David M. Robinson – författare

'I like not the man who is thinking how to be good,' Ralph Waldo Emerson wrote, 'but the man thinking how to accomplish his work'. The ethical emphasis on work and activity signals the shift in his thinking that is the subject of Emerson and the Conduct of Life. In this book, David M. Robinson describes Emerson's evolution from mystic to pragmatist and shows the importance of Emerson's undervalued later writing. Emerson's reputation has rested on the addresses and essays of the 1830s and 1840s, in which he propounded a version of transcendental idealism and memorably portrayed moments of mystical insight. But Emerson's later thinking suggests an increasing concern over the elusiveness of mysticism and an increasing emphasis on ethical choice and practical power. Robinson discusses each of Emerson's major later works noting their increasing orientation to a philosophy of the 'conduct of life'. These books represent Emerson's attempt to forge a philosophy based on the centrality of domestic life, vocation and social relations and they reveal Emerson as an ethical philosopher who stressed the spiritual value of human relations, work and social action.

'I like not the man who is thinking how to be good,' Ralph Waldo Emerson wrote, 'but the man thinking how to accomplish his work'. The ethical emphasis on work and activity signals the shift in his thinking that is the subject of Emerson and the Conduct of Life. In this book, David M. Robinson describes Emerson's evolution from mystic to pragmatist and shows the importance of Emerson's undervalued later writing. Emerson's reputation has rested on the addresses and essays of the 1830s and 1840s, in which he propounded a version of transcendental idealism and memorably portrayed moments of mystical insight. But Emerson's later thinking suggests an increasing concern over the elusiveness of mysticism and an increasing emphasis on ethical choice and practical power. Robinson discusses each of Emerson's major later works noting their increasing orientation to a philosophy of the 'conduct of life'. These books represent Emerson's attempt to forge a philosophy based on the centrality of domestic life, vocation and social relations and they reveal Emerson as an ethical philosopher who stressed the spiritual value of human relations, work and social action.

This collection of essays reveals the Ming court as an arena of competition and negotiation, where a large cast of actors pursued individual and corporate ends, personal agency shaped protocol and style, and diverse people, goods, and tastes converged. Rather than observing an immutable set of traditions, court culture underwent frequent reinterpretation and rearticulation, processes driven by immediate personal imperatives, mediated through social, political, and cultural interaction.The essays address several common themes. First, they rethink previous notions of imperial isolation, instead stressing the court’s myriad ties both to local Beijing society and to the empire as a whole. Second, the court was far from monolithic or static. Palace women, monks, craftsmen, educators, moralists, warriors, eunuchs, foreign envoys, and others strove to advance their interests and forge advantageous relations with the emperor and one another. Finally, these case studies illustrate the importance of individual agency. The founder’s legacy may have formed the warp of court practices and tastes, but the weft varied considerably. Reflecting the complexity of the court, the essays represent a variety of perspectives and disciplines—from intellectual, cultural, military, and political to art history and musicology.

The rise of the Mongol empire transformed world history. Its collapse in the mid-fourteenth century had equally profound consequences. Four themes dominate this study of the late Mongol empire in Northeast Asia during this chaotic era: the need for a regional perspective encompassing all states and ethnic groups in the area; the process and consequences of pan-Asian integration under the Mongols; the tendency for individual and family interests to trump those of dynasty, country, or linguistic affiliation; and finally, the need to see Koryo Korea as part of the wider Mongol empire.Northeast Asia was an important part of the Mongol empire, and developments there are fundamental to understanding both the nature of the Mongol empire and the new post-empire world emerging in the 1350s and 1360s. In Northeast Asia, Jurchen, Mongol, Chinese, Korean, and Japanese interests intersected, and the collapse of the Great Yuan reshaped Northeast Asia dramatically. To understand this transition, or series of transitions, the author argues, one cannot examine states in isolation. The period witnessed intensified interactions among neighboring polities and new regional levels of economic, political, military, and social integration that explain the importance of personal and family interests and of Korea in the Mongol state.

Like most empires, the Ming court sponsored grand displays of dynastic strength and military prowess. Covering the first two centuries of the Ming dynasty (1368–1644), Martial Spectacles of the Ming Court explores how the royal hunt, polo matches, archery contests, equestrian demonstrations, and the imperial menagerie were represented in poetry, prose, and portraiture. This study reveals that martial spectacles were highly charged sites of contestation, where Ming emperors and senior court ministers staked claims about rulership, ruler-minister relations, and the role of the military in the polity. Simultaneously colorful entertainment, prestigious social events, and statements of power, martial spectacles were intended to make manifest the ruler’s personal generosity, keen discernment, and respect for family tradition. They were, however, subject to competing interpretations that were often beyond the emperor’s control or even knowledge. By situating Ming martial spectacles in the wider context of Eurasia, David Robinson brings to light the commensurability of the Ming court with both the Mongols and Manchus but more broadly with other early modern courts such as the Timurids, the Mughals, and the Ottomans.

Arguing for renewed attention to covert same-sex-oriented writing (and to authorial intention more generally), this study explores the representation of female and male homosexuality in late sixteenth- through mid-eighteenth-century British and French literature. The author also uncovers and analyzes long-term continuities in the representation of same-sex love, sex, and desire between the classical, early modern, eighteenth-century, and even modern periods. Among the seventeenth- and eighteenth-century authors and texts examined here are Mme de Murat, Les Memoires De Madame La Comtesse De M*** (1697); John Cleland, Memoirs of a Woman of Pleasure (1748-49); Tobias Smollett, The Adventures of Roderick Random (1748); Nicolas Chorier and Jean Nicolas, L'Academie des dames (1680); Delarivier Manley, The New Atalantis (1709); and Isaac de Benserade, Iphis et Iante (1637). Classical texts brought into the discussion include Juvenal's Satires, Lucian's Erotes, and, most importantly, Ovid's Metamorphoses. Casting its net broadly yet exploring deeply-poems, plays, novels, and more; from the serious to the satiric, the polite to the pornographic; well-known and little-known; written in English, French, and Latin; published in early modern and eighteenth-century Britain and France; plus key classical texts-this study engages with the historiography of sexuality as a whole.

"An essential step in Thoreau's recovery of a 'natural life' is to reawaken and expand his awareness of the present moment, not only in the sense of knowing more of the world around him, but of entering into it fully. Admitting in Walden that 'I did not read books the first summer; I hoed beans,' he also confesses to moments in which he neglected both of these conflicting duties.... In periods of reverie, Thoreau gave himself over to his senses, finding a fulfillment in his own attentive presence at the pond and the surrounding hills."—from Natural LifeHenry David Thoreau's Walden was first published 150 years ago, an event celebrated by many gatherings scheduled for 2004 and marked by the publication of this exceptional book. David M. Robinson tells the story of a mind at work, focusing on Thoreau's idea of "natural life" as both a subject of study and a model for personal growth and ethical purpose. Robinson traces Thoreau's struggle to find a fulfilling vocation and his gradual recovery from his grief over the loss of his brother. Robinson emphasizes Thoreau's development of the credo of living a "natural life," a phrase drawn from his first book, A Week on the Concord and Merrimack Rivers. The depiction of the contemplative life close to nature in Walden exemplifies this credo. But it is also fulfilled through Thoreau's later life as a saunterer in the fields and forests around Concord, devoted to his studies of the natural world and dedicated to a life of principle.Natural Life takes note of and encourages growing interest in the later phase of Thoreau's career and his engagement with science and natural history. Robinson looks closely at Walden and the essays and natural history projects that followed it, such as "Walking" and "Wild Apples," and the remarkable and little-observed writing on night and moonlight found in Thoreau's journal.

A leading figure in modern southern literature, described by Newsweek as "one of the best American storytellers," Peter Taylor secured a national following through his long relationship with the New Yorker and his widely read volumes from the 1980s, The Old Forest and Other Stories and A Summons to Memphis. The Pulitzer Prize-winning author's portrayals of the battles of strong-willed fathers and mothers with their equally strong-willed sons are at the center of his achievement in fiction.David Robinson presents Taylor as a writer deeply concerned with the interworkings of family relationships, and emphasizes his role as chronicler of the shifts in southern culture in this century. World of Relations provides an important critical assessment of the work of one of the South's greatest writers, and includes the first extensive critical discussion of Taylor's last two works, The Oracle of Stoneleigh Court (1993) and In the Tennessee Country (1994).

Korea and the Fall of the Mongol Empire explores the experiences of the enigmatic and controversial King Gongmin of Goryeo, Wang Gi, as he navigated the upheavals of the mid-fourteenth century, including the collapse of the Mongol Empire and the rise of its successors in West, Central, and East Asia. Drawing on a wealth of Korean and Chinese sources and integrating East Asian and Western scholarship on the topic, David Robinson considers the single greatest geopolitical transformation of the fourteenth century through the experiences of this one East Asian ruler. He focuses on the motives of Wang Gi, rather than the major contemporary powers, to understand the rise and fall of empire, offering a fresh perspective on this period of history. The result is a more nuanced and accessible appreciation of Korean, Mongolian, and Chinese history, which sharpens our understanding of alliances across Eurasia.

Korea and the Fall of the Mongol Empire explores the experiences of the enigmatic and controversial King Gongmin of Goryeo, Wang Gi, as he navigated the upheavals of the mid-fourteenth century, including the collapse of the Mongol Empire and the rise of its successors in West, Central, and East Asia. Drawing on a wealth of Korean and Chinese sources and integrating East Asian and Western scholarship on the topic, David Robinson considers the single greatest geopolitical transformation of the fourteenth century through the experiences of this one East Asian ruler. He focuses on the motives of Wang Gi, rather than the major contemporary powers, to understand the rise and fall of empire, offering a fresh perspective on this period of history. The result is a more nuanced and accessible appreciation of Korean, Mongolian, and Chinese history, which sharpens our understanding of alliances across Eurasia.

During the thirteenth century, the Mongols created the greatest empire in human history. Genghis Khan and his successors brought death and destruction to Eurasia. They obliterated infrastructure, devastated cities, and exterminated peoples. They also created courts in China, Persia, and southern Russia, famed throughout the world as centers of wealth, learning, power, religion, and lavish spectacle. The great Mongol houses established standards by which future rulers in Eurasia would measure themselves for centuries. In this ambitious study, David M. Robinson traces how in the late fourteenth century the newly established Ming dynasty (1368-1644) in China crafted a narrative of the fallen Mongol empire. To shape the perceptions and actions of audiences at home and abroad, the Ming court tailored its narrative of the Mongols to prove that it was the rightful successor to the Mongol empire. This is a story of how politicians exploit historical memory for their own gain.

On the eve of the early modern age, Ming emperors ruled around one-quarter of the globe's population, the majority of the world's largest urban centers, the biggest standing army on the planet, and the day's most affluent economy. Far from being isolated, the Ming court was the greatest center of political patronage in East Eurasia, likely the world. Although the Ming throne might trumpet its superiority, it understood its need for allegiance from ruling elites in neighbouring regions. In this major new study, David M. Robinson explores Ming emperors' relations with the single most important category of Eurasian nobles: descendants of Ghengis Khan and their Mongol supporters. Exploring the international dimensions of Chinese rule, this revisionist but accessible account shows that even rulers such as the Ming emperor needed allies and were willing to pay for them.

During the thirteenth century, the Mongols created the greatest empire in human history. Genghis Khan and his successors brought death and destruction to Eurasia. They obliterated infrastructure, devastated cities, and exterminated peoples. They also created courts in China, Persia, and southern Russia, famed throughout the world as centers of wealth, learning, power, religion, and lavish spectacle. The great Mongol houses established standards by which future rulers in Eurasia would measure themselves for centuries. In this ambitious study, David M. Robinson traces how in the late fourteenth century the newly established Ming dynasty (1368-1644) in China crafted a narrative of the fallen Mongol empire. To shape the perceptions and actions of audiences at home and abroad, the Ming court tailored its narrative of the Mongols to prove that it was the rightful successor to the Mongol empire. This is a story of how politicians exploit historical memory for their own gain.

On the eve of the early modern age, Ming emperors ruled around one-quarter of the globe's population, the majority of the world's largest urban centers, the biggest standing army on the planet, and the day's most affluent economy. Far from being isolated, the Ming court was the greatest center of political patronage in East Eurasia, likely the world. Although the Ming throne might trumpet its superiority, it understood its need for allegiance from ruling elites in neighbouring regions. In this major new study, David M. Robinson explores Ming emperors' relations with the single most important category of Eurasian nobles: descendants of Ghengis Khan and their Mongol supporters. Exploring the international dimensions of Chinese rule, this revisionist but accessible account shows that even rulers such as the Ming emperor needed allies and were willing to pay for them.

Arguing for renewed attention to covert same-sex-oriented writing (and to authorial intention more generally), this study explores the representation of female and male homosexuality in late sixteenth- through mid-eighteenth-century British and French literature. The author also uncovers and analyzes long-term continuities in the representation of same-sex love, sex, and desire between the classical, early modern, eighteenth-century, and even modern periods. Among the seventeenth- and eighteenth-century authors and texts examined here are Mme de Murat, Les Memoires De Madame La Comtesse De M*** (1697); John Cleland, Memoirs of a Woman of Pleasure (1748-49); Tobias Smollett, The Adventures of Roderick Random (1748); Nicolas Chorier and Jean Nicolas, L'Academie des dames (1680); Delarivier Manley, The New Atalantis (1709); and Isaac de Benserade, Iphis et Iante (1637). Classical texts brought into the discussion include Juvenal's Satires, Lucian's Erotes, and, most importantly, Ovid's Metamorphoses. Casting its net broadly yet exploring deeply-poems, plays, novels, and more; from the serious to the satiric, the polite to the pornographic; well-known and little-known; written in English, French, and Latin; published in early modern and eighteenth-century Britain and France; plus key classical texts-this study engages with the historiography of sexuality as a whole.

Journalist, editor, critic, translator, and women’s rights advocate, Margaret Fuller was America’s first major female intellectual. Throughout much of the late-19th and 20th centuries, however, critics and scholars largely saw her as a minor figure in the transcendentalist movement with which she is associated, and her work was considered secondary to that of male figures like Emerson and Hawthorne. While her biography—including her marriage to an Italian noble and her dramatic death in a shipwreck—was often the focus, her skill as a writer was generally overlooked, and her intellectual development largely ignored. In the early 1980s, David M. Robinson was one of the first scholars to publish an article that focused on Fuller’s mind and art. Now Transcendent Woman completes and extends this early work. Outlining the development of her philosophy, which Robinson defines as a “purpose-oriented form of thinking, tailored to the commitment and assets of each individual,” he traces Fuller’s intellectual journey, first in relation to her family and the people around her in New England and later in her travels in the midwestern United States and, more importantly, through Europe and her residency in Italy. He focuses first and foremost on what Fuller was reading (Goethe was key), what she was thinking as revealed in her letters and journals, and what she was writing, including seminal works such as Summer on the Lakes and Woman in the Nineteenth Century as well as lesser-known essays, translations, and short stories. Drawing extensively on primary sources, Robinson charts Fuller’s development and achievement as an original thinker and fearless advocate of democracy.

Journalist, editor, critic, translator, and women’s rights advocate, Margaret Fuller was America’s first major female intellectual. Throughout much of the late-19th and 20th centuries, however, critics and scholars largely saw her as a minor figure in the transcendentalist movement with which she is associated, and her work was considered secondary to that of male figures like Emerson and Hawthorne. While her biography—including her marriage to an Italian noble and her dramatic death in a shipwreck—was often the focus, her skill as a writer was generally overlooked, and her intellectual development largely ignored. In the early 1980s, David M. Robinson was one of the first scholars to publish an article that focused on Fuller’s mind and art. Now Transcendent Woman completes and extends this early work. Outlining the development of her philosophy, which Robinson defines as a “purpose-oriented form of thinking, tailored to the commitment and assets of each individual,” he traces Fuller’s intellectual journey, first in relation to her family and the people around her in New England and later in her travels in the midwestern United States and, more importantly, through Europe and her residency in Italy. He focuses first and foremost on what Fuller was reading (Goethe was key), what she was thinking as revealed in her letters and journals, and what she was writing, including seminal works such as Summer on the Lakes and Woman in the Nineteenth Century as well as lesser-known essays, translations, and short stories. Drawing extensively on primary sources, Robinson charts Fuller’s development and achievement as an original thinker and fearless advocate of democracy.