David Pirie – författare

While a young medical student at Edinburgh, Arthur Conan Doyle famously studied under the remarkable Dr Joseph Bell. Taking this as a starting point, David Pirie has woven a compelling thriller, which partners Bell and Doyle as pioneers in criminal investigation, exploring the strange underworld of violence and sexual hypocrisy running below the surface of the Victorian era. The Patient's Eyes moves from Edinburgh and the strange circumstances surrounding Doyle's meeting with the remarkable Joseph Bell to Southsea where he begins his first medical practice. There he is puzzled by the symptoms presented by Heather Grace, a sweet young woman whose parents have died tragically several years before. Heather has a strange eye complaint, but is also upset by visions of a phantom cyclist who vanishes as soon as he is followed. This enigma, however, is soon forgotten as Doyle finds himself embroiled in more threatening events - including the murder of a rich Spanish businessman - events that call for the intervention of the eminent Dr Bell. But despite coming to Doyle's aid, perversely Dr Bell considers the murder of Senor Garcia a rather unimportant diversion from the far more sinister matter, which has brought him south: the matter of the patient's eyes and the solitary cyclist...

At the time of his death in 1984, the poet and critic William Empson was preparing and revising a collection of his essays on Shakespeare. This collection edited by David Pirie, is a book which the literary world has wanted for over half a century. Here, in a single volume, are major readings of Hamlet and Macbeth; a witty and sometimes impassioned defence of Falstaff, and a new piece on the architecture of the Globe theatre and other Renaissance playhouses, in which Empson explores the problems that the design of contemporary stages posed for a working playwright; there are also essays on the narrative poems, A Midsummer Night's Dream and the last plays. The essays demonstrate the subtlety and agility of Empson's mind, as well as his remarkable breadth of knowledge, while the almost racy wit of his informal prose style argues for a literary criticism which should never become solemn if it is to be truly serious.

Winner of the Dark Fest Film Festival Award for Best Genre Author 2024David Pirie's acclaimed history of British gothic film and television has long been regarded as a foundational study of the roots of British horror, identifying it as 'the only staple cinematic myth which Britain can properly claim as its own.' This edition has been revised and updated to include discussion of films and TV dramas that have been newly discovered, restored or released since publication of the previous edition in 2007, as well as addressing newly-emergent screenwriters, directors and genres. Drawing on insider accounts and archival sources, David Pirie investigates the notion of horror versus realism in popular fiction, and analyses the horror boom that developed around films including The Others and 28 Days Later. He chronicles British horror cinema from its origins in Gothic literature traces the rise of Hammer Films, its key directors and films as well as its battles with the censors, explores major horror sub genres including comedy horror and sci-fi, and brings the story up to the present day, where horror is flourishing in new ways, with films such as Shaun of the Dead, Under the Skin and Censor; the rise of genres such as folk horror and films that tackle questions of race and gender, and the emergence of a new generation of writers and directors including Prano Bailey-Bond, Ben Wheatley and Edgar Wright.

Winner of the Dark Fest Film Festival Award for Best Genre Author 2024David Pirie's acclaimed history of British gothic film and television has long been regarded as a foundational study of the roots of British horror, identifying it as 'the only staple cinematic myth which Britain can properly claim as its own.' This edition has been revised and updated to include discussion of films and TV dramas that have been newly discovered, restored or released since publication of the previous edition in 2007, as well as addressing newly-emergent screenwriters, directors and genres. Drawing on insider accounts and archival sources, David Pirie investigates the notion of horror versus realism in popular fiction, and analyses the horror boom that developed around films including The Others and 28 Days Later. He chronicles British horror cinema from its origins in Gothic literature traces the rise of Hammer Films, its key directors and films as well as its battles with the censors, explores major horror sub genres including comedy horror and sci-fi, and brings the story up to the present day, where horror is flourishing in new ways, with films such as Shaun of the Dead, Under the Skin and Censor; the rise of genres such as folk horror and films that tackle questions of race and gender, and the emergence of a new generation of writers and directors including Prano Bailey-Bond, Ben Wheatley and Edgar Wright.

Winner of the Dark Fest Film Festival Award for Best Genre Author 2024David Pirie''s acclaimed history of British gothic film and television has long been regarded as a foundational study of the roots of British horror, identifying it as ''the only staple cinematic myth which Britain can properly claim as its own.'' This edition has been revised and updated to include discussion of films and TV dramas that have been newly discovered, restored or released since publication of the previous edition in 2007, as well as addressing newly-emergent screenwriters, directors and genres. Drawing on insider accounts and archival sources, David Pirie investigates the notion of horror versus realism in popular fiction, and analyses the horror boom that developed around films including The Others and 28 Days Later. He chronicles British horror cinema from its origins in Gothic literature traces the rise of Hammer Films, its key directors and films as well as its battles with the censors, explores major horror sub genres including comedy horror and sci-fi, and brings the story up to the present day, where horror is flourishing in new ways, with films such as Shaun of the Dead, Under the Skin and Censor; the rise of genres such as folk horror and films that tackle questions of race and gender, and the emergence of a new generation of writers and directors including Prano Bailey-Bond, Ben Wheatley and Edgar Wright.

Winner of the Dark Fest Film Festival Award for Best Genre Author 2024David Pirie''s acclaimed history of British gothic film and television has long been regarded as a foundational study of the roots of British horror, identifying it as ''the only staple cinematic myth which Britain can properly claim as its own.'' This edition has been revised and updated to include discussion of films and TV dramas that have been newly discovered, restored or released since publication of the previous edition in 2007, as well as addressing newly-emergent screenwriters, directors and genres. Drawing on insider accounts and archival sources, David Pirie investigates the notion of horror versus realism in popular fiction, and analyses the horror boom that developed around films including The Others and 28 Days Later. He chronicles British horror cinema from its origins in Gothic literature traces the rise of Hammer Films, its key directors and films as well as its battles with the censors, explores major horror sub genres including comedy horror and sci-fi, and brings the story up to the present day, where horror is flourishing in new ways, with films such as Shaun of the Dead, Under the Skin and Censor; the rise of genres such as folk horror and films that tackle questions of race and gender, and the emergence of a new generation of writers and directors including Prano Bailey-Bond, Ben Wheatley and Edgar Wright.

While a young medical student at Edinburgh, Arthur Conan Doyle famously studied under the remarkable Dr Joseph Bell. Taking this as a starting point, David Pirie has woven a compelling thriller, which partners Bell and Doyle as pioneers in criminal investigation, exploring the strange underworld of violence and sexual hypocrisy running below the surface of the Victorian era. The Patient's Eyes moves from Edinburgh and the strange circumstances surrounding Doyle's meeting with the remarkable Joseph Bell to Southsea where he begins his first medical practice. There he is puzzled by the symptoms presented by Heather Grace, a sweet young woman whose parents have died tragically several years before. Heather has a strange eye complaint, but is also upset by visions of a phantom cyclist who vanishes as soon as he is followed. This enigma, however, is soon forgotten as Doyle finds himself embroiled in more threatening events - including the murder of a rich Spanish businessman - events that call for the intervention of the eminent Dr Bell. But despite coming to Doyle's aid, perversely Dr Bell considers the murder of Senor Garcia a rather unimportant diversion from the far more sinister matter, which has brought him south: the matter of the patient's eyes and the solitary cyclist...

While a young medical student at Edinburgh Arthur Conan Doyle famously studied under the remarkable Dr Joseph Bell, who was a pioneer in criminal investigation. The Night Calls chronicles their most frightening and disturbing case - the encounter with the man who was later presented in expurgated form as Moriarty. Beginning with a series of bizarre and outlandish assaults on women in the brothels of Edinburgh, the story moves to the medical facility of the city's university, which is itself being disrupted by the violent struggle for women's educational rights. Here Doyle meets a fellow student, young Elizabeth Scott, who has many enemies, among them a crazed misogynist student called Crawford and the smiling hypocritical patron of the university, Henry Carlisle. Yet slowly Bell begins to realise that the increasingly freakish crimes they are investigating reflect an entirely new and terrifying kind of criminal who is not susceptible to the old methods. The Night Calls takes them from the evil heart of old Edinburgh into what Bell calls their 'fight against the future' and to London itself, where Doyle again faces his nemesis with terrifying results -

Imprisoned in a dank cottage deep in the English countryside Arthur Doyle lies half-unconscious and at the mercy of his nemesis - Cream. Gathering all his dwindling strength he smashes a window and crawls to safety. With a sharp piece of broken glass he awaits his torturer's return, but the man has eluded him once more, leaving behind the rotting body of a local miser and thwarted in his attempt to obtain money for his 'deadly' cause. Securing the help of the remarkable pioneering criminal investigator Dr Joseph Bell the two men return to the scene of the crime but find few clues. London reveals little more except the possibility that their archenemy has gone to the Suffolk coast under the name of Dr Mere. Full of legend the local community fear the 'Dunwich witch' has returned with her evil curse. A man has died in suspicious circumstances and it seems many are unwilling to talk about it. More hideous crimes are yet to come as Dr Bell and Doyle move closer and closer to confronting Cream: Bell to capture a notorious villain, Doyle to avenge himself for a crime which robbed him of his future happiness. Dr Bell and Arthur Doyle are reunited once again in their quest to hunt down a criminal mastermind in a sinister tale of intrigue and violence, which reaches a terrifying and dramatic climax -

The story is about two abandoned children who are left to fend for themselves and strange things start to happen. Puzzle pieces start to appear for no known reason, and the children disap Who is the mastermind behind this plot?

The story is about two children, Pedro and Maya, who are about to embark on a journey of their lives, with many twists and turns from the beginning until the end.