David M. Gunn – författare

David M. Gunn wrote The Fate of King Saul to inspire a renewed interest in the study of the Old Testament as well as the study of Saul. He explores the study of Saul and researches the narrative aspect of the books of Samuel. Additionally, he also researches the narrative that is a part of the Old Testament since the content can be complicated and difficult to understand.

Gunn sets out his aim in this book to foster a fresh understanding of the narrative about David in 2 Samuel and 1 Kings, commonly known as the ''Succession Narrative,'' by arguing for its fuller appreciation of its nature as a story. Gunn reviews the different hypotheses on the genre of the so-called Court History/Succession Narrative and concludes that the purpose of this story is to entertain. The work is to be considered primarily artistic and literary, and the rhetorical devices in the story are reliant on traditional motifs and devices.

The essays in this volume address the interface between biblical studies, archaeology, sociology and cultural anthropology, celebrating the pioneering work of James Flanagan. In particular, this collection explores various ways in which the real ancient world is constructed by the modern critical reader with the aid of various theoretical and practical tools.The contributors to this volume have all been involved with Flanagan and his projects during his academic career and the essays carry forward the important interdisciplinary agendas he has encouraged. Part One deals with his recent interest in spatiality and Part Two with social and historical constructs.This book in James Flanagan''s honour represents a significant statement of research in an area of biblical and historical research that is increasingly important yet surprisingly under-represented.

In this volume, a list of esteemed scholars engage with the literary readings of prophetic and poetic texts in the Hebrew Bible that revolve around sensitivity to the complexity of language, the fragility of meaning, and the interplay of texts. These themes are discussed using a variety of hermeneutical strategies. In Part 1, Poets and Poetry, some essays address the nature of poetic language itself, while others play with themes of love, beauty, and nature in specific poetic texts. The essays in Part 2, Prophets and Prophecy, consider prophets and prophecy from a number of interpretive directions, moving from internal literary analysis to the reception of these texts and their imagery in a range of ancient and modern contexts. Those in Part 3, on the other hand, Texts in Play, take more recent works (from Shakespeare to Tove Jansson's Moomin books for children) as their point of departure, developing conversations between texts across the centuries that enrich the readings of both the ancient and modern pieces of literature.

In this volume, a list of esteemed scholars engage with the literary readings of prophetic and poetic texts in the Hebrew Bible that revolve around sensitivity to the complexity of language, the fragility of meaning, and the interplay of texts. These themes are discussed using a variety of hermeneutical strategies. In Part 1, Poets and Poetry, some essays address the nature of poetic language itself, while others play with themes of love, beauty, and nature in specific poetic texts. The essays in Part 2, Prophets and Prophecy, consider prophets and prophecy from a number of interpretive directions, moving from internal literary analysis to the reception of these texts and their imagery in a range of ancient and modern contexts. Those in Part 3, on the other hand, Texts in Play, take more recent works (from Shakespeare to Tove Jansson''s Moomin books for children) as their point of departure, developing conversations between texts across the centuries that enrich the readings of both the ancient and modern pieces of literature.

Biblical authors were artists of language who created their meaning through their verbal artistry, their rhetoric. These twelve essays see meaning as ultimately inseparable from art and seek to understand the biblical literature with sensitivity to the writer''s craft. Contents: David Clines, The Arguments of Job''s Friends. George Coats, A Moses Legend in Numbers 12. Charles Davis, The Literary Structure of Luke 1-2. Cheryl Exum, A Literary Approach to Isaiah 28. David Gunn, Plot, Character and Theology in Exodus 1-14. Alan Hauser, Intimacy and Alienation in Genesis 2-3. Charles Isbell, Story Lines and Key Words in Exodus 1-2. Martin Kessler, Methodology for Rhetorical Criticism. John Kselman, A Rhetorical Study of Psalm 22. Kenneth Kuntz, Rhetorical Criticism and Isaiah 51.1-16. Ann Vater, Form and Rhetorical Criticism in Exodus 7-11. Edwin Webster, Pattern in the Fourth Gospel.

Biblical authors were artists of language who created their meaning through their verbal artistry, their rhetoric. These twelve essays see meaning as ultimately inseparable from art and seek to understand the biblical literature with sensitivity to the writer's craft. Contents: David Clines, The Arguments of Job's Friends. George Coats, A Moses Legend in Numbers 12. Charles Davis, The Literary Structure of Luke 1-2. Cheryl Exum, A Literary Approach to Isaiah 28. David Gunn, Plot, Character and Theology in Exodus 1-14. Alan Hauser, Intimacy and Alienation in Genesis 2-3. Charles Isbell, Story Lines and Key Words in Exodus 1-2. Martin Kessler, Methodology for Rhetorical Criticism. John Kselman, A Rhetorical Study of Psalm 22. Kenneth Kuntz, Rhetorical Criticism and Isaiah 51.1-16. Ann Vater, Form and Rhetorical Criticism in Exodus 7-11. Edwin Webster, Pattern in the Fourth Gospel.

In this volume, a list of esteemed scholars engage with the literary readings of prophetic and poetic texts in the Hebrew Bible that revolve around sensitivity to the complexity of language, the fragility of meaning, and the interplay of texts. These themes are discussed using a variety of hermeneutical strategies. In Part 1, Poets and Poetry, some essays address the nature of poetic language itself, while others play with themes of love, beauty, and nature in specific poetic texts. The essays in Part 2, Prophets and Prophecy, consider prophets and prophecy from a number of interpretive directions, moving from internal literary analysis to the reception of these texts and their imagery in a range of ancient and modern contexts. Those in Part 3, on the other hand, Texts in Play, take more recent works (from Shakespeare to Tove Jansson's Moomin books for children) as their point of departure, developing conversations between texts across the centuries that enrich the readings of both the ancient and modern pieces of literature.

This bible commentary traces the reception of Judges through the ages, not only by scholars and theologians, but also by preachers, teachers, politicians, poets, essayists and artists. A bible commentary focusing on The Book of Judges, best known for the tale of Samson and Delilah, but full of many other rich and colourful stories. Treats the text story by story, making it accessible to non-specialists, Considers the stories of women in Judges, including Deborah, Jael, who slew Sisera, and Jephthah’s daughter, sacrificed by her father. Traces the reception of Judges through the ages, not only by scholars and theologians, but also by preachers, teachers, politicians, poets, essayists and artists. Illustrates how ideology and the social location of readers have shaped the way the book has been read. Discloses a long history of debate over the roles of women and the use of force, as well as Christian prejudice against Jews and ‘Orientals’. Offers a window onto the use of the Bible in the Western world.

This bible commentary traces the reception of Judges through the ages, not only by scholars and theologians, but also by preachers, teachers, politicians, poets, essayists and artists. A bible commentary focusing on The Book of Judges, best known for the tale of Samson and Delilah, but full of many other rich and colourful stories. Treats the text story by story, making it accessible to non-specialists, Considers the stories of women in Judges, including Deborah, Jael, who slew Sisera, and Jephthah’s daughter, sacrificed by her father. Traces the reception of Judges through the ages, not only by scholars and theologians, but also by preachers, teachers, politicians, poets, essayists and artists. Illustrates how ideology and the social location of readers have shaped the way the book has been read. Discloses a long history of debate over the roles of women and the use of force, as well as Christian prejudice against Jews and ‘Orientals’. Offers a window onto the use of the Bible in the Western world.

The essays in this volume address the interface between biblical studies, archaeology, sociology and cultural anthropology, celebrating the pioneering work of James Flanagan. In particular, this collection explores various ways in which the real ancient world is constructed by the modern critical reader with the aid of various theoretical and practical tools.The contributors to this volume have all been involved with Flanagan and his projects during his academic career and the essays carry forward the important interdisciplinary agendas he has encouraged. Part One deals with his recent interest in spatiality and Part Two with social and historical constructs.This book in James Flanagan's honour represents a significant statement of research in an area of biblical and historical research that is increasingly important yet surprisingly under-represented.

"I thoroughly enjoyed this book. It is informative, thought-provoking, and – despite being a commentary – holds the reader's attention. It made me appreciate Lamentations in a new way. To be recommended." The Swedish Exegetical Yearbook 2014, 1 October 2014 One of the shortest books in the Bible, Lamentations exercises a disproportionately powerful cultural influence. As an unflinching account of the devastation wreaked by war, it has been called upon again and again by Jews, Christians, and others in their responses to catastrophes as varied as the destruction of the Jerusalem temple, the Great Fire of London, the Holocaust and 9/11. Covering two-and-a-half millennia of liturgy and literature, theology and psychology, art, music and film, this volume explores the astonishing variety of cultural and religious responses to Lamentations, taking in the New Testament and the Dead Sea Scrolls, Yehudah Halevy, John Calvin, and Thomas Tallis, as well as the startling interpretations of Marc Chagall, Cynthia Ozick, Alice Miller, and Zimbabwean junk sculpture. Viewed through this kaleidoscope of sources, the ancient biblical text acquires a vital and resonant new life. Lamentations Through the Centuries is published within the Wiley Blackwell Bible Commentaries series. Further information about this innovative reception history series is available at www.bbibcomm.info.