David Storey – författare

This exciting new book provides the ‘big picture’ on small business and entrepreneurship. Written by two recognised experts, active teachers and researchers at one of the world’s most respected business schools, it explores both the prevalence and importance of small and start-up businesses.

Entrepreneurs and small businesses are highly diverse, so the book looks to apply broad brush strokes to learn from general patterns where possible. It identifies evidence where it is clear, but equally acknowledges where knowledge is limited or certain conclusions are impossible to draw. Perhaps most importantly, it makes clear that small businesses are not just scaled-down big businesses: they behave, respond, and are organised differently to large organisations.For Students: Financial Times video interviews with entrepreneurs and small business owners, weblinks to organisations cited in the book, flashcard glossary to help with revision.For Instructors:instructor manual, PowerPoint slides.

Territories are more than simply bounded spaces; they reflect the ways in which we think of geographic space. Territoriality, or laying claim to territory, can be seen as the spatial expression of power, with borders dividing those inside from those outside. The book provides an introduction to the concept of territory, the ways in which ideologies and social practices are manifested in space, the deployment of territorial strategies and the geographical outcomes of these.

This revised and updated third edition focuses on both macro-scale examples and those less obvious micro-scale ones, and it explores how territorial strategies are used in the maintaining of power, or as a means of resistance. Throughout the book, key questions emerge concerning geographic space. Who is "allowed" to be in particular spaces and who is excluded or discouraged from being there? How are territorial practices utilised in conflicts concerned with socio-political power and identity and how are ideologies transposed onto space?

Written from a geographical perspective, the book is interdisciplinary, drawing on ideas and material from a range of academic disciplines including history, political science, sociology, international relations, and cultural studies. Theoretical underpinnings are supported by a variety of historical and contemporary examples, drawn from a range of geographic contexts.

Territories are more than simply bounded spaces; they reflect the ways in which we think of geographic space. Territoriality, or laying claim to territory, can be seen as the spatial expression of power, with borders dividing those inside from those outside. The book provides an introduction to the concept of territory, the ways in which ideologies and social practices are manifested in space, the deployment of territorial strategies and the geographical outcomes of these.

This revised and updated third edition focuses on both macro-scale examples and those less obvious micro-scale ones, and it explores how territorial strategies are used in the maintaining of power, or as a means of resistance. Throughout the book, key questions emerge concerning geographic space. Who is "allowed" to be in particular spaces and who is excluded or discouraged from being there? How are territorial practices utilised in conflicts concerned with socio-political power and identity and how are ideologies transposed onto space?

Written from a geographical perspective, the book is interdisciplinary, drawing on ideas and material from a range of academic disciplines including history, political science, sociology, international relations, and cultural studies. Theoretical underpinnings are supported by a variety of historical and contemporary examples, drawn from a range of geographic contexts.

The Contractor: "A subtle and poetic parable about the nature and joy of skilled work, the meaning of community and the effect of its loss" (Observer); Home: "about the solitude and dislocation of madness and...the decline of Britain itself...part of the play''s appeal is that Storey leaves it to us to draw our own conclusions...a play that contains within itself the still, sad music of humanity." (Guardian); Stages: "...an elegy for lost times and places, an obituary that has been free-associated by the corpse-to-be...Storey once said that a play ''lives almost in the measure that it escapes and refuses definition''. He has always been a writer who hints rather than states, let alone hectors." (The Times); Caring, a companion piece to Stages, reflects a reassessment and renegotiation of the conflict between life and art.

The Contractor: "A subtle and poetic parable about the nature and joy of skilled work, the meaning of community and the effect of its loss" (Observer); Home: "about the solitude and dislocation of madness and...the decline of Britain itself...part of the play''s appeal is that Storey leaves it to us to draw our own conclusions...a play that contains within itself the still, sad music of humanity." (Guardian); Stages: "...an elegy for lost times and places, an obituary that has been free-associated by the corpse-to-be...Storey once said that a play ''lives almost in the measure that it escapes and refuses definition''. He has always been a writer who hints rather than states, let alone hectors." (The Times); Caring, a companion piece to Stages, reflects a reassessment and renegotiation of the conflict between life and art.

This third volume of David Storey''s plays contains The Changing Room (Royal Court 1971): "If The Changing Room is Storey''s most powerful drama, it is because he has found in sport his purest metaphor for the war of existence" (Time Magazine); Cromwell (Royal Court 1973): "An exploration of the vices and virtues of the English Puritan instinct using the historical associations of the Cromwellian period. On top of that it is also an impressive piece of poetic drama employing a spare, flinty, concrete language that seems to be hewn out of rock...a rich and complex play" (Guardian); Life Class: "a portrait of a man, dangerous, controlled, and wounded, who brings down his whole career in one enormous gesture signifying that all we hold of good from the past is now incapable of renewal and irrelevant to our present needs...Life Class is not merely a very good play. It is a blazing masterpiece...It is a tremendous experience and its glare lights up the sky." (Sunday Times)

"David Storey is a writer who genuinely extends the territory of drama" (Guardian)

This third volume of David Storey''s plays contains The Changing Room (Royal Court 1971): "If The Changing Room is Storey''s most powerful drama, it is because he has found in sport his purest metaphor for the war of existence" (Time Magazine); Cromwell (Royal Court 1973): "An exploration of the vices and virtues of the English Puritan instinct using the historical associations of the Cromwellian period. On top of that it is also an impressive piece of poetic drama employing a spare, flinty, concrete language that seems to be hewn out of rock...a rich and complex play" (Guardian); Life Class: "a portrait of a man, dangerous, controlled, and wounded, who brings down his whole career in one enormous gesture signifying that all we hold of good from the past is now incapable of renewal and irrelevant to our present needs...Life Class is not merely a very good play. It is a blazing masterpiece...It is a tremendous experience and its glare lights up the sky." (Sunday Times)

"David Storey is a writer who genuinely extends the territory of drama" (Guardian)

The Changing Room: "It''s about exactly what it is: Storey offers us, with an unforced tenderness, the shifting moods of everyday experience...the scene is busy, purposeful and exhilerating. You''d never imagine realism could be this theatrical...The Changing Room takes you into its world in a way few plays achieve." (Independent on Sunday)

The Changing Room: "It''s about exactly what it is: Storey offers us, with an unforced tenderness, the shifting moods of everyday experience...the scene is busy, purposeful and exhilerating. You''d never imagine realism could be this theatrical...The Changing Room takes you into its world in a way few plays achieve." (Independent on Sunday)