David J. A. Clines – författare

Over 2 million copies sold in The Word Biblical Commentary series.This commentary series delivers the best in biblical scholarship from the leading scholars of our day who share a commitment to Scripture as divine revelation.It emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence, resulting in judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.Overview of Commentary Organization:Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology.Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope.Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English.Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation.Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here.Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research.Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues.General Bibliography—occurring at the end of each volume, this extensive bibliography contains all sources used anywhere in the commentary.

Over 2 million copies sold in The Word Biblical Commentary series.This commentary series delivers the best in biblical scholarship from the leading scholars of our day who share a commitment to Scripture as divine revelation.It emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence, resulting in judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.Overview of Commentary Organization:Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology.Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope.Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English.Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation.Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here.Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research.Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues.General Bibliography—occurring at the end of each volume, this extensive bibliography contains all sources used anywhere in the commentary.

Over 2 million copies sold in The Word Biblical Commentary series.This commentary series delivers the best in biblical scholarship from the leading scholars of our day who share a commitment to Scripture as divine revelation.It emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence, resulting in judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.Overview of Commentary Organization:Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology.Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope.Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English.Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation.Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here.Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research.Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues.General Bibliography—occurring at the end of each volume, this extensive bibliography contains all sources used anywhere in the commentary.

The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.

Overview of Commentary Organization

Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology.Each section of the commentary includes:Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope.Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English.Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation.Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here.Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research.Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues.General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.

The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.

Overview of Commentary Organization

Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology.Each section of the commentary includes:Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope.Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English.Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation.Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here.Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research.Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues.General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.

The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.

Overview of Commentary Organization

Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology.Each section of the commentary includes:Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope.Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English.Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation.Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here.Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research.Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues.General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.

This collection of essays written by biblical scholars from around the world attempts to probe the relationship between the Bible and the world. It reflects modern social, political and hermeneutical issues, including liberation concerns. These themes echo John Rogerson''s commitment to relate his research and the Bible to contemporary issues - a commitment visible both in his publications and in his religious and political activities. This book is an expression of appreciation of John Rogerson by former and current colleagues, former students, and other biblical scholars.

Old Testament prophecy and wisdom are two of the main themes with which Norman Whybray, formerly of the University of Hull, has concerned himself in his highly productive and innovative scholarly career. In honour of his seventieth birthday,a distinguished international group of scholars have expressed their personal and professional admiration for him with essays that Are particularly rich And significant. The roll-call of contributors reads: Brenner, Brueggemann, Cazelles, Clements, Clines, Coggins, Crenshaw, Eaton, Gelston, Gordon, Goulder, Grabbe, Jeppersen, Knibb, Mayes, Mettinger, Soggin and Williamson.

The book of Esther emerges from complex origins. According to David J. A. Clines, the story combines elements from numerous literary, textual, and storytelling traditions. Through the telling and retelling of the story, the book as it appears in the modern canon slowly emerges. In this volume, Clines uncovers this fascinating history by examining the literary and textual elements of the book, the shape of the story, and the shifts in meaning as new generations have retold the story and interpreted it for their own time.

Specialists from different fields converge on one relatively circumscribed and, until recently, largely neglected area of biblical archaeology. The eleven papers comprise archaeological reports from Buseira (Biblical Bozrah) and Wadi el Hasa in Moab, technical studies of Midianite and Edomite pottery, Iron Age burial practices and copper smelting in the Arabah, a semantic study of barzel (''iron'') in Biblical Hebrew, and three essays of more general interest, on the history of the Ishmaelites and the Midianites.

For this volume, sequel to The Bible in Three Dimensions, the seven full-time members of the research and teaching faculty in Biblical Studies at Sheffield-Loveday Alexander, David Clines, Meg Davies, Philip Davies, Cheryl Exum, Barry Matlock and Stephen Moore-set themselves a common task: to reflect on what they hope or imagine, as century gives way to century, will be the key areas of research in biblical studies, and to paint themselves, however modestly, into the picture. The volume contains, as well as those seven principal essays, a 75-page ''intellectual biography'' of the Department and a revealing sketch of the ''material conditions'' of its research and teaching, together with a list of its graduates and the titles of their theses.

Prophetic symbolism is one of the key topics of this volume. On Isaiah, John F.A. Sawyer finds radical images of Yahweh, Kenneth T. Aitken looks at the metamorphosis of the key motif of hearing, seeing and understanding, Michael L. Barre examines lions and birds in 31.4-5, and Marvin A. Sweeney re-examines vmes(tm)s in 8.6. The imagery of Ezekiel is explored by Leslie C. Allen (the ''Death Valley'' vision) and M.G. Swanepoel (Ezekiel 16 and female images of Israel), and Alan Cooper and Athalya Brenner write on the book of Jonah. Two essays of more general scope deal with the search for unity in Isaiah (David Carr) and the redactional shape of Nahum 1 (James Nogalski). An attractive and stimulating volume which reflects the liveliness of current research on the prophetic literature.

'Forty years of Biblical Studies at Sheffield provide cause for celebration and this book is an excellent expression of it ... There is a good balance between Old Testament and New Testament ... There are eighteen essays in the book altogether...all highly readable and informative. Sheffield is to be congratulated on its forty years, on this self-provided Festschrift, and more generally, on its phenomenal contribution to publishing in the biblical field.' (W.D. Stacey, Journal of Theological Studies)

Old Testament prophecy and wisdom are two of the main themes with which Norman Whybray, formerly of the University of Hull, has concerned himself in his highly productive and innovative scholarly career. In honour of his seventieth birthday,a distinguished international group of scholars have expressed their personal and professional admiration for him with essays that Are particularly rich And significant. The roll-call of contributors reads: Brenner, Brueggemann, Cazelles, Clements, Clines, Coggins, Crenshaw, Eaton, Gelston, Gordon, Goulder, Grabbe, Jeppersen, Knibb, Mayes, Mettinger, Soggin and Williamson.

Biblical authors were artists of language who created their meaning through their verbal artistry, their rhetoric. These twelve essays see meaning as ultimately inseparable from art and seek to understand the biblical literature with sensitivity to the writer''s craft. Contents: David Clines, The Arguments of Job''s Friends. George Coats, A Moses Legend in Numbers 12. Charles Davis, The Literary Structure of Luke 1-2. Cheryl Exum, A Literary Approach to Isaiah 28. David Gunn, Plot, Character and Theology in Exodus 1-14. Alan Hauser, Intimacy and Alienation in Genesis 2-3. Charles Isbell, Story Lines and Key Words in Exodus 1-2. Martin Kessler, Methodology for Rhetorical Criticism. John Kselman, A Rhetorical Study of Psalm 22. Kenneth Kuntz, Rhetorical Criticism and Isaiah 51.1-16. Ann Vater, Form and Rhetorical Criticism in Exodus 7-11. Edwin Webster, Pattern in the Fourth Gospel.

This popular textbook regards the Pentateuch as a literary whole, with a single theme that binds it together. The overarching theme is the partial fulfilment of the promises to the patriarchs. Though the method of the book is holistic, the origin and growth of the theme is also explored using the methods of traditional source analysis. An important chapter explores the theological function of the Pentateuch both in the community for which the Pentateuch was first composed and in our own time. For this second, enlarged edition, the author has written an Epilogue reassessing the theme of the Pentateuch from a more current postmodern perspective.

Biblical authors were artists of language who created their meaning through their verbal artistry, their rhetoric. These twelve essays see meaning as ultimately inseparable from art and seek to understand the biblical literature with sensitivity to the writer's craft. Contents: David Clines, The Arguments of Job's Friends. George Coats, A Moses Legend in Numbers 12. Charles Davis, The Literary Structure of Luke 1-2. Cheryl Exum, A Literary Approach to Isaiah 28. David Gunn, Plot, Character and Theology in Exodus 1-14. Alan Hauser, Intimacy and Alienation in Genesis 2-3. Charles Isbell, Story Lines and Key Words in Exodus 1-2. Martin Kessler, Methodology for Rhetorical Criticism. John Kselman, A Rhetorical Study of Psalm 22. Kenneth Kuntz, Rhetorical Criticism and Isaiah 51.1-16. Ann Vater, Form and Rhetorical Criticism in Exodus 7-11. Edwin Webster, Pattern in the Fourth Gospel.

This book, an anthology of previously published writing about Michal together with some new and original essays, is something of an experiment. Its purpose is to provide reders with raw materials for developing their own reading of the Michal story. It does not offer a unified portrait of this biblical character, but rather invites readers to form their own assessment interactively with these readings of the Michal story. At the same time, this book presents some systematic guidance for coping with these divergent interpretations of the complex and tantalizing figure of Michal.

Although it opens with an argument that the earth, and not humanity, is the real subject of Genesis 1-11, this collection of essays focuses first on female personalities in Genesis (Eve, Hagar, Rebeccah, Tamar and the four tribal matriarchs), then on male characters (Abraham, Ishmael, Pharaoh). The treatment ranges from historical-critical analysis, through discourse analysis and narrative, ideological and psychological analyses, to postmodern autobiographical exegesis. Among the many delights of this selection are the mingling of traditional and contemporary perspectives, especially the interplay of gender at the level of the biblical text and of the modern author-and perhaps also of the modern reader of this fascinating assortment of studies on tales of human ancestry.

The purpose of this original volume is to illustrate what has been happening recently in Hebrew Bible studies under the influence of developments in literary theory in the last couple of decades. The methods and practice of reader-response criticism and deconstruction, as well as of feminist, materialist and psychoanalytic approaches are represented here by essays from leading Hebrew Bible literary critics. Alice Bach, Robert Carroll, Francisco Garcia-Treto, David Jobling, Francis Landy, Stuart Lasine, Peter Miscall, Hugh Pyper, Robert Polzin, and Ilona Rashkow, together with the two editors, present distinctive and eclectic essays on particular biblical texts, introducing students and scholars to exciting new dimensions of biblical study.

This book, an anthology of previously published writing about Michal together with some new and original essays, is something of an experiment. Its purpose is to provide reders with raw materials for developing their own reading of the Michal story. It does not offer a unified portrait of this biblical character, but rather invites readers to form their own assessment interactively with these readings of the Michal story. At the same time, this book presents some systematic guidance for coping with these divergent interpretations of the complex and tantalizing figure of Michal.

''Forty years of Biblical Studies at Sheffield provide cause for celebration and this book is an excellent expression of it ... There is a good balance between Old Testament and New Testament ... There are eighteen essays in the book altogether...all highly readable and informative. Sheffield is to be congratulated on its forty years, on this self-provided Festschrift, and more generally, on its phenomenal contribution to publishing in the biblical field.'' (W.D. Stacey, Journal of Theological Studies)

One of the more creative Old Testament scholars of our time, David Clines offers an enjoyable and provocative set of studies on ideology. The title of a keynote essay, ''Why is There a Song of Songs, and What Does It Do to You If You Read It?'', hints at the twin focus of the volume: the ideology of the writers, who bring the biblical texts into being, and the ideologies of the readers, who are shaped by the text at the same moment as they are shaping it in their own image. Among the essays are ''The Ten Commandments, Reading from Right to Left''; ''Metacommentating Amos''; ''David the Man: The Construction of Masculinity in the Hebrew Bible''; and ''Psalm 2 and the MLF (Moabite Liberation Front)''.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark’s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark''s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark''s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark’s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.