Xabier Irujo – författare

The Battle of Errozabal (Rencesvals) is the one of the most significant historical events of eighth century Vasconia and in all Western Europe. The present monograph examines Charlemagne’s campaign from the perspective of military history but also as part of a complex socio-political process that began after the Muslim conquest of the Iberian Peninsula in 711 and culminated with the creation of the Kingdom of Pamplona in 824. The battle had major (and largely underappreciated) consequences for the Carolingian Empire. It also enjoyed a remarkable legacy as the topic of one of the oldest European epic poems, La Chanson de Roland. The events that took place in the Pyrenean pass of Errozabal on 15 August 778 defined the development of the Carolingian world, and lie at the heart of the early medieval contribution to the later medieval period.

The Battle of Errozabal (Rencesvals) is the one of the most significant historical events of eighth century Vasconia and in all Western Europe. The present monograph examines Charlemagne’s campaign from the perspective of military history but also as part of a complex socio-political process that began after the Muslim conquest of the Iberian Peninsula in 711 and culminated with the creation of the Kingdom of Pamplona in 824. The battle had major (and largely underappreciated) consequences for the Carolingian Empire. It also enjoyed a remarkable legacy as the topic of one of the oldest European epic poems, La Chanson de Roland. The events that took place in the Pyrenean pass of Errozabal on 15 August 778 defined the development of the Carolingian world, and lie at the heart of the early medieval contribution to the later medieval period.

The Battle of Errozabal (Rencesvals) is the one of the most significant historical events of eighth century Vasconia and in all Western Europe. The present monograph examines Charlemagne’s campaign from the perspective of military history but also as part of a complex socio-political process that began after the Muslim conquest of the Iberian Peninsula in 711 and culminated with the creation of the Kingdom of Pamplona in 824. The battle had major (and largely underappreciated) consequences for the Carolingian Empire. It also enjoyed a remarkable legacy as the topic of one of the oldest European epic poems, La Chanson de Roland. The events that took place in the Pyrenean pass of Errozabal on 15 August 778 defined the development of the Carolingian world, and lie at the heart of the early medieval contribution to the later medieval period.

Drawing directly on primary documentary evidence of the Holocaust, this book returns to the raw archival foundations of genocide understanding to interrogate the systems, logistics, and procedural mechanisms that transformed ideological hatred into industrialized murder.Rather than focusing on daily camp life, it examines death itself as an organized, bureaucratic, and technological process. With unflinching clarity, it reexamines overlooked elements of the killing process—most strikingly the trains themselves, reconceived not as transports but as integral components of the machinery of death, as death chambers. Emotionally intense and methodologically rigorous, this work challenges readers to confront the Holocaust as moral catastrophe and as a meticulously engineered process whose details reshape how we understand destruction itself.Written for undergraduates, postgraduates, scholars of genocide and Holocaust studies, and informed non-specialist readers, The Mechanics of Death exposes the chilling logic embedded within modern administrative systems and provides an epistemological reconstruction of how that logic can lead to mass violence in modern states. It is essential reading for students, researchers, librarians, and educators alike.

Drawing directly on primary documentary evidence of the Holocaust, this book returns to the raw archival foundations of genocide understanding to interrogate the systems, logistics, and procedural mechanisms that transformed ideological hatred into industrialized murder.Rather than focusing on daily camp life, it examines death itself as an organized, bureaucratic, and technological process. With unflinching clarity, it reexamines overlooked elements of the killing process—most strikingly the trains themselves, reconceived not as transports but as integral components of the machinery of death, as death chambers. Emotionally intense and methodologically rigorous, this work challenges readers to confront the Holocaust as moral catastrophe and as a meticulously engineered process whose details reshape how we understand destruction itself.Written for undergraduates, postgraduates, scholars of genocide and Holocaust studies, and informed non-specialist readers, The Mechanics of Death exposes the chilling logic embedded within modern administrative systems and provides an epistemological reconstruction of how that logic can lead to mass violence in modern states. It is essential reading for students, researchers, librarians, and educators alike.

On 26 April 1937, a weekly market day, nearly sixty bombers and fighters attacked Gernika. They dropped between 31 and 46 tons of explosive and incendiary bombs on the city center. The desolation was absolute: 85 percent of the buildings in the town were totally destroyed; over 2,000 people died in an urban area of less than one square kilometer. Lying is inherent to crime. The bombing of Gernika is associated to one of the most outstanding lies of twentieth-century history. Just hours after the destruction of the Basque town, General Franco ordered to attribute authorship of the atrocity to the Reds and that remained the official truth until his death in 1975. Today no one denies that Gernika was bombed. However, the initial regime denial gave way to reductionism, namely, the attempt to minimize the scope of what took place, calling into question that it was an episode of terror bombing, questioning Francos and his generals responsibility, diminishing the magnitude of the means employed to destroy Gernika and lessening the death toll. Even today, in the view of several authors the tragedy of Gernika is little less than an overstated myth broadcasted by Picasso. This vision of the facts feeds on the dense network of falsehoods woven for forty years of dictatorship and the one only truth of El Caudillo. Xabier Irujo exposes this labyrinth of falsehoods and leads us through a genealogy of lies to their origin, metamorphosis and current expressions. Gernika was a key event of contemporary European history; its alternative facts historiography an exemplar for commentators and historians faced with disentangling contested viewpoints on current military and political conflicts, and too often war crimes and genocide that result. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies

Gernika, 26 de abril de 1937. La Legión Cóndor, con la ayuda de la aviación italiana y el beneplácito de Franco, bombardea la villa vizcaína hasta reducirla a cenizas. El principal artífice de la masacre, el teniente coronel y mariscal del Aire Wolfram von Richthofen, el más joven del Reich, ha culminado su monumento a la muerte, su gran obra maestra. Alemania, 1945. Durante los últimos días de la Segunda Guerra Mundial, Richthofen agoniza en un hospital militar acompañado por su hija, Hellen, quien lee su diario e intenta comprender quién fue su padre y quién es ella… Alemania, 2001. Hellen, atormentada por sus dilemas morales, confiesa a su hijo el papel que su abuelo desempeñó en la Guerra Civil española. Una novela histórica y bélica que nos habla de hasta qué punto la herencia recibida de los padres puede marcar la vida de los hijos. Una historia de batallas militares, políticas y personales. Una novela que pone de manifiesto que las guerras nunca las gana nadie. Porque la culpabilidad, los remordimientos y los fantasmas convierten a todos en víctimas, incluso a los verdugos.