. Years later, he would meet Jacques Derrida and, through many letters and visits, come to know him well. Drawing on unpublished correspondence and Krell's warmly told personal recollections, Three Encounters presents an intimate and highly insightful look at the lives and ideas of three noted philosophers at the peak of their careers. Three Encounters offers a chance for readers to encounter these three great philosophers and their ideas, not merely through the lens of their biographies, but as "people" we come to know through their personal correspondence and Krell's recollections. Three Encounters demonstrates the intertwining of thought and lived experience.

In 1815, F. W. J. Schelling presented a lecture titled "On the Deities of Samothrace" to the Bavarian Academy of Sciences. The lecture offered a startlingly original reading of the ancient Greek mystery religion on the island of Samothrace. It would be the last book Schelling himself published, and it is the key to his influential Philosophy of Mythology. Now, for the first time in English, this critical edition contains the entirety of Schelling's original text, including the lecture itself, Schelling's afterword, and all his extensive philosophical and philological endnotes. It also offers copious explanatory notes, photographs and maps of the site, and three interpretive essays by the editors and translators elucidating Schelling's text for contemporary readers. On the Deities of Samothrace is one of Schelling's most original and exciting works. It is a signature text in Schelling's thought and in the philosophy of religion generally.

In 1815, F. W. J. Schelling presented a lecture titled "On the Deities of Samothrace" to the Bavarian Academy of Sciences. The lecture offered a startlingly original reading of the ancient Greek mystery religion on the island of Samothrace. It would be the last book Schelling himself published, and it is the key to his influential Philosophy of Mythology. Now, for the first time in English, this critical edition contains the entirety of Schelling's original text, including the lecture itself, Schelling's afterword, and all his extensive philosophical and philological endnotes. It also offers copious explanatory notes, photographs and maps of the site, and three interpretive essays by the editors and translators elucidating Schelling's text for contemporary readers. On the Deities of Samothrace is one of Schelling's most original and exciting works. It is a signature text in Schelling's thought and in the philosophy of religion generally.

"Krell creates a remarkable interplay of meanings, allusions, and connotations—an interplay of multiple resonance which is finely tuned to Derrida's thought and which makes his essay as artful as it is conceptually disciplined. He is surely one of the most astute translators and readers in contemporary Continental thought." —Charles E. Scott

"Daimon Life is life-enchancing. To read it is to become richer in wor(l)d." –John LlewelynDisclosure of Martin Heidegger's complicity with the National Socialist regime in 1933-34 has provoked virulent debate about the relationship between his politics and his philosophy. Did Heidegger's philosophy exhibit a kind of organicism readily transformed into ideological "blood and soil"? Or, rather, did his support of the Nazis betray a fundamental lack of loyalty to living things? David Farrell Krell traces Heidegger's political authoritarianism to his failure to develop a constructive "life-philosophy"—his phobic reactions to other forms of being. Krell details Heidegger's opposition to Lebensphilosophie as expressed in Being and Time, in an important but little-known lecture course on theoretical biology given in 1929–30 called "The Basic Concepts of Metaphysics," and in a recently published key text, Contributions to Philosophy, written in 1936–38. Although Heidegger's attempt to think through the problems of life, sexual reproduction, behavior, environment, and the ecosystem ultimately failed, Krell contends that his methods of thinking nonetheless pose important tasks for our own thought. Drawing on and away from Heidegger, Krell expands on the topics of life, death, sexuality, and spirit as these are treated by Freud, Nietzsche, Derrida, and Irigaray. Daimon Life addresses issues central to contemporary philosophies of politics, gender, ecology, and theoretical biology.

"Infectious Nietzsche is simply one of the most interesting and engaging works to appear on Nietzsche's philosophy in years." —David AllisonKrell explores health, illness, and creativity in the life and thought of Friedrich Nietzsche. Drawing on a varied literature of philosophical reflections on health, and analyzing Nietzsche's confrontation with traditional values, Krell skillfully engages the legacy of Platonism and Western metaphysics that is at the core of Nietzsche's thought. Nietzsche's genealogical critique, his doctrine of eternal recurrence of the same, and the Nietzschean physiology and psychology of decadence are principal foci. Anyone interested in a philosophical reflection on questions of genius and pathology, and all readers of Nietzsche, will find Krell's new book compelling reading.

"Krell writes here with a brilliance of style that few other philosophers can match." —John SallisAlthough the Romantic Age is usually thought of as idealizing nature as the source of birth, life, and creativity, David Farrell Krell focuses on the preoccupation of three key German Romantic thinkers—Novalis, Schelling, and Hegel—with nature's destructive powers—contagion, disease, and death.

"This is vintage Krell—he is as always, a reader in the best sense of the word. . . ." —Dennis J. Schmidt"Krell is a strong and often eloquent writer . . . I regard this to be one of his most important works. . . ." —Jason M. WirthIn The Tragic Absolute, David Farrell Krell shows that German Idealist and Romantic theories of literature and aesthetic judgment, especially when it comes to tragedy, are closer to the heart of metaphysics and ethics than previously thought. Krell not only explores the contributions of Schelling, Hölderlin, Novalis, Hegel, and Nietzsche to the aesthetics of tragedy, he also charts the fate of the absolute and speculative philosophy in terms of the tragic. Krell explodes the usual conception that aesthetic judgments about literary genres are relatively marginal subjects for philosophy. Indeed, in Krell's view, even God himself, the very absolute of traditional metaphysics, is seen as languishing and condemned to tragic downfall. Questions concerning the death of God, the role of trauma and forgetting in narrative, the overcoming of barriers between humans and other living beings, and the role of music and rhythm as sources of ecstasy are highlighted in this keen, precise, and lively book.

Heidegger’s thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. “The theme of mortality—finite human existence—pervades Heidegger’s thought,” in the author’s words, “before, during, and after his magnum opus, Being and Times, published in 1927.” This theme is manifested in Heidegger’s work not “as funereal melodramatics or as despair and destructive nihilism” but rather “as a thinking within anxiety.”Four major subthemes in Heidegger’s thinking are explored in the book’s four parts: the fundamental ontology developed in Being and Time; the “lighting and clearing” of Being, understood as “unconcealment”; the history of philosophy—with emphasis on Heraclitus, Hegel, and Nietzsche—interpreted as the “destiny” of Being; and the poetics of Being, explicated as the “fundamental experience” of mortality.Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger’s books, lectures, and articles—including extensive material not yet translated into English—informed by the author’s conversations with Heidegger in 1974–76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger’s thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems.

The “deconstruction” that is commonly seen to be the method of Derrida’s philosophy has an inescapably negative connotation. To counter this view of Derrida’s thought as basically destructive, David Farrell Krell invites readers to understand how it may instead be seen as fundamentally affirmative—just as Nietzsche’s philosophy, so allegedly nihilistic, is at heart a call for tragic affirmation, in amor fati. But, while affirmative, Derrida is also engaged in a thinking of mourning, which he views as the promise of memory—a fragile yet vital promise that binds past and future. The book explores what mourning means in Derrida’s writing and how the labors of mourning and affirmation are mediated by works of art. Thus the book engages many different areas of Derrida’s work, from the classic texts of deconstruction to the more recent meditations on art and mourning."This chance [affirmation without issue] can come to us only from you, do you hear me? Do you understand me? . . . And me, the purest of bastards, leaving bastards of all kinds just about everywhere.” This passage from Derrida’s La Carte postale nicely encapsulates what David Farrell Krell wants to convey about Derrida’s thought—its astonishing mix of negativity and affirmation in his labors of mourning.

This revised and expanded edition of Martin Heidegger's Basic Writings includes ten key essays and the Introduction to Being and Time. Basic Writings is a concise introduction to the thought of this controversial and important twentieth-century philosopher. David Farrell Krell has expanded and improved this collection by adding `The Way to Language' and including the complete version of `The Origin of the Work of Art'. The complete selection is: Being and Time: Introduction What is Metaphysics? On the Essence of Truth The Origin of the Work of Art Letter on Humanism Modern Science, Metaphysics, and Mathematics The Question Concerning Technology Building Dwelling Thinking What Calls for Thinking? The Way to Language The End of Philosophy and the Task of Thinking

Originally published in 1988, this collection brings together a wide range of original readings on Friedrich Nietzsche, reflecting many aspects of Neitzsche in contemporary philosophy, literature and the social sciences. The Nietzsche these contributors discuss is the Nietzsche who exceeds any attempt at determinate interpretation, the Nietzsche whose capacity for renewing thought seems limitless. This is a powerful collection of essays and a major contribution to modern Nietzsche interpretation.

Originally published in 1988, this collection brings together a wide range of original readings on Friedrich Nietzsche, reflecting many aspects of Neitzsche in contemporary philosophy, literature and the social sciences. The Nietzsche these contributors discuss is the Nietzsche who exceeds any attempt at determinate interpretation, the Nietzsche whose capacity for renewing thought seems limitless. This is a powerful collection of essays and a major contribution to modern Nietzsche interpretation.

Few philosophers have had more influence on the shape of western philosophy after 1900 than Martin Heidegger. Basic Writings offers a full range of this profound and controversial thinker’s writings in one volume, including: The Origin of the Work of Art The introduction to Being and Time What Is Metaphysics? Letter on Humanism The Question Concerning Technology The Way to Language The End of Philosophy Featuring a foreword by Heidegger scholar Taylor Carman, this essential collection provides readers with a concise introduction to the groundbreaking philosophy of this brilliant and essential thinker.

This historical-biographical novel fleshes out the facts of Nietzsche's life with fictional treatment. Using untraditional narrative techniques and interweaving medical reports, actual letters, and original new text, the novel takes the last years of Nietzsche's life, the years of insanity, as a frame for the entire life.Krell offers a fictional account of the last ten years of Nietzsche's life, the years of his paralysis and madness. Nietzsche's regression during those years, from one of Europe's leading intellectual lights to a passive mascot for his sister's "Nietzsche Archive," provides the frame for a narrative of his entire life.The author uses all the available medical documentation and the entire collection of works and letters in order to paint his portrait. While Nietzsche has been the object of several attempts at fictional biography, no attempt to date has been based on such careful research: even the highest flights of imagination in this work are based on scrupulous reading and reflection.

This historical-biographical novel fleshes out the facts of Nietzsche's life with fictional treatment. Using untraditional narrative techniques and interweaving medical reports, actual letters, and original new text, the novel takes the last years of Nietzsche's life, the years of insanity, as a frame for the entire life.Krell offers a fictional account of the last ten years of Nietzsche's life, the years of his paralysis and madness. Nietzsche's regression during those years, from one of Europe's leading intellectual lights to a passive mascot for his sister's "Nietzsche Archive," provides the frame for a narrative of his entire life.The author uses all the available medical documentation and the entire collection of works and letters in order to paint his portrait. While Nietzsche has been the object of several attempts at fictional biography, no attempt to date has been based on such careful research: even the highest flights of imagination in this work are based on scrupulous reading and reflection.

A historical novel, this is the beautifully told story of Louis Hegel, illegitimate son of the philosopher G.W.F. Hegel. Ultimately disowned by his father and forced to use his mother's name, Louis died in Indonesia, as Ludwig Fischer, at the age of 24—the bastard son of SPIRIT.Son of Spirit is the story of a natural child of philosophy—the story of one of philosophy's bastards. Hegel's first son, Louis, known to posterity as Ludwig Fischer, was an illegitimate child born to Hegel's landlady in 1807. At the time, Hegel was completing his first major philosophical work, The Phenomenology of Spirit. In that work, the philosopher spoke out in the name of spirit and reason; in his life, he worried about the unreasonable accident of an unwanted son. For Louis represented the kind of contingency that can befall a spokesperson of spirit. Hegel tried to take Louis into his home, to acknowledge him, even to love him. Yet Ludwig Fischer was destined for an early, tragic death—destined precisely by spirit.Son of Spirit is also the story of a second adopted child—Minna Herzlieb, one of Goethe's enduring loves—who had a more protracted but similarly tragic end. Louis Hegel and Minna Herzlieb lived for a time under the same roof, for as young children both were adopted by Friedrich Frommann, Hegel's bookseller in Jena. The stories of Minna and Ludwig therefore intertwine, allowing the novel to develop the conflict between Hegel and Goethe—the struggle between Hegel's "absolute spirit" and Goethe's "spirit of the Earth."Son of Spirit shows how devastating illegitimacy is for human beings who are born to the righteous and the just. It shows how murderous the theories of the righteous and the just may prove to be for their children. Finally, the experimental yet meditative style of the novel demonstrates how powerfully Hegel's thought still dominates our own time. Hegel produced more than one bastard.

A historical novel, this is the beautifully told story of Louis Hegel, illegitimate son of the philosopher G.W.F. Hegel. Ultimately disowned by his father and forced to use his mother's name, Louis died in Indonesia, as Ludwig Fischer, at the age of 24—the bastard son of SPIRIT.Son of Spirit is the story of a natural child of philosophy—the story of one of philosophy's bastards. Hegel's first son, Louis, known to posterity as Ludwig Fischer, was an illegitimate child born to Hegel's landlady in 1807. At the time, Hegel was completing his first major philosophical work, The Phenomenology of Spirit. In that work, the philosopher spoke out in the name of spirit and reason; in his life, he worried about the unreasonable accident of an unwanted son. For Louis represented the kind of contingency that can befall a spokesperson of spirit. Hegel tried to take Louis into his home, to acknowledge him, even to love him. Yet Ludwig Fischer was destined for an early, tragic death—destined precisely by spirit.Son of Spirit is also the story of a second adopted child—Minna Herzlieb, one of Goethe's enduring loves—who had a more protracted but similarly tragic end. Louis Hegel and Minna Herzlieb lived for a time under the same roof, for as young children both were adopted by Friedrich Frommann, Hegel's bookseller in Jena. The stories of Minna and Ludwig therefore intertwine, allowing the novel to develop the conflict between Hegel and Goethe—the struggle between Hegel's "absolute spirit" and Goethe's "spirit of the Earth."Son of Spirit shows how devastating illegitimacy is for human beings who are born to the righteous and the just. It shows how murderous the theories of the righteous and the just may prove to be for their children. Finally, the experimental yet meditative style of the novel demonstrates how powerfully Hegel's thought still dominates our own time. Hegel produced more than one bastard.

Calls for rethinking architecture as a way of renegotiating our encounter with the world, taking into account the role of love and desire in all human making.In this book, David Farrell Krell challenges contemporary and traditional theories of architecture with archeticture-spelling it new, by design. The thesis of the book is that the heart of the word architecture, the Greek root tec-, can be traced back to an earlier and more pervasive root, tic-. The verb tiktein means "to love," "to engender," "to reproduce." In the course of Western history, however, that older root disappeared under the debris of discarded techniques, technologies, architectonics, and architectures, all of them insisting on technical mastery, technological power, and architectonic solidarity. Yet what would happen to the confidence we place in technique if we realized that its dominion is based on a kind of oblivion-an oblivion of the materials, places, situations, and human bodies that not even the mightiest technician can thoroughly dominate, but that he or she must love?The opening chapter of Archeticture proposes a new reading of Plato's Timaeus, the seminal work in Western philosophy on the architecture of the universe and the human body. It pays close attention to the figures of Chaos, Necessity, and khora in Timaeus, arguing that the Demiurge is less a divine craftsman or technician than a lover and a father—admittedly, a father of an awkward and forgetful sort. Among the things the Demiurge forgets to acknowledge are the elements, spaces, and places, the materiality and the spatiality, in which he finds himself—but which he does not master. Chapter 2 moves from Plato to the modern and contemporary philosophers Kant, Hegel, and Heidegger. It sees in the projects of these thinkers a growing liberation of choric space from time, culminating in an ecstatic interpretation of human spatiality. Yet ecstatic spatiality is anything but familiar; it is essentially unhomelike and uncanny. Chapter 3 offers a series of archetictural sections—as opposed to architectural plans or elevations—of Freud and Heidegger on the theme of the uncanny and unhomelike, das Unheimliche. The fourth and final chapter turns to three recent thinkers who, in very different ways, introduce uncanny human bodies into unhomelike spaces: Merleau-Ponty, Bataille, and Irigaray.

Calls for rethinking architecture as a way of renegotiating our encounter with the world, taking into account the role of love and desire in all human making.In this book, David Farrell Krell challenges contemporary and traditional theories of architecture with archeticture-spelling it new, by design. The thesis of the book is that the heart of the word architecture, the Greek root tec-, can be traced back to an earlier and more pervasive root, tic-. The verb tiktein means "to love," "to engender," "to reproduce." In the course of Western history, however, that older root disappeared under the debris of discarded techniques, technologies, architectonics, and architectures, all of them insisting on technical mastery, technological power, and architectonic solidarity. Yet what would happen to the confidence we place in technique if we realized that its dominion is based on a kind of oblivion-an oblivion of the materials, places, situations, and human bodies that not even the mightiest technician can thoroughly dominate, but that he or she must love?The opening chapter of Archeticture proposes a new reading of Plato's Timaeus, the seminal work in Western philosophy on the architecture of the universe and the human body. It pays close attention to the figures of Chaos, Necessity, and khora in Timaeus, arguing that the Demiurge is less a divine craftsman or technician than a lover and a father—admittedly, a father of an awkward and forgetful sort. Among the things the Demiurge forgets to acknowledge are the elements, spaces, and places, the materiality and the spatiality, in which he finds himself—but which he does not master. Chapter 2 moves from Plato to the modern and contemporary philosophers Kant, Hegel, and Heidegger. It sees in the projects of these thinkers a growing liberation of choric space from time, culminating in an ecstatic interpretation of human spatiality. Yet ecstatic spatiality is anything but familiar; it is essentially unhomelike and uncanny. Chapter 3 offers a series of archetictural sections—as opposed to architectural plans or elevations—of Freud and Heidegger on the theme of the uncanny and unhomelike, das Unheimliche. The fourth and final chapter turns to three recent thinkers who, in very different ways, introduce uncanny human bodies into unhomelike spaces: Merleau-Ponty, Bataille, and Irigaray.

Combines the techniques of fiction and nonfiction in order to tell the story of the love between Susette Gontard ("Diotima") and the poet Friedrich Holderlin.In this entirely unique approach to the life of Friedrich Hölderlin, The Recalcitrant Art combines the techniques of fiction and nonfiction as it examines the love between the poet and Susette Gontard ("Diotima").On the left-hand or verso pages of the book appear Susette Gontard's letters, presented here in English translation for the first time, with an introduction and afterword by Douglas F. Kenney. On the right-hand or recto pages appear Sabine Menner-Bettscheid's scholarly responses to Kenney and fictional responses to Susette. Menner-Bettscheid gives life to an entire series of voices: Hölderlin's pious mother, Susette's calculating husband, Jacob, the Gontard's oldest child, Henry, the popular novelist Sophie LaRoche, and the Greek gardener and rabbit-keeper at the Gontard's summer home in Frankfurt all come to be heard. Douglas F. Kenney, by contrast, sticks to historical documentation and literary analysis.

Humankind has a profound and complex relationship with the sea, a relationship that is extensively reflected in biology, psychology, religion, literature and poetry. The sea cradles and soothes us, we visit it often for solace and inspiration, it is familiar, being the place where life ultimately began. Yet the sea is also dark and mysterious and often spells catastrophe and death. The sea is a set of contradictions: kind, cruel, indifferent. She is a blind will that will ‘have her way’. In exploring this most capricious of phenomena, David Farrell Krell engages the work of an array of thinkers and writers including, but not limited to, Homer, Thales, Anaximander, Heraclitus, Plato, Aristotle, Hölderlin, Melville, Woolf, Whitman, Nietzsche, Heidegger, Schelling, Ferenczi, Rank and Freud. The Sea explores the significance in Western civilization of the catastrophic and generative power of the sea and what humankind’s complex relationship with it reveals about the human condition, human consciousness, temporality, striving, anxiety, happiness and mortality.

Humankind has a profound and complex relationship with the sea, a relationship that is extensively reflected in biology, psychology, religion, literature and poetry. The sea cradles and soothes us, we visit it often for solace and inspiration, it is familiar, being the place where life ultimately began. Yet the sea is also dark and mysterious and often spells catastrophe and death. The sea is a set of contradictions: kind, cruel, indifferent. She is a blind will that will ‘have her way’. In exploring this most capricious of phenomena, David Farrell Krell engages the work of an array of thinkers and writers including, but not limited to, Homer, Thales, Anaximander, Heraclitus, Plato, Aristotle, Hölderlin, Melville, Woolf, Whitman, Nietzsche, Heidegger, Schelling, Ferenczi, Rank and Freud. The Sea explores the significance in Western civilization of the catastrophic and generative power of the sea and what humankind’s complex relationship with it reveals about the human condition, human consciousness, temporality, striving, anxiety, happiness and mortality.

Features a reconstruction of an unfinished text by Jacques Derrida from his most penetrating series of readings of Heidegger's philosophy.During the 1980s Jacques Derrida wrote and published three incisive essays under the title Geschlecht, a German word for "generation" and "sexuality." These essays focused on the philosophy of Martin Heidegger, taking up the rarely discussed issue of sexual difference in Heidegger's thought. A fourth essay-actually the third in the series-was never completed and never published. In Phantoms of the Other, David Farrell Krell reconstructs this third Geschlecht on the basis of archival materials and puts it in the context of the entire series. Touching on the themes of sexual difference, poetics, politics, and criticism as practiced by Heidegger, Derrida's unfinished third essay offers a penetrating critical analysis of Heidegger's views on sexuality and Heidegger's reading of the love poems of Georg Trakl, one of the greatest Expressionist poets of the German language, who died during the opening days of the First World War.