David Parry – författare

The thirty-three cases in this excellent book give a unique and fascinating insight into life in the Victorian period, in Liverpool and beyond. Although murder can never be condoned, it is clear from the accounts of the lives of the accused and their victims that the world they inhabited was a harsh one, where people were pushed to the very end of their tethers on a daily basis. It seems little wonder sometimes that people snapped under the strain, and this is clearly what happened in some of the cases described here. Others, however, are much more brutal and premeditated and still have the ability to shock 150 years on.

Allegory has been variously defined as a literary genre, a mode of interpretation, and a symbolic dimension to all language. Although 'allegory' historically escapes easy definition, it can be broadly defined as a mode of communicating that says one thing and means another. Allegory arguably functions by means of a distinction between the surface level of communication and a further level or levels of significance beyond the surface.The term 'allegory' has historically been used both of a mode of writing or representation and of a mode of reading and interpretation. Allegorical writing is found throughout history in a wide variety of literary forms and traditions. This Handbook reflects the diversity of literature in which allegory occurs, including genres such as medieval drama, Romantic poetry, and the postcolonial novel. It addresses both key texts typically thought of as allegories (such as Piers Plowman, The Pilgrim's Progress, and Animal Farm), and allegorical motifs and tendencies present in works not usually labelled as allegories, such as the novels of Dickens and the drama of Beckett. The Handbook also explores forms of allegorical representation beyond written texts, including visual art and film. In addition, the volume traces the history of allegorical reading and interpretation (often known as allegoresis), which has had immense cultural significance, especially in the case of sacred texts such as the Bible, but also, for instance, in the edifying readings of Greek myths and legends.This Handbook tackles a topic that is by its nature global, transhistorical, and interdisciplinary, and its coverage reflects that breadth of appeal, starting with Plato's myth of the cave and finishing with the 2015 Disney/Pixar film Inside Out. It draws upon, and makes contributions to, fields including literary studies, film studies, art history, mathematics, classics, theology, and cognitive science. It features both traditional topics of discussion in relation to allegory (such as rhetoric, personification, and typology) and innovative new approaches (such as ecocritical and phenomenological readings), offering a kaleidoscope of perspectives to illuminate the ongoing resonance of allegory's 'other-speaking' to the present.

First Published in 1994. The Survey of English Dialects (SED) is the only detailed nation-wide dialect survey which has ever been conducted in England. The SED is a unique repository of data on the traditional dialects of England in the mid-twentieth century. This remarkable record is a valuable resource for scholars in the fields of British English dialectology, sociolinguistics, and English historical linguistics. The SED fieldwork was undertaken in predominantly rural communities in England in the middle of the twentieth century, at a time when social, domestic and working life was undergoing very significant changes. The SED is thus a record of speech which reflects a society different in many ways from today, and as such affords the possibility of comparison which is instructive to those engaged in all types of study of linguistics today.

First Published in 1994. The Survey of English Dialects (SED) is the only detailed nation-wide dialect survey which has ever been conducted in England. The SED is a unique repository of data on the traditional dialects of England in the mid-twentieth century. This remarkable record is a valuable resource for scholars in the fields of British English dialectology, sociolinguistics, and English historical linguistics. The SED fieldwork was undertaken in predominantly rural communities in England in the middle of the twentieth century, at a time when social, domestic and working life was undergoing very significant changes. The SED is thus a record of speech which reflects a society different in many ways from today, and as such affords the possibility of comparison which is instructive to those engaged in all types of study of linguistics today.

First Published in 1994. The Survey of English Dialects (SED) is the only detailed nation-wide dialect survey which has ever been conducted in England. The SED is a unique repository of data on the traditional dialects of England in the mid-twentieth century. This remarkable record is a valuable resource for scholars in the fields of British English dialectology, sociolinguistics, and English historical linguistics. The SED fieldwork was undertaken in predominantly rural communities in England in the middle of the twentieth century, at a time when social, domestic and working life was undergoing very significant changes. The SED is thus a record of speech which reflects a society different in many ways from today, and as such affords the possibility of comparison which is instructive to those engaged in all types of study of linguistics today.

First Published in 1994. The Survey of English Dialects (SED) is the only detailed nation-wide dialect survey which has ever been conducted in England. The SED is a unique repository of data on the traditional dialects of England in the mid-twentieth century. This remarkable record is a valuable resource for scholars in the fields of British English dialectology, sociolinguistics, and English historical linguistics. The SED fieldwork was undertaken in predominantly rural communities in England in the middle of the twentieth century, at a time when social, domestic and working life was undergoing very significant changes. The SED is thus a record of speech which reflects a society different in many ways from today, and as such affords the possibility of comparison which is instructive to those engaged in all types of study of linguistics today.

This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion.Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan’s The Pilgrim’s Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.

This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion.Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan''s The Pilgrim''s Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.

This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion.Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan''s The Pilgrim''s Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.

This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion.Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan’s The Pilgrim’s Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.

The Royal Navy's Submarine Command Course, or 'Perisher', is a unique course, training, assessing and qualifying officers for submarine command which is, itself, unique, challenging and demanding; the epitome of mission command, with no succour, referral or support in a continuously threatening environment. It is therefore essential that those 'in command' are proven to be worthy and capable of their appointment. The evolution of 'Perisher' is in recognisable periods: the earliest days, following the submarine's introduction into the Royal Navy, was an autodidactic existence with COs learning from their peers and by experimentation. By 1917 circumstances had conflated to create the Periscope School and the Periscope Course to train and qualify COs whose characteristics were now fully formed. The interwar period was a difficult time, but it produced new submarines and technological innovations just in time for the Second World War and the most intense evolutionary period for 'Perisher'. Post-1945 to 1969 experienced two evolutions: Commander Sandy Woodward's codification of the art of attacking and a shift in emphasis from purely 'periscope eye' attacking toward the development of safety and tactical prowess in students. In the 1970s-1980s, two parallel courses satisfied the demand for COs from an expanding diesel-nuclear submarine fleet using SSKs and then in 1989, an SSN. The final period, 1990-2017 continues today with an all-nuclear Perisher and a curriculum to meet a changing battlespace, new weapons and tactics. Throughout its history, 'Perisher' has shaped the submarine commanding officer and he, in return, has shaped 'Perisher'.

Deep Thoughts: A Submariner’s Time in Rhyme is a poetry anthology that gives voice to life beneath the waves, drawing on the lived experience of Royal Navy submariner David Parry. Through a sequence of tightly observed, often moving poems, the book traces the emotional, professional and domestic realities of submarining, from the night before sailing and the wrench of departure, to patrols in the Cold War depths and the long-awaited return home.The poems explore the unique culture of the Submarine Service: friendship forged under pressure, leadership and command, demanding training such as “Perisher”, and the constant discipline required to operate safely in a hostile, enclosed environment. Alongside moments of tension and danger sit humour, ritual and everyday life on board, including food, uniforms, ship-handling and improvised routines that mark the passing of time at sea.Historical awareness runs throughout the collection, with tributes to submarine museums in the UK and Australia and reflections on shared international heritage. The verse is complemented by imaginative illustrations by Sandy Freeleagus, which add warmth and visual wit. Written with clarity, affection and honesty, this book offers both submariners and general readers a rare, human insight into a hidden world, while standing as a tribute to those who have served.

In this collection of occult poems Parry's alter-ego Caliban muses on sexuality, seclusion and Shakespeare. Moreover, by trying to capture the dark dwarf's metaphysical lyrics moment by moment, the author slowly confronts himself as a willing prisoner on the magical island of violence and desire. After all, Caliban would claim that neither Browning nor Nietzsche had fully grasped the ethics of redemption which can only be found in unadulterated selfhood.