David Fishman – författare

Long before there were Jewish communities in the land of the tsars, Jews inhabited a region which they called medinat rusiya, the land of Russia. Prior to its annexation by Russia, the land of Russia was not a center of rabbinic culture. But in 1772, with its annexation by Tsarist Russia, this remote region was severed from the Polish-Lithuanian Commonwealth; its 65,000 Jews were thus cut off from the heartland of Jewish life in Eastern Europe. Forced into independence, these Jews set about forging a community with its own religious leadership and institutions.The three great intellectual currents in East European Jewry--Hasidism, Rabbinic Mitnagdism, and Haskalah--all converged on Eastern Belorussia, where they clashed and competed. In the course of a generation, the community of Shklov—the most prominent of the towns in the area—witnessed an explosion of intellectual and cultural activity.Focusing on the social and intellectual odysseys of merchants, maskilim, and rabbis, and their varied attempts to combine Judaism and European culture, David Fishman here chronicles the remarkable story of these first modern Jews of Russia.

In 1973, homosexuality was officially depathologized with a revision in the Diagnostic and Statistical Manual of Psychiatry. In 1980, a new diagnosis appeared: Gender Identity Disorder of Childhood (GID). The shift separated gender from sexuality, while it simultaneously reinforced traditional concepts of "male" and "female" and made it possible for cross-gendered behavior and/or identification to be deemed psychiatric illness.What is the difference then between a child being called a sissy on the playground and being labeled with a disorder in a psychiatric hospital? Combining theory and personal narrative, this volume interrogates the meaning of "the normal" that pervades the literature on GID and investigates the theoretical underpinnings of the diagnosis. Sissies and Tomboys considers how the stigma of illness influences a child's development and what homosexual childhood, freed from the constraints of conventionally acceptable gender expression, might look like.

The Rise of Modern Yiddish Culture explores the transformation of Yiddish from a low-status vernacular to the medium of a complex modern culture. David Fishman examines the efforts of east European Jews to establish their linguistic distinctiveness as part of their struggle for national survival in the diaspora. Fishman considers the roots of modern Yiddish culture in social and political conditions in Imperial Tsarist and inter-war Poland, and its relationship to Zionism and Bundism. In so doing, Fishman argues that Yiddish culture enveloped all socioeconomic classes, not just the proletarian base, and considers the emergence, at the turn of the century, of a pro-Yiddish intelligentsia and a Yiddishist movement.As Fishman points out, the rise of Yiddishism was not without controversy. Some believed that the rise of Yiddish represented a shift away from a religious-dominated culture to a completely secular, European one; a Jewish nation held together by language, rather than by land or religious content. Others hoped that Yiddish culture would inherit the moral and national values of the Jewish religious tradition, and that to achieve this result, the Bible and Midrash would need to exist in modern Yiddish translation. Modern Yiddish culture developed in the midst of these opposing concepts.Fishman follows the rise of the culture to its apex, the founding of the Yiddish Scientific Institute (YIVO) in Vilna in 1925, and concludes with the dramatic story of the individual efforts that preserved the books and papers of YIVO during the destruction and annihilation of World War II and in postwar Soviet Lithuania. The Rise of Modern Yiddish Culture, like those efforts, preserves the cultural heritage of east European Jews with thorough research and fresh insights.

‘A 10.5-pound megalith [Stern] finished just before his death that will serve as a fitting memorial. These encyclopedic books serve no dogma other than celebrating the glories of New York as a city, of urbanism as a civilizing value, and of architecture as a noble pursuit.’ – Paul Goldberger, The New York Times‘The book on New York architecture’ – CurbedThe culmination of Robert A.M. Stern’s monumental history of architecture in New York City and a comprehensive record of building over the last twenty-five yearsA landmark in architectural publishing, New York 2020 explores the planning and politics of building in New York City during the first decades of the 21st century. This encyclopedic book, as complex and vast as the city itself, references more than 3,000 projects constructed between the year 2000 and the present day.Across 1,500 pages, New York 2020 describes and illustrates the ‘supertalls’ now populating our skyline, lush riverfront parks born from derelict waterfront, iconic cultural destinations, and thousands of smaller, unheralded residential and civic projects that enhance the built environment and the urban fabric.Readers will discover work by leading architects, including Norman Foster, Renzo Piano, Bjarke Ingels, Diller Scofidio + Renfro, Selldorf Architects, Frank Gehry, and Robert A.M. Stern Architects; a dazzling array of museums and institutions, including the High Line, Hudson Yards, the new Whitney Museum, and the expansions of MoMA and Lincoln Center; the rebuilding of the World Trade Center site; and more.The much-anticipated final volume in architect Robert A.M. Stern’s critically acclaimed New York series, which traces the evolution of the city from the Civil War to present day, New York 2020 tells the story of a remarkable period of urban development, architectural experiment, and seismic cultural shifts.