David Romtvedt – författare

In the series of poems that underpins this collection, David Romtvedt imagines the daily lives of angels as well as other, more earthly, concerns. Whether he is considering the work of raising a child or imagining the work of the divine, Romtvedt displays an appreciation for all that surrounds us. His poems explore features of the Western world while offering accounts of life in Nicaragua, Rwanda, and the Congo. Throughout the collection, he displays an awareness of our remarkably diverse and intrinsically connected planet.A meditation on the ever-present need to balance our exterior life with our spiritual one, Dilemmas of the Angels is a masterful testament to a universal human struggle.

David Romtvedt's No Way: An American ""Tao Te Ching"" explores the art of living in the fast-paced, dangerous, unpredictable contemporary world. Lucid and wise in the spirit of its ancient Chinese predecessor, No Way functions as a kind of offbeat-yet-deadly-serious manual on the conduct of life. This slightly tongue-in-cheek take on the Tao's advice acknowledges that nobody likes being told how to live, least of all the author himself. With an openness to complexity and mystery, in tones that range from cool to passionate, No Way brings the Tao into the social turmoil of a twenty-first-century United States beset by political strife, mass shootings, and financial greed. Romtvedt combats cynicism and malaise with wry verse that positions itself in the role of the trickster. The voice of these poems can be serious and contradictory yet also humorous and welcoming. By suggesting that the days of the ancient Tao are gone for good, No Way offers readers an invitation to guide themselves forward, free of sages and rulers.

With Still on Earth, David Romtvedt addresses the sometimes disconcerting, sometimes thrilling, and, if we accept the writer's premise, always wacky crossings experienced by figures identified as the person, the poet, and the angel. All three intersect and collide with the society and culture within which they exist, prompting speculation that uncertainty could be preferable to knowing. Romtvedt's delightfully plainspoken and immediate poems probe the mysterious purpose of our stay on earth with humor, candor, and grace. A poem, the father in the book argues, is worth next to nothing. And while the son disagrees, having experienced transformation through language, he also recognizes that the poem cannot buy the groceries and pay the rent. Or perhaps it can and it's just tricky. After having devoted years to writing, the poet remains uncertain and speculates that uncertainty is not so bad and is preferable to knowing. Between the person and the poet, Still on Earth presents the angel who seems to have the same father that the person and the poet had. The two fathers are too close for comfort. For the angel, we must imagine a being with no experience of the physical suddenly confronted with the demands of the body, a being both naïve and worldly—otherworldly. The angel has been here before. In Romtvedt's reckoning, we all have. It's just hard to remember.