David Park – författare

From their introduction in the early twelfth century the Cistercians were one of the leading monastic orders in Britain. Many of the finest monastic remains - Fountains, Rievaulx and Tintern - are Cistercian. This 1986 book is a comprehensive survey of Cistercian art and architecture in the British Isles. The various contributions, all by leading specialists, cover the historical and literary background; the development of Cistercian architecture (especially in the twelfth and thirteenth centuries, when the Cistercians were in the forefront of architectural achievement, playing an important role in the introduction and dissemination of the Gothic style); and art forms such as wall painting, stained glass, tile pavements, and manuscript illumination, as well as liturgy and music. These studies reveal what was distinctively Cistercian in the art and architecture of the Order, and permit a distinct understanding of the remarkable contribution of the Cistercians to the culture of medieval Britain.

The description for this book, The How and the Why, will be forthcoming.

The Grand Contraption tells the story of humanity's attempts through 4,000 years of written history to make sense of the world in its cosmic totality, to understand its physical nature, and to know its real and imagined inhabitants. No other book has provided as coherent, compelling, and learned a narrative on this subject of subjects. David Park takes us on an incredible journey that illuminates the multitude of elaborate "contraptions" by which humans in the Western world have imagined the earth they inhabit--and what lies beyond. Intertwining history, religion, philosophy, literature, and the physical sciences, this eminently readable book is, ultimately, about the "grand contraption" we've constructed through the ages in an effort to understand and identify with the universe. According to Park, people long ago conceived of our world as a great rock slab inhabited by gods, devils, and people and crowned by stars. Thinkers imagined ether to fill the empty space, and in the comforting certainty of celestial movement they discerned numbers, and in numbers, order.Separate sections of the book tell the fascinating stories of measuring and mapping the Earth and Heavens, and later, the scientific exploration of the universe. The journey reveals many common threads stretching from ancient Mesopotamians and Greeks to peoples of today. For example, humans have tended to imagine Earth and Sky as living creatures. Not true, say science-savvy moderns. But truth isn't always the point. The point, says Park, is that Earth is indeed the fragile bubble we surmise, and we must treat it with the reverence it deserves.

ORANGES FROM SPAIN is a collection of stories about of the trials of growing up in a community where tension, confusion and violence hold sway. Here, among other tales, a youthful seaside romance crosses the religious divide, a gang take turns at the wheel of a stolen car, and an exceptional student stirs the resentment of her troubled teacher. Set in Northern Ireland against the background of the troubles, these vignettes capture the spirit of adolescence in difficult times.

Henry Stanfield, the newly arrived Truth Commissioner, is troubled by his estrangement from his daughter, and struggling with the consequences of his infidelities. Francis Gilroy, veteran Republican and recently appointed government minister, risks losing what feels tantalisingly close to his grasp. In America, Danny and his partner plan for the arrival of their first child, happily oblivious to what is about to pull him back to Belfast and rupture the life they have started together. Retired detective James Fenton, on his way to an orphanage in Romania with a van full of supplies, will soon be forced to confront what he has come to think of as his betrayal, years before, of a teenage boy. In a society trying to heal the scars of the past with the salve of truth and reconciliation, these four men's lives become linked in a way they could never have imagined.

Having survived a brutal childhood in the heart of Belfast, Martin has built a life that he never imagined, and always fears he does not deserve. He has a devoted wife, a son and a daughter whose academic success is launching her out of her proud father's orbit. Returning home one night to find police cars waiting, he thinks his sins have finally caught up with him, but instead the news is wholly unexpected; a senseless and devastating tragedy. And in the face of the trauma, which tears his fragile family apart, Martin finds that the violence of his past has not gone but is merely dormant; its call must be answered.

A poignant story of love and regret, from a master of contemporary Irish fictionAn Irish Times, RTÉ Culture and Big Issue Book of the Year for 2025* 'David Park is one of Ireland's great novelists.' Roddy Doyle, author of The Commitments *For fans of Sebastian Faulks, Donal Ryan and Anne Tyler comes this beautiful novel following two troubled men, separated by nearly a century, bound by the ghosts of their pastWhen George Allenby is put in charge of building a lake in the grounds of an imposing Irish manor house, he intends to do the job as swiftly as possible and return to Belfast. Allenby is still wrestling with his time as an officer during the First World War, burdened by the many things he could have done differently.Almost a century later, Alex and Ellie are preparing for their wedding, sparing no expense to hire a venue overlooking the very lake Allenby built all those years ago.Like Allenby before him, Alex is haunted by decisions he made in the past. Now, with the wedding drawing ever closer, he is at a crossroads. Telling the truth might free him from his guilt; it might also take away everything he cares about, including Ellie. In this masterful portrait of love and betrayal, David Park reveals the many ways the past seeps into the present: destructive, formidable, but also hopeful, in the moments of fragile beauty that remain.

A poignant story of love and regret, from a master of contemporary Irish fictionAn Irish Times, RTÉ Culture and Big Issue Book of the Year for 2025* 'David Park is one of Ireland's great novelists.' Roddy Doyle, author of The Commitments *For fans of Sebastian Faulks, Donal Ryan and Anne Tyler comes this beautiful novel following two troubled men, separated by nearly a century, bound by the ghosts of their pastWhen George Allenby is put in charge of building a lake in the grounds of an imposing Irish manor house, he intends to do the job as swiftly as possible and return to Belfast. Allenby is still wrestling with his time as an officer during the First World War, burdened by the many things he could have done differently.Almost a century later, Alex and Ellie are preparing for their wedding, sparing no expense to hire a venue overlooking the very lake Allenby built all those years ago.Like Allenby before him, Alex is haunted by decisions he made in the past. Now, with the wedding drawing ever closer, he is at a crossroads. Telling the truth might free him from his guilt; it might also take away everything he cares about, including Ellie. In this masterful portrait of love and betrayal, David Park reveals the many ways the past seeps into the present: destructive, formidable, but also hopeful, in the moments of fragile beauty that remain.

A poignant story of love and regret, from a master of contemporary Irish fictionAn Irish Times, RTÉ Culture and Big Issue Book of the Year for 2025* 'David Park is one of Ireland's great novelists.' Roddy Doyle, author of The Commitments *For fans of Sebastian Faulks, Donal Ryan and Anne Tyler comes this beautiful novel following two troubled men, separated by nearly a century, bound by the ghosts of their pastWhen George Allenby is put in charge of building a lake in the grounds of an imposing Irish manor house, he intends to do the job as swiftly as possible and return to Belfast. Allenby is still wrestling with his time as an officer during the First World War, burdened by the many things he could have done differently.Almost a century later, Alex and Ellie are preparing for their wedding, sparing no expense to hire a venue overlooking the very lake Allenby built all those years ago.Like Allenby before him, Alex is haunted by decisions he made in the past. Now, with the wedding drawing ever closer, he is at a crossroads. Telling the truth might free him from his guilt; it might also take away everything he cares about, including Ellie. In this masterful portrait of love and betrayal, David Park reveals the many ways the past seeps into the present: destructive, formidable, but also hopeful, in the moments of fragile beauty that remain.

'Subtle, understated, not without a hint of menace and always courageous ... An important book' Irish Times'Marvellously compelling ... Park takes that most difficult of subjects - recent history - and with graceful integrity explores the difficulties involved in coming to terms with the legacies of the past ... beautifully described in Park's crystalline prose' Daily MailIt is December in Belfast, Christmas is approaching and three sets of people are about to make their way to Amsterdam.Alan, a university art teacher, goes on a pilgrimage to the city of his youth with troubled teenage son Jack; middle-aged couple Marion and Richard take a break from running their garden centre to celebrate Marion's birthday; and Karen, a single mother struggling to make ends meet, joins her daughter's hen party.As these people brush against each other in the squares, museums and parks of Amsterdam, their lives are transfigured as they encounter the complexities of love in a city that challenges what has gone before.

From award-winning writer David Park, an absorbing account of the lives of the women most important to three poets: William Blake, Osip Mandlestam and an imagined contemporary Irish poet'An outstanding novel, written in luminous accessible prose, thoroughly enjoyable and much deeper even than the sum of its excellent parts' Irish Times'The Poets’ Wives is a marvellous triptych: lyrical, respectful of creativity but also sharply sceptical' Sunday Times__________________Three women, each destined to play the role of a poet’s wife: Catherine Blake, the wife of William Blake – a poet, painter and engraver who struggles for recognition in a society that dismisses him as a madman; Nadezhda Mandelstam, wife of Russian poet Osip Mandelstam, whose poetry costs him his life under Stalin’s terror; and the wife of a fictional contemporary Irish poet, who looks back on her marriage during the days after her husband’s death as she seeks to fulfil his final wish.Set across continents and centuries, and in very different circumstances, these three women confront the contradictions between art and life, contemplate their emotional and physical sacrifices for another’s creativity, and struggle with infidelities that involve not only the flesh, but ultimately poetry itself. They find themselves custodians of their husbands’ work, work that has been woven with love’s intimacies and which has shaped their own lives in the most unexpected of ways. Deeply insightful and beautifully wrought, The Poets’ Wives is David Park at his best – a novelist whose work has the power to bring the hidden from the shadows, into a delicate and shimmering light.

A powerful collection of stories from the critically-acclaimed, prize-winning author David Park.'One of the shrewdest observers of the way we live now' Independent'Park is an excellent writer; psychologically astute, lyrically unflinching' Telegraph'He writes prose of gravity and grace' GuardianGods and Angels locates, with pinpoint accuracy, the quiet but deeply charged moments in life that can define a person.A seventeen-year-old boy visits his estranged mother on Boxing Day in a grey seaside town; a university lecturer who is learning to swim falls in with a group of older men who inhabit a very different world; a detective breaks into his former home to spy on his estranged family; a couple reflect on twenty-five years of marriage under the Northern Lights; and an old man volunteering in a charity shop forms a tender bond with a young single mother.______________________'David Park is one of my favourite writers. This beautiful, nuanced, perceptive collection of stories is a considerable achievement. Somehow he writes with both grace and muscularity, and every page resounds with the sort of truthfulness that stirs deep recognitions in the reader. This is important, committed work from a writer who knows what he's about, but Park is also such a pleasure to read. I loved this book' Joseph O'Connor

WINNER OF THE KERRY GROUP IRISH NOVEL OF THE YEARAN IRISH TIMES BOOK OF THE YEAR‘I loved this delicate, beautifully written novella about fathers and sons’ David Nicholls‘One of Ireland's great novelists’ Roddy DoyleThe world is shrouded in snow. With transport ground to a halt, Tom must venture out into a transformed and treacherous landscape to collect his son, sick and stranded in student lodgings. But on this solitary drive from Belfast to Sunderland, Tom will be drawn into another journey, one without map or guide, and is forced to chart pathways of family history haunted by memory and clouded in regret. Travelling in a Strange Land is a work of exquisite loss and transformative grace. It is a novel about fathers and sons, grief, memory, family and love; about the gulfs that lie between us and those we love, and the wrong turns that we take on our way to find them.‘Wrings the heart’ Bernard MacLaverty‘A mighty book’ Frank McGuinness‘Extraordinary, raw and moving a chronicle of pain and powerlessness as could be written’ Lisa McInerney

'I loved this book' Daily MailStrangers come together to run. Angela and Brendan are racing towards a wedding day that is increasingly tainted by doubts. Yana runs to free herself from the darkness of the past and to remember her missing brother. Cathy thinks about the secret she has been unable to share. Running takes Maurice past his daughter’s house, the place he is not allowed to enter.Over the nine weeks unexpected friendships are forged, challenges faced and by the time of their final run together all will grasp a new commitment to life itself.

'It is seldom that one can say a book is perfect, but this is as close as I've seen in a very long time' SUNDAY INDEPENDENT'A bold and unsettling parable about guilt, atonement and redemption' IRISH TIMESMichael has travelled a long way from his boyhood under the endless skies of the Midwest. His retirement is peaceful, if solitary. But one day there is a visitation: a mysterious car on the seafront, and a package delivered. From its contents, Michael understands that he has been commissioned to undertake a final journey.As Michael makes his way deep into a distant desert – a strange and liminal landscape that lies between hell and redemption – he undertakes another journey, into long-suppressed memories: of Vietnam and the dying days of war, and to face a final accounting for what was done.‘Another compact marvel … This is a meditative novel that, while investing heavily in a patient build-up of atmosphere, never forgets the need to put a foot on the gas’ DAILY MAIL‘David Park’s novels are always elegantly written’ INDEPENDENT'Unflinching, courageous, wise, alert to the thrill and sorrow of violence ... Adds to David Park's status as a superb novelist' FRANK MCGUINNESS

First full-length survey of the Temple Church, from its foundation in the twelfth century to the Second World War.Founded as the main church of the Knights Templar in England, at their New Temple in London, the Temple Church is historically and architecturally one of the most important medieval buildings in England. Its round nave, modelled on the Holy Sepulchre in Jerusalem, is extraordinarily ambitious, combining lavish Romanesque sculpture with some of the earliest Gothic architectural features in any English building of its period. It also holds one of the most famous series of medieval effigies in the country. Major developments in the post-medieval period include the reordering of the church in the 1680s by Sir Christopher Wren, and a substantial restoration programme in the early 1840s.Despite its extraordinary importance, however, it has until now attracted little scholarly or critical attention, a gap that is remedied by this volume. It considers the New Temple as a whole in the Middle Ages, and allaspects of the church itself from its foundation in the twelfth century to its war-time damage in the twentieth. Richly illustrated with numerous black and white and colour plates, it makes full use of the exceptional range and quality of the antiquarian material available for study, including drawings, photographs, and plaster casts.Contributors: Robin Griffith-Jones, Virginia Jansen, Philip Lankester, Helen Nicholson, David Park, Rosemary Sweet, William Whyte, Christopher Wilson.Robin Griffith-Jones is Master of the Temple at the Temple Church; David Park is a Professor at the Courtauld Institute of Art.

The short Heroic Age of physics that started in 1925 was one of the rare occasions when a deep consideration of the question: What does physics really say? was necessary in carrying out numerical calculations. In many parts of microphysics the calculations have now become relatively straightforward if not easy, but most physicists seem to agree that some questions of principle remain to be resolved, even if they do not think it is very important to do so. This situation has affected the way people think and write about quantum mechanics, a gingerly approach to fundamentals and a tendency to emphasize what fifty years ago was new in the new theory at the expense of continuity with what came before it. Nowadays those who look into the subject are more likely to be struck by unexpected similarities between quantum and classical mechanics than by dramatic contrasts they had been led to expect. It is often said that the hardest part of understanding quantum mechanics is to understand that there is nothing to understand; all the same, to think quantum­ mechanically it helps to have firm mental connections with classical physics and to know exactly what these connections do and do not imply. This book originated more than a decade ago as informal lecture notes [OP, prepared for use in a course taught from time to time to advanced undergraduates at Williams College.