David Stone – författare

Approved by AQA this GCSE English Language Student Book 1 develops the key reading and writing skills that students will be assessed on in Paper 1 and Paper 2 of the AQA GCSE English Language specification.Structured around the Assessment Objectives, this book engages students through a thematic approach with inspiring texts that help prepare students for the thematic connections they will face in their examinations.Through a range of texts, activities, stretch and support features, as well as tips and key terms, this book supports students of all abilities prepare for their GCSE English Language assessments.Spelling, punctuation and grammar activities and guidance are provided in context to help improve students' technical accuracy.In addition to the regular peer and self-assessment activities, teachers can monitor progress through the substantive end-of-chapter assessments and the sample exam papers.This title is suitable for all students studying AQA GCSE English Language.*English Language Student Book 1 has been approved by AQA

Structured around the individual test paper questions and skills, these full colour write-in workbooks prepare students for the requirements of the AQA Key Stage 3 English Language Paper 1 and Paper 2 tests. These workbooks contain step-by-step support to approach each of the test paper questions as well as sample student answers, activities, tips, key terms and progress-monitoring assessments. Offering bespoke support for each of the Year 7 Paper 1 and Paper 2 tests, these clear, student-friendly write-in workbooks can be used by students in class or independently at home.

Matched to the requirements of the AQA KS3 English Language tests, this full colour write-in workbook prepares students for the requirements of the AQA Year 7 English Language Paper 1 and Paper 2 tests.Presented in an easy-to-use format, this workbook helps year 7 students develop key reading and writing skills through sample student answers, activities, tips, key terms and progress-monitoring assessments. Structured around the individual test paper questions and skills, this workbook contains step-by-step support to approach each of the test paper questions.This resource can be used by all teachers and students using the AQA KS3 English Language tests, in class or at home.

Structured around the individual test paper questions and skills, these full colour write-in workbooks prepare students for the requirements of the AQA Key Stage 3 English Language Paper 1 and Paper 2 tests. These workbooks contain step-by-step support to approach each of the test paper questions as well as sample student answers, activities, tips, key terms and progress-monitoring assessments. Offering bespoke support for each of the Year 8 Paper 1 and Paper 2 tests, these clear, student-friendly write-in workbooks can be used by students in class or independently at home.

Structured around the individual test paper questions and skills, this full colour write-in workbook prepares students for the requirements of the AQA Year 8 English Language Paper 1 and Paper 2 tests. The workbook contains step-by-step support to approach each of the test paper questions as well as sample student answers, activities, tips, key terms and progress-monitoring assessments. Offering bespoke support for each of the Year 7, Year 8 and Year 9 Paper 1 and Paper 2 tests, this series of clear, student-friendly write-in workbooks can be used by students in class or independently at home.

Structured around the individual test paper questions and skills, these full colour write-in workbooks prepare students for the requirements of the AQA Key Stage 3 English Language Paper 1 and Paper 2 tests. These workbooks contain step-by-step support to approach each of the test paper questions as well as sample student answers, activities, tips, key terms and progress-monitoring assessments. Offering bespoke support for each of the Year 9 Paper 1 and Paper 2 tests, these clear, student-friendly write-in workbooks can be used by students in class or independently at home.

Structured around the individual test paper questions and skills, this full colour write-in workbook prepares students for the requirements of the AQA Year 9 English Language Paper 1 and Paper 2 tests. The workbook contains step-by-step support to approach each of the test paper questions as well as sample student answers, activities, tips, key terms and progress-monitoring assessments. Offering bespoke support for each of the Year 7, Year 8 and Year 9 Paper 1 and Paper 2 tests, this series of clear, student-friendly write-in workbooks can be used by students in class or independently at home.

Design law is a complex and fluctuating field of practice in the European Union. Twenty years after the introduction of the Community Registered Designs system, the EU has significantly amended its design law. These amendments modernise the legislation to future-proof the rights of designers and harmonise design protections across Member States. The new edition of Stone on European Union Design Law: A Practitioners' Guide provides comprehensive, up-to-date coverage of the EU-wide legislation and the thousands of court and tribunal decisions interpreting it.The Third Edition of this highly respected practitioner text offers an informative history of the legislation's development and aims. It traces the introduction of fundamental changes to the protection of industrial and ornamental designs throughout the EU up to and including the 2024 amendments. Since the previous edition, hundreds of cases have been decided by the EUIPO, the General Court, the Court of Justice, and national courts. Stone on European Union Design Law situates primary legal provisions in context, supported by excerpts and references to case law up to January 2025.Chapters cover topics including the definition of terms, the system of courts and tribunals with jurisdiction for EU design disputes, overlap with other intellectual property rights, exclusions from protection, the right to EU designs, invalidity of prior design and novelty arguments, the procedure of the EUIPO, infringement and applicable defences, jurisdictional issues, and the recast Design Directive.Providing accessible and robust coverage of the complete design law of the EU, this book is an essential reference for practitioners in Europe and beyond. It offers practical insights and detailed analysis, making it invaluable for anyone involved in the field.

This fascinating and important book uses a wealth of contemporary sources to reconstruct the mental world of medieval farmers and, by doing so, argues that these key figures in the Middle Ages have been unfairly stereotyped. David Stone overturns the traditional view of medieval countrymen as economically backward and instead reveals that agricultural decision-making was as rational in the fouteenth century as in modern times. Investigating agricultural mentalities first at a local level and then for England as a whole, Dr Stone argues that human action shaped the course of the rural economy to a much greater extent than has hitherto been appreciated, and challenges the commonly held view that the medieval period was dominated by ecological and economic crises. Focusing in particular on responses to commercial forces and the adoption of agricultural technology, this book has significant implications for our understanding of agricultural development throughout the last thousand years.

This book brings to light Russia's undeservedly-obscure military past, rectifying the tendency of American and Western military historians to neglect the Russian side of things. Russia, as both a Western and non-Western society, challenges our thinking about Western military superiority. Russia has always struggled with backwardness in comparison with more developed powers, at some times more successfully than others. The imperatives of survival in a competitive international environment have, moreover, produced in Russian society a high degree of militarization. While including operational and tactical detail that appeals to military history enthusiasts, this book simultaneously integrates military history into the broader themes of Russian history and draws comparisons to developments in Europe. The book also challenges old assumptions about the Russian military. Russian military history cannot be summed up simply in a single stock phrase, whether perennial incompetence or success only through stolid, stoic defense; it also shows numerous examples of striking offensive successes.Stone traces Russia's fascinating military history, and its long struggle to master Western military technology without Western social and political institutions. It covers the military dimensions of the emergence of Muscovy, the disastrous reign of Ivan the Terrible, and the subsequent creation of the new Romanov dynasty. It deals with Russia's emergence as a great power under Peter the Great and culminating in the defeat of Napoleon. After that triumph, the book argues, Russia's social and economic stagnation undermined its enormous military power and brought catastrophic defeat in the Crimean War. The book then covers imperial Russia's long struggle to reform its military machine, with mixed results in the Russo-Japanese War and World War I. The Russian Revolution created a new Soviet Russia, but this book shows the continuity across that divide. The Soviet Union's interwar innovations and its harrowing experience in World War II owed much to imperial Russian precedents. A superpower after the war, the Soviet Union's military might was purchased at the expense of continuing economic backwardness. Paradoxically, the very militarization intended to provide security instead destroyed the Soviet Union, leaving a new Russia behind the West economically. Just as there was a great deal of continuity after 1917, this book demonstrates how the new Russian military has inherited many of its current problems from its Soviet predecessor. The price that Russia has paid for its continued existence as a great power, therefore, is the overwhelming militarization of its society and economy, a situation it continues to struggle with.

As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the ‘80’s, and ‘90’s are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time.David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean’s 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award® for best Sound Effects Editing, for his supervising work on Bram Stoker’s Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament. Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika, an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard, sex, lies, and videotape, Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises Off, and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.

This book is designed to help students to achieve a Level 1 and Level 2 Pass in the Functional Skills English assessments in Reading, Writing and Speaking, Listening and Communication. Focusing on supporting every student. * Supports the needs of each student by providing guidance, activities and teaching on the key skills for students aiming for Level 1 and Level 2. * The 'Test Zone' and 'Pass Level 2' features give students ongoing advice on improving their performance, with a wealth of tips, and sample answers with commentary.

Cemetery and landscape studies have been hallmarks of North African archaeology for more than one hundred years. Mortuary Landscapes of North Africa is the first book to combine these two fields by considering North African cemeteries within the context of their wider landscapes. This unique perspective allows for new interpretations of notions of identity, community, imperial influence, and sacred space. Based on a wealth of material research from current fieldwork, this collection of essays investigates how North African funerary monuments acted as regional boundaries, markers of identity and status, and barometers of cultural change. The essays cover a broad range in terms of space and time – from southern Libya to eastern Algeria, and from the seventh century BCE to the seventh century CE. A comprehensive introduction explains the importance of the 'landscape perspective' that these studies bring to North African funerary monuments, while individual case-studies address such topics as the African way of death among the Garamantes, the ritual reasons for the location of certain Early Christian tombs, Punic burials, Roman cupula tombs, and the effects of rapid state formation and imperial incorporation on tomb builders. Unique in both scope and perspective, this volume will prove invaluable to a cross-section of archaeological scholars.

As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the ‘80’s, and ‘90’s are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time.David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean’s 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award® for best Sound Effects Editing, for his supervising work on Bram Stoker’s Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament. Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika, an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard, sex, lies, and videotape, Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises Off, and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.