Fiona Stafford – författare

'Her masterpiece, mixing the sparkle of her early books with a deep sensibility' Robert McCrum, ObserverAlthough described by Jane Austen as a character 'whom no one but myself will much like', the irrepressible Emma Woodhouse is one of her most beloved heroines. Clever, rich and beautiful, she sees no need for marriage, but loves interfering in the romantic lives of others, until her matchmaking plans unravel, with consequences that she never expected. Jane Austen's novel of youthful exuberance and gradual self-knowledge is a brilliant, sparkling comic masterpiece. Edited with an Introduction by FIONA STAFFORD

An elegant and accessible introduction to the life and works of one of England's greatest and most popular novelists"I want to salute Fiona Stafford's brilliant [book]. . . . It tells one all one needs to know about Jane Austen, and, best of all, leaves one wanting to read the novels once more, and better."—Jane Aiken HodgeEvery devoted reader feels that, in some way, they know Jane Austen. But how can we make sense of her extraordinary achievements? At a time when most women received so little formal education and none could obtain a place at university, how did Austen come to write novels that have commanded the attention of some of the most brilliant minds ever since? Why were hers the books that Darwin knew by heart and Churchill read during the Blitz?In this graceful introduction to the author’s life and works, Fiona Stafford offers a fresh and accessible perspective, discussing Austen’s six astonishing novels in the context of their time. Newly updated, Jane Austen: A Brief Life offers a rich and sympathetic insight into a writer who was just as much the Romantic genius as Keats, Shelley or Byron—full of youthful exuberance, intensely creative once she had found her individual voice, and dead before she reached middle age.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Beautiful, clever, rich - and single - Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr Knightley and attempts to arrange a suitable match for her protégée Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work.

Why should a poem begin with a line from another poem? Is an eighteenth-century epigraph working in the same way as a post-modern quotation? And how are the dynamics of the new text and the source affected by issues of nationhood, language, history, and cultural tradition? Are literary ideas of originality and imitation, allusion and influence inherently political if the poems emerge from different sides of a border or of a colonial relationship?Taking as a framework the history of relations between Ireland, England, and Scotland since the 1707 Union, the book explores such questions through a series of close readings. Textual encounters singled out for detailed discussion include Burns's use of Shakespeare, Coleridge's reference to 'Sir Patrick Spens', James Clarence Mangan's adaptation of Percy Bysshe Shelley, Ciaran Carson's quotation from John Keats, Seamus Heaney's meditation on Henry Vaughan, and the evolution of 'The Homes of England' from Felicia Hemans to Noel Coward.

How can poems so firmly attached to particular regions speak to readers far away, who might have no knowledge of the places featuring in the work? Why do writers turn to their own communities for materials? In this thought-provoking and beautifully written book, Fiona Stafford explores the relationship between the local, the national, and the global through the consideration of works by writers whose feeling for place is especially evident. Heaney, Burns, Wordsworth, Scott, Lamb, and Dickens are key figures in the development of a new kind of literature that discovered universal meaning in local truth. Local Attachments begins with Seamus Heaney's Nobel Lecture, 'Crediting Poetry', which is at once a celebration of local work in a global context and a passionate defence of the place of lyric poetry in modern society. The focus then shifts to the Romantic period, when local detail ceased to be regarded as a sign of limitation and the idea that it is essential to art with any aspiration to permanence became established in British and Irish culture. Stafford explores both the presence of the local in literary texts by a wide range of writers and the cultural, philosophical and political contexts that might have contributed to this phenomenon. Wordsworth's creative recovery in the Lake District is an exemplary case, illuminating both Heaney's work and that of his immediate contemporaries and heirs. Since Wordsworth is a foundational figure, the book traces his efforts to achieve a poetry adequate to very difficult contemporary circumstances by returning to his native hills to create work that might live. His own project drew vital inspiration from the poetry of Burns and also found corroboration in the work Scott, so the book examines their independent explorations of the creative benefits - and problems attending - local attachment. It also considers the meaning of Burns and Wordsworth's local poems for those in very different circumstances - London writers such as Keats, Lamb and Dickens, whose works are considered in some detail in their own right and as representative of the implications of the great Romantic discovery of the local. The book concludes by addressing the continuing appeal of the local in modern, urban society and reaffirms the vital importance of poetry as a response to social crises.

'Listen, Stranger!'Wordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including 'The Rime of the Ancient Mariner', the 'Lucy' poems, 'Lines written a few miles above Tintern Abbey', 'A Slumber did my Spirit seal' and many more. Wordsworth's famous Preface is a manifesto not just for Romanticism but for poetry in general.This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with the fullest version of the Preface and Wordsworth's important Appendix on Poetic Diction. It offers modern readers a sense of what it was like to encounter Lyrical Ballads for the first time, and to see how it developed. Important letters are included, as well as a wide-ranging introduction and generous notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A lyrical tribute to the diversity of trees, their physical beauty, their special characteristics and uses, and their ever-evolving meaningsSince the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols.  In this beautifully illustrated volume Fiona Stafford offers intimate, detailed explorations of seventeen common trees, from ash and apple to pine, oak, cypress, and willow. The author also pays homage to particular trees, such as the fabled Ankerwyke Yew, under which Henry VIII courted Anne Boleyn, and the spectacular cherry trees of Washington, D.C. Stafford discusses practical uses of wood past and present, tree diseases and environmental threats, and trees’ potential contributions toward slowing global climate change. Brimming with unusual topics and intriguing facts, this book celebrates trees and their long, long lives as our inspiring and beloved natural companions.

New essays on Burns' special place in Scottish, English and Irish literary cultureIn this volume, 17 leading Burns scholars, poetry critics and practising poets reflect on the enduring significance of one of the most important poets of the 18th century. They show that Burns was a highly innovative and technically accomplished poet, as capable of transforming earlier traditions as of launching new literary trends.Looks at Burns’ place amongst his literary predecessors, contemporaries and heirs, including: Scottish poets such as Ramsay, Fergusson, Byron, Hogg, MacDiarmid, Paterson, Dunn & Mackay Brown; English poets such as Milton, Addison, Gray & Wordsworth; Classical writers such as Virgil; and Irish poets such as Merriman, Goldsmith, Dermody & Heaney.By looking at Burns in the context of other poets, each chapter sheds new lighton his own practices and the practice of poetry in general. They investigate the political, national, philosophical and ethical aspects of his poetry, showing how you can deepen your close readings with historical awareness.Key Features* Contributors include leading poet-critics such as award-winning Burns author Robert Crawford & Douglas Dunn, and experts in poetry criticism such as Stephen Gill & Patrick Crotty * Includes two exclusive new poems written for the volume by Bernard O'Donoghue and Andrew McNeillie * Creative-critical discussions will generate new dialogues in Romanticism, Archipelagic Studies and Scottish, English and Irish literature

Reading Romantic Poetry introduces the major themes and preoccupations, and the key poems and players of a period convulsed by revolution, prolonged warfare and political crisis. Provides a clear, lively introduction to Romantic Poetry, backed by academic research and marked by its accessibility to students with little prior experience of poetryIntroduces many of the major topics of the age, from politics to publishing, from slavery to sociability, from Milton to the mind of manEncourages direct responses to poems by opening up different aspects of the literature and fresh approaches to readingDiscusses the poets' own reading and experience of being read, as well as analysis of the sounds of key poems and the look of the poem on the pageDeepens understanding of poems through awareness of their literary, historical, political and personal contextsIncludes the major poets of the period, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Burns and Clare —as well as a host of less familiar writers, including women

'Poetic and profound, Time and Tide is wise, considered and full of surprises' Observer'Poignant and touching' Mail on Sunday'Miraculous' ScotsmanA village waits at the bottom of a reservoir. A monkey puzzle tree bristles in a suburban garden. A skein of wild geese fly over a rusty rail viaduct. The vast inland sea that awed John Clare has become fields.Chapter by fascinating chapter, alive with literary, local, and her own family history, Fiona Stafford reveals the forces, both natural and human, which transform places. Swooping along coastlines, through forests and across fens, following in the footsteps of Burns and Keats, Celia Fiennes and Charles Dickens, William and Dorothy Wordsworth, Noel Coward and Compton Mackenzie, join her, time-travelling deep into the stories of our Isles.From red squirrels to brick vistas, from botanical gardens to hot springs, the landscapes of Britain are full of delights and surprises. Chance discoveries of rare species, shipwrecks and unlikely ruins, curious trees and startling towers, weird caves and disused airfields, or even just baffling placenames offer ways into unexpected histories and hidden lives. The clues to the past are all round us - Time and Tide will help you find them.'Shot through with tender delights and unexpected revelations' RICHARD HOLMES'Wonderful . . . A fascinating compendium of people and places' PHILIP MARSDEN

'Poetic and profound, Time and Tide is wise, considered and full of surprises' Observer'Poignant and touching' Mail on Sunday'Miraculous' ScotsmanA village waits at the bottom of a reservoir. A monkey puzzle tree bristles in a suburban garden. A skein of wild geese fly over a rusty rail viaduct. The vast inland sea that awed John Clare has become fields.Chapter by fascinating chapter, alive with literary, local, and her own family history, Fiona Stafford reveals the forces, both natural and human, which transform places. Swooping along coastlines, through forests and across fens, following in the footsteps of Burns and Keats, Celia Fiennes and Charles Dickens, William and Dorothy Wordsworth, Noel Coward and Compton Mackenzie, join her, time-travelling deep into the stories of our Isles.From red squirrels to brick vistas, from botanical gardens to hot springs, the landscapes of Britain are full of delights and surprises. Chance discoveries of rare species, shipwrecks and unlikely ruins, curious trees and startling towers, weird caves and disused airfields, or even just baffling placenames offer ways into unexpected histories and hidden lives. The clues to the past are all round us - Time and Tide will help you find them.'Shot through with tender delights and unexpected revelations' RICHARD HOLMES'Wonderful . . . A fascinating compendium of people and places' PHILIP MARSDEN

The beauty of flowers is well known, inspiring creative minds from Botticelli to Beatrix Potter. But they've also played a key part in forming the past, and may shape our future.Roses and thistles have served as symbols of monarchs, dynasties and nations. We wear poppies to remember the First World War, but it was the elderflower that treated its wounded soldiers. A rose might mend a broken heart, and sunflowers may just save our planet. At once enchanting and intriguing, The Brief Life of Flowers reveals how even the most ordinary of flowers have extraordinary stories to tell.

In Lord Byron's lifetime, details of his travels were widely known through poems set in different countries, ranging from his homes in Scotland and England, through Europe and the Middle East, to the South Pacific and into extra-terrestrial realms. At the same time, a much more personal story was being shared with friends and family. Even when divided from those whose company he most enjoyed, Byron continued to share his thoughts and feelings about wherever he happened to be. His compulsive letter-writing reveals a strong desire to reach across space, to connect and reconnect with those elsewhere. While his memoirs did not survive the ceremonial posthumous bonfire at 50 Albemarle Street, many of Byron's correspondents treasured every word in their possession. This means a remarkable legacy has been preserved in letters that still seem as alive with conversational energy as when they were dashed off more than two hundred years ago. Through Byron's letters and journals, we are still able to become mental travellers, transported across time and space by this brilliant, mercurial, magnificent and often maddening writer.

Trees have starred in stories ever since Ovid described the nymph Daphne's metamorphosis into a laurel, and the landscape of literature has long been enlivened by wild woodlands, sacred groves, and fertile orchards. This delightful collection ranges from Ovid to Austen and from Robin Hood's Sherwood Forest (via Thomas Love Peacock's Maid Marian) to Washington Irving's 'The Legend of Sleepy Hollow'. Here are forest-haunted fairy tales both classic (the Brothers Grimm) and inventively retold (Angela Carter). There is room in these woods for comedy as well as terror, in Stella Gibbons's Cold Comfort Farm, and Alexander McCall Smith's 'Head Tree'. Notable writers from around the world contribute arboreal fiction-from South Africa, Finland, France, Zimbabwe, Russia, Martinique, and India, as well as Britain, Ireland, Canada and America. From Daphne du Maurier's 'The Apple Tree' to R. K. Narayan's 'Under the Banyan Tree', the sheer range of stories in these pages will leave readers refreshed and dazzled.

The act of walking inspires a dizzying variety of stories, from Bill Bryson's comic A Walk in the Woods to M. R. James's tale of a ghost cursed to wander forever, and from the thrilling true account of a woman who escaped from an Auschwitz death march to a dreamy tale by Anais Nin about wandering in the labyrinth of memory. Here are comic stories and love stories, moments of adventure and of observation, of sleepwalking and of mental travelling, of strolling and of hiking, all set into glorious motion by a diverse array of great writers past and present.

Archipelago is one of the most important and influential literary magazines of the lasttwenty years. Running to twelve editions, it was edited by Andrew McNeillie, with theassistance later of James McDonald Lockhart, and began as an attempt to reimagine therelationships between the islands of Ireland and Britain. Archipelago has brought togetherestablished and emerging artists in creative conversations that have transformed the studyof islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from theAran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through someof the best in contemporary writing about place and people.This collection gathers poetry, prose and visual art in clusters grouped around the Irishand British archipelago, with contributions from an array of significant artists. It includesnewly commissioned work as well as an interview between Andrew McNeillie andRobert Macfarlane on the development of Archipelago across the years.