David Madden – författare

What are the consequences of Yugoslavia’s existence – and breakup – for the present? This book reflects on this very question, identifying and analysing the political legacies left behind by Yugoslavia through the prism of continuities and ruptures between the past and present of the area. After the collapse of Yugoslavia, it’s former states adopted a nation-building process which opted to eradicate the past as such an approach seemed more convenient for the new national projects. The new states adopted new institutions, new market-oriented economic paradigms and new national symbols. Yugoslavia existed for 70 years and to consider the current political situation in post-Yugoslav states such as Slovenia, Croatia, Bosnia and Herzegovina, Serbia, Montenegro, North Macedonia, and Kosovo without taking into account the legacy and remnants of Yugoslavia is to discount a vital part of their political history.This volume takes a multi-disciplinary and multi-faceted approach to examining the legacy of Yugoslavia, covering politics, society, international relations and economics. Focusing on distinctive features of Yugoslavia including worker self-management, the combination of liberalism and communism and the Cold War policy of Non-Alignment, The Legacy of Yugoslavia places Yugoslavia in historical perspective and connects the region's past with its contemporary political situation.

Robert Penn Warren was unique among twentieth-century American writers for having achieved excellence in a broad and assorted range of genres: poems, novels, plays, critical works, historical essays, personal essays, biography, and innovative textbooks. In this collection of essays, critics and poets - among the finest Warren scholars - assess Warren's legacy within his various genres and illuminate his centrality to twentieth-century American culture. Although Warren was best known for his novel All the King's Men, the fact that most of these essays focus on his poetry attests to the urgency these poets and scholars feel about the need to call attention to this relatively neglected aspect of his work. Although their approaches and themes are varied, the pieces in The Legacy of Robert Penn Warren are united in their assertion that the writer's true legacy is that he was, in a century of increasing specialization, a myriad-minded Renaissance man.

When the first edition of David Madden's A Primer of the Novel: For Readers and Writers was published more than twenty-five years ago, there were no other books of its kind available. Since then, many authors and editors have produced works that attempt the same comprehensive coverage of the genre. However, these works tend to be either written solely for writers or solely for readers. More often than not, those written for readers tend to be aimed at advanced students or critics of the novel. In this revised edition, David Madden, Charles Bane and Sean Flory have produced an updated work that is intended for a general readership including writers, teachers, and students who are just being introduced to the genre. This unique handbook provides a definition and history of the novel, a description of early narratives, and a discussion of critical approaches to this literary form. A Primer of the Novel also identifies terms, definitions, commentary, and examples in the form of quotations for almost 50 types of novels and 15 artistic techniques. A chronology of narrative in general and of the novel in particular—from 850 B. C. to the present—is also included, along with indexes to authors, titles, novel types and techniques, as well as a selective bibliography of criticism. Although all novel types present in the first edition are still represented, many have become more clearly defined. This revised edition also cites several types of novels that did not appear in the first edition, such as the graphic novel and the novel of Magical Realism. As well as keeping all of the original examples from representative texts, the authors have added new examples of more recent works. While this book was conceived for a general audience, it will be a valuable resource for students, teachers, and libraries. It may be used in any English literature courses at any level, including graduate, and is suited for creative writing courses as well. With its clear and immediately accessible features, this handbo

James M. Cain wrote some of the grittiest novels in American literature, including such classics as The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce. James M. Cain: Hard-Boiled Mythmaker is a critical overview of the author's life, work, and legacy. An updated and expanded edition of two of David Madden's scholarly works on Cain, this new book improves upon the previous works by collecting the most essential writing on Cain by Madden into one volume. In addition to melding existing material, this work contains updated and new material, including fresh commentaries on later books, such as Rainbow's End, Cloud Nine, and The Enchanted Isle, as well as later film adaptations, including Butterfly. It also responds to 40 years' worth of criticism on Cain and reevaluates his influence.Providing an overview of all of Cain's fiction, including an analysis of the major themes of his entire literary career, the book also describes Cain's impact on and importance in 20th-century culture, film in particular. In addition to a biographical summary and thematic outline of Cain's nearly 50-year career, Madden and Mecholsky examine how Cain's works explore the nightmare consequences of the persistent American dream. Finally, Madden and Mecholsky consider Cain's technical innovations of the novel and survey the major film adaptations of Cain's novels.With its significant in-depth analysis and a foreword by Edgar-award winning author Max Allan Collins, this volume will be of interest to Cain scholars as well as anyone interested in 20th century American literature and film.

James M. Cain wrote some of the grittiest novels in American literature, including such classics as The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce. James M. Cain: Hard-Boiled Mythmaker is a critical overview of the author''s life, work, and legacy. An updated and expanded edition of two of David Madden''s scholarly works on Cain, this new book improves upon the previous works by collecting the most essential writing on Cain by Madden into one volume. In addition to melding existing material, this work contains updated and new material, including fresh commentaries on later books, such as Rainbow''s End, Cloud Nine, and The Enchanted Isle, as well as later film adaptations, including Butterfly. It also responds to 40 years'' worth of criticism on Cain and reevaluates his influence.Providing an overview of all of Cain''s fiction, including an analysis of the major themes of his entire literary career, the book also describes Cain''s impact on and importance in 20th-century culture, film in particular. In addition to a biographical summary and thematic outline of Cain''s nearly 50-year career, Madden and Mecholsky examine how Cain''s works explore the nightmare consequences of the persistent American dream. Finally, Madden and Mecholsky consider Cain''s technical innovations of the novel and survey the major film adaptations of Cain''s novels.With its significant in-depth analysis and a foreword by Edgar-award winning author Max Allan Collins, this volume will be of interest to Cain scholars as well as anyone interested in 20th century American literature and film.

This is a rich yet succinct account of an underexplored story: the consequences of the Great War for the region which ignited it. It offers a fascinating tapestry: the collapse of Empires, the birth of Turkey and Yugoslavia, Greece as both victor and loser, Bulgaria's humiliating defeat; bitter memories, forced migrations, territorial implications and collective national amnesias. The legacies live on.The contributions in this volume significantly enhance the debate about how the Great War is remembered in South East Europe, and why it still evokes such strong emotions and reactions, more than a century after its beginnings.

This is a rich yet succinct account of an underexplored story: the consequences of the Great War for the region which ignited it. It offers a fascinating tapestry: the collapse of Empires, the birth of Turkey and Yugoslavia, Greece as both victor and loser, Bulgaria''s humiliating defeat; bitter memories, forced migrations, territorial implications and collective national amnesias. The legacies live on.The contributions in this volume significantly enhance the debate about how the Great War is remembered in South East Europe, and why it still evokes such strong emotions and reactions, more than a century after its beginnings.

When the first edition of David Madden''s A Primer of the Novel: For Readers and Writers was published more than twenty-five years ago, there were no other books of its kind available. Since then, many authors and editors have produced works that attempt the same comprehensive coverage of the genre. However, these works tend to be either written solely for writers or solely for readers. More often than not, those written for readers tend to be aimed at advanced students or critics of the novel. In this revised edition, David Madden, Charles Bane and Sean Flory have produced an updated work that is intended for a general readership including writers, teachers, and students who are just being introduced to the genre. This unique handbook provides a definition and history of the novel, a description of early narratives, and a discussion of critical approaches to this literary form. A Primer of the Novel also identifies terms, definitions, commentary, and examples in the form of quotations for almost 50 types of novels and 15 artistic techniques. A chronology of narrative in general and of the novel in particular-from 850 B. C. to the present-is also included, along with indexes to authors, titles, novel types and techniques, as well as a selective bibliography of criticism. Although all novel types present in the first edition are still represented, many have become more clearly defined. This revised edition also cites several types of novels that did not appear in the first edition, such as the graphic novel and the novel of Magical Realism. As well as keeping all of the original examples from representative texts, the authors have added new examples of more recent works. While this book was conceived for a general audience, it will be a valuable resource for students, teachers, and libraries. It may be used in any English literature courses at any level, including graduate, and is suited for creative writing courses as well. With its clear and immediately accessible features, this handbo

James M. Cain was among the prominent member of the "hard-boiled" school of writing that characterized the 1930s and 1940s, one of the masters of the genre that included Dashiell Hammett and Raymond Chandler. His novels became such popular film noir classics as The Postman always Rings Twice, Double Indemnity, and Mildred Pierce, and his 1937 novel Serenade boldly portrayed its hero as a bisexual. Cain also taught journalism at various colleges in Maryland, wrote editorials for the New York World, and was for a brief time managing editor at The New Yorker. This is the first biography of James M. Cain written with the full cooperation of the late novelist's family.

James M. Cain was among the prominent member of the "hard-boiled" school of writing that characterized the 1930s and 1940s, one of the masters of the genre that included Dashiell Hammett and Raymond Chandler. His novels became such popular film noir classics as The Postman always Rings Twice, Double Indemnity, and Mildred Pierce, and his 1937 novel Serenade boldly portrayed its hero as a bisexual. Cain also taught journalism at various colleges in Maryland, wrote editorials for the New York World, and was for a brief time managing editor at The New Yorker. This is the first biography of James M. Cain written with the full cooperation of the late novelist's family.

The purpose of this collection of sixteen essays on William Faulkner's multi-faceted novel is to provide the reader who has read or is about to read Absalom, Absalom! with as much of a multi-faceted perspective as possible.Faulkner created a novel so complex that every interpretation of his "little postage stamp of native soil" is as valid as a single postage stamp in a postal system. Each essay is limited by its premise, but that very limitation enables the critic to focus the reader's attention upon an aspect of this multifaceted novel. The value of each of these pieces is not only what it reveals but what it does not reveal, enabling the reader to participate in the critical process by questioning, disagreeing, conjuring his or her own insights along the way.The opening six original essays offer basic, clearly stated perspectives: a brief view of Faulkner's life and works; and two close readings of Absalom, Absalom! that apply specific critical methods. The novel in a cultural-historical context is also discussed, as is the novel's critical reception. Many more narrowly-focused essays discuss the novel from a feminist standpoint, its relationship to The Great Gatsby and All the King's Men.The narrative perspective and the storytelling themes that pervade the novel are discussed at length as is the interwoven web of facts that enriches Absalom, Absalom! with countless dimensions. Tensions between the old south and the modern era are explored. Faulkner's structure and prose style are meticulously investigated. In sum, this reference provides a remarkably rich, deeply varied number of perspectives on a novel that continues to offer new insight into its complex design and execution.Each essay is 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources:

Though he has authored more than eleven novels, including Cassandra Singing, The Suicide’s Wife, Abducted by Circumstance, and the recent London Bridge in Plague and Fire, David Madden has been publishing short stories for all six decades of his active career. The Last Bizarre Tale consists of works that appeared in journals but that have not appeared together as a collection.Madden used two stories, “The Singer” and “Second Look Presents: the Rape of an Indian Brave,” as chapters in his 1980 novel On the Big Wind. “The Headless Girl’s Mother” was first published as a chapter in a serialized novel entitled Hair of the Dog. Two other stories developed out of longer versions of Madden’s novels. “A Demon in My View” is part of a sequel, not yet published, to Bijou.All of the stories in David Madden’s third collection are distinguished by variety of content and by shifting styles and often innovative techniques. They are to varying degrees and in various ways bizarre in their characters and their relationships, in the kinds of internal and external conflicts, and in locales and themes. The title story, The Last Bizarre Tale, involving a corpse that has hung on a hook in a funeral home garage for decades, is evocative of Poe and, in its dark, grotesque humor, Flannery O’Connor and Carson McCullers.“Process is as important as product to David Madden,” writes editor James Perkins, “and one can learn as much about the process of writing as about the human condition by a careful reading of these stories.”

“Abducted by Circumstance is a thrilling crime story, a dark and complex psychological study, a rich contemplation on contemporary life. It is also a masterful moral drama about the centuries-old conflicts that arise from the juxtaposition of the flesh and spirit.“ —Allen Wier, author of Tehano“David Madden continues to push the envelope of literary fiction in subtle and pro­foundly sophisticated ways. Abducted by Circumstance is a quirky, utterly compelling novel in pieces that in its very structure speaks to the work’s twenty-first-century theme: how do we find connection in a fragmented world? In this new book Madden is at the height of his considerable power.” —Robert Olen Butler, author of the Pulitzer Prize–winning A Good Scent from A Strange Mountain

“London Bridge in Plague and Fire is a brilliant cleaving of historical fact and Blakeian imagination. David Madden has written his masterpiece.” —Ron Rash, author of Serena“David Madden’s London Bridge is a the spellbinding story of the life and times of a world icon. Distinguish yourself and buy it now!”—Winston Groom, author of Forrest Gump“In London Bridge in Plague and Fire David Madden creates his own fictive historical tapestry, bringing to life the complex medieval world of Old England. But Madden filters his vision through the voice and eyes of a seventeenth-century poet-chronicler. The result is a deep, rich narrative of a particular place across the centuries, unfolding and rewarding the reader with the true romance of history.”—Robert Morgan, author of Gap Creek and Lions of the West“One of the many colorful characters in David Madden’s wild but accurate chronicle-novel says, ‘The Bridge is, after all, a thought turned to stone.’ By dint of forcible imagination, careful research, and devotion to his subject, the author has retransformed the stone to passionate thought. London Bridge in Plague and Fire is a strong book faithful to a great tradition.” —Fred Chappell, author of Dagon and Midquest

When she is seventeen, Emily Merritt’s beloved father gives her the piano she has always wanted. A few days later, having lost his job, he sells Emily’s piano and moves the family out of its two-story house in Cleveland, Ohio, to his mother’s three-room house in his hometown of Knoxville, Tennessee.The loss of her piano casts a shadow over Emily’s life in Knoxville, a city she could never love. Throughout the rest of her life, Emily longs to return to Cleveland, where she had an idyllic youth with many boyfriends and girlfriends and was, above all, a good piano student. Her life becomes like that of a nomad, moving from house to house and from job to job.Her great love of life is expressed by dancing in highway honky-tonks, along with her six beautiful girlfriends. After divorcing her lovable, alcoholic husband, Emily falls deeply in love with troubled married men. She doesn’t enjoy whiskey or smoking, but she’s not a churchgoer. She raises three boys in poverty. A fourth son dies soon after birth. Oldest Dickie becomes a life-long petty conman, but little brother John, known as “Sunshine,” becomes a legendary rescuer of wayward boys and girls. Jerry, the middle brother, becomes a merchant seaman, a soldier, and finally a professor and successful writer.Rather than a chronological narrative, Madden employs an impressionistic style that enables readers to experience Emily’s memories as he imagines them. In sharply focused scenes, Madden evokes the colorful expressions of the articulate, witty woman he has spent all his life listening to—and this memoir will inspire readers to listen eagerly, too.

Everyone needs and deserves housing. But today our homes are being transformed into commodities, making the inequalities of the city ever more acute. Profit has become more important than social need. The poor are forced to pay more for worse housing. Communities are faced with the violence of displacement and gentrification. And the benefits of decent housing are only available for those who can afford it.In Defense of Housing is the definitive statement on this crisis from leading urban planner Peter Marcuse and sociologist David Madden. They look at the causes and consequences of the housing problem and detail the need for progressive alternatives. The housing crisis cannot be solved by minor policy shifts, they argue. Rather, the housing crisis has deep political and economic roots-and therefore requires a radical response.

What are the consequences of Yugoslavia’s existence – and breakup – for the present? This book reflects on this very question, identifying and analysing the political legacies left behind by Yugoslavia through the prism of continuities and ruptures between the past and present of the area. After the collapse of Yugoslavia, it’s former states adopted a nation-building process which opted to eradicate the past as such an approach seemed more convenient for the new national projects. The new states adopted new institutions, new market-oriented economic paradigms and new national symbols. Yugoslavia existed for 70 years and to consider the current political situation in post-Yugoslav states such as Slovenia, Croatia, Bosnia and Herzegovina, Serbia, Montenegro, North Macedonia, and Kosovo without taking into account the legacy and remnants of Yugoslavia is to discount a vital part of their political history.This volume takes a multi-disciplinary and multi-faceted approach to examining the legacy of Yugoslavia, covering politics, society, international relations and economics. Focusing on distinctive features of Yugoslavia including worker self-management, the combination of liberalism and communism and the Cold War policy of Non-Alignment, The Legacy of Yugoslavia places Yugoslavia in historical perspective and connects the region's past with its contemporary political situation.

What are the consequences of Yugoslavia's existence – and breakup – for the present? This book reflects on this very question, identifying and analysing the political legacies left behind by Yugoslavia through the prism of continuities and ruptures between the past and present of the area. After the collapse of Yugoslavia, it's former states adopted a nation-building process which opted to eradicate the past as such an approach seemed more convenient for the new national projects. The new states adopted new institutions, new market-oriented economic paradigms and new national symbols. Yugoslavia existed for 70 years and to consider the current political situation in post-Yugoslav states such as Slovenia, Croatia, Bosnia and Herzegovina, Serbia, Montenegro, North Macedonia, and Kosovo without taking into account the legacy and remnants of Yugoslavia is to discount a vital part of their political history.This volume takes a multi-disciplinary and multi-faceted approach to examining the legacy of Yugoslavia, covering politics, society, international relations and economics. Focusing on distinctive features of Yugoslavia including worker self-management, the combination of liberalism and communism and the Cold War policy of Non-Alignment, The Legacy of Yugoslavia places Yugoslavia in historical perspective and connects the region's past with its contemporary political situation.

What are the consequences of Yugoslavia's existence – and breakup – for the present? This book reflects on this very question, identifying and analysing the political legacies left behind by Yugoslavia through the prism of continuities and ruptures between the past and present of the area. After the collapse of Yugoslavia, it's former states adopted a nation-building process which opted to eradicate the past as such an approach seemed more convenient for the new national projects. The new states adopted new institutions, new market-oriented economic paradigms and new national symbols. Yugoslavia existed for 70 years and to consider the current political situation in post-Yugoslav states such as Slovenia, Croatia, Bosnia and Herzegovina, Serbia, Montenegro, North Macedonia, and Kosovo without taking into account the legacy and remnants of Yugoslavia is to discount a vital part of their political history.This volume takes a multi-disciplinary and multi-faceted approach to examining the legacy of Yugoslavia, covering politics, society, international relations and economics. Focusing on distinctive features of Yugoslavia including worker self-management, the combination of liberalism and communism and the Cold War policy of Non-Alignment, The Legacy of Yugoslavia places Yugoslavia in historical perspective and connects the region's past with its contemporary political situation.

In his new memoir, My Creative Year in the Army, David Madden tells a story of creativity and conflict.In 1954 during the Korean Civil War, when nineteen-year-old Madden showed up at Fort Jackson, South Carolina, he set in motion a series of creative acts and conflicts, sometimes comic. A romantic, an idealist, an agnostic, and a liberal, he had actively attacked racism, censorship, the death penalty, and tyranny. During basic training, he befriended Rooks, a disturbed farm boy, and Jacob, the company's Jewish scapegoat.When given an order, his response frequently was to ask, "Why?" He refused to sign the loyalty oath that Senator Joseph McCarthy imposed upon the military, causing a prolonged investigation of him as a possible communist. In a free-writing hour in Clerk Typist School, he wrote an essay on Jesus that shocked the officers of his regiment. When someone stole his cartridge belt, he refused to obey a direct order to pay for another.Madden includes lively letters to and from Iva Lee, his childhood sweetheart, Vera, his intellectual friend, Hope Savage, a bizarre Greenwich Village bohemian, his teachers, his many friends, his mother, and his two convict brothers. David Madden's memoir will appeal to creative writers, veterans, and the general reader. When he entered the army, he had already created many stories, poems, plays, and nonfiction. In reading and in writing, his focus was on technique, style, and imagery. Throughout his Army ordeals, Madden worked on his first novel, Cassandra Singing.