David Sergeant – författare

Kipling''s Art of Fiction 1884-1901 re-establishes its subject as a major artist. Through extended close readings of individual works, and unprecedentedly detailed attention to changes in location and readership, it distinguishes between two kinds of Kipling fiction. The first is coercive and concerned with the authoritarian control of meaning; the second relates less directly to its immediate historical surroundings and is more aesthetically complex.Misunderstandings have often resulted from confusing the two kinds of work. Distinguishing between them allows for a newly coherent account of Kipling''s career, both explaining his artistic achievement and making clearer his identity as a political writer. Changes in Kipling''s narrative practice are tracked as hemoves from India to Britain and the US, and engages with a succession of new audiences and political contexts; detailed readings are provided of such key texts as Plain Tales from the Hills, The Jungle Books and Kim. As well as revealing the precise nature of Kipling''s artistry, this book shows how properties of narrative which have been generally underrated — such as embodiment and externality — can be used to make sophisticated fictions, and by linking these toRobert Louis Stevenson''s discussion of the romance, suggests new ways in which such work might be approached.

Kipling's Art of Fiction 1884-1901 re-establishes its subject as a major artist. Through extended close readings of individual works, and unprecedentedly detailed attention to changes in location and readership, it distinguishes between two kinds of Kipling fiction. The first is coercive and concerned with the authoritarian control of meaning; the second relates less directly to its immediate historical surroundings and is more aesthetically complex. Misunderstandings have often resulted from confusing the two kinds of work. Distinguishing between them allows for a newly coherent account of Kipling's career, both explaining his artistic achievement and making clearer his identity as a political writer. Changes in Kipling's narrative practice are tracked as he moves from India to Britain and the US, and engages with a succession of new audiences and political contexts; detailed readings are provided of such key texts as Plain Tales from the Hills, The Jungle Books and Kim. As well as revealing the precise nature of Kipling's artistry, this book shows how properties of narrative which have been generally underrated -- such as embodiment and externality -- can be used to make sophisticated fictions, and by linking these to Robert Louis Stevenson's discussion of the romance, suggests new ways in which such work might be approached.

New essays on Burns' special place in Scottish, English and Irish literary cultureIn this volume, 17 leading Burns scholars, poetry critics and practising poets reflect on the enduring significance of one of the most important poets of the 18th century. They show that Burns was a highly innovative and technically accomplished poet, as capable of transforming earlier traditions as of launching new literary trends.Looks at Burns’ place amongst his literary predecessors, contemporaries and heirs, including: Scottish poets such as Ramsay, Fergusson, Byron, Hogg, MacDiarmid, Paterson, Dunn & Mackay Brown; English poets such as Milton, Addison, Gray & Wordsworth; Classical writers such as Virgil; and Irish poets such as Merriman, Goldsmith, Dermody & Heaney.By looking at Burns in the context of other poets, each chapter sheds new lighton his own practices and the practice of poetry in general. They investigate the political, national, philosophical and ethical aspects of his poetry, showing how you can deepen your close readings with historical awareness.Key Features* Contributors include leading poet-critics such as award-winning Burns author Robert Crawford & Douglas Dunn, and experts in poetry criticism such as Stephen Gill & Patrick Crotty * Includes two exclusive new poems written for the volume by Bernard O'Donoghue and Andrew McNeillie * Creative-critical discussions will generate new dialogues in Romanticism, Archipelagic Studies and Scottish, English and Irish literature

A growing awareness of climate change and looming planetary crisis has put unprecedented pressure on the near future, leading to an increasing amount of fiction being set there. But what do these disparate works have in common, other than their temporal setting? And what can the imagination of the near future tell us about where we live now? The Near Future in 21st Century Fiction ranges across novels and films to reveal how our contemporary near future splits between two divergent paths. One seeks to retreat from climate change and the disruption it threatens to affluent lifestyles; the other tries to imagine new forms of community, and radical change, but struggles to locate a genre adequate to the task. It in this struggle, however, that we begin to glimpse the outlines of an emergent near future form: a revolution fit for the Anthropocene.

A growing awareness of climate change and looming planetary crisis has put unprecedented pressure on the near future, leading to an increasing amount of fiction being set there. But what do these disparate works have in common, other than their temporal setting? And what can the imagination of the near future tell us about where we live now? The Near Future in 21st Century Fiction ranges across novels and films to reveal how our contemporary near future splits between two divergent paths. One seeks to retreat from climate change and the disruption it threatens to affluent lifestyles; the other tries to imagine new forms of community, and radical change, but struggles to locate a genre adequate to the task. It in this struggle, however, that we begin to glimpse the outlines of an emergent near future form: a revolution fit for the Anthropocene.

Explores Doris Lessing’s innovative engagement with historical change in her own lifetime and beyondThe death of Nobel Prize-winning Doris Lessing sparked a range of commemorations that cemented her place as one of the major figures of twentieth- and twenty-first-century world literature. This volume views Lessing’s writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived. The 12 original chapters provide new readings of Lessing’s work via contexts ranging from post-war youth politics and radical women’s writing to European cinema, analyse her experiments with genres from realism to autobiography and science-fiction, and draw on previously unstudied archive material. The volume also explores how Lessing’s writing can provide insight into some of the issues now shaping twenty-first century scholarship – including trauma, ecocriticism, the post-human, and world literature – as they emerge as defining challenges to our own present moment in history.Key FeaturesOffers a critical overview of the full range of Lessing’s work, setting the agenda for future study of her writingProvides new readings of an unprecedented range of Lessing’s writing, including previously unstudied archive material, landmark novels such as The Golden Notebook, drama and reportage, essays, memoirs and short storiesSituates Lessing in relation to new literary and cultural contexts, including the nineteenth-century novel-series, cinema, and post-war youth cultureRelates Lessing’s work to contemporary theoretical debates on post-humanism, trauma, ecocriticism, radical women’s writing and world literature

Explores Doris Lessing's innovative engagement with historical change in her own lifetime and beyondThe death of Nobel Prize-winning Doris Lessing sparked a range of commemorations that cemented her place as one of the major figures of twentieth- and twenty-first-century world literature. This volume views Lessing's writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived. The 12 original chapters provide new readings of Lessing's work via contexts ranging from post-war youth politics and radical women's writing to European cinema, analyse her experiments with genres from realism to autobiography and science-fiction, and draw on previously unstudied archive material. The volume also explores how Lessing's writing can provide insight into some of the issues now shaping twenty-first century scholarship including trauma, ecocriticism, the post-human, and world literature as they emerge as defining challenges to our own present moment in history.Key FeaturesOffers a critical overview of the full range of Lessing's work, setting the agenda for future study of her writingProvides new readings of an unprecedented range of Lessing's writing, including previously unstudied archive material, landmark novels such as The Golden Notebook, drama and reportage, essays, memoirs and short storiesSituates Lessing in relation to new literary and cultural contexts, including the nineteenth-century novel-series, cinema, and post-war youth cultureRelates Lessing's work to contemporary theoretical debates on post-humanism, trauma, ecocriticism, radical women's writing and world literature