David Thomas – författare

The Pragmatic Programmer is one of those rare tech books you'll read, re-read, and read again over the years. Whether you're new to the field or an experienced practitioner, you'll come away with fresh insights each and every time.

Dave Thomas and Andy Hunt wrote the first edition of this influential book in 1999 to help their clients create better software and rediscover the joy of coding. These lessons have helped a generation of programmers examine the very essence of software development, independent of any particular language, framework, or methodology, and the Pragmatic philosophy has spawned hundreds of books, screencasts, and audio books, as well as thousands of careers and success stories.

Now, twenty years later, this new edition re-examines what it means to be a modern programmer. Topics range from personal responsibility and career development to architectural techniques for keeping your code flexible and easy to adapt and reuse. Read this book, and you'll learn how to:

Written as a series of self-contained sections and filled with classic and fresh anecdotes, thoughtful examples, and interesting analogies, The Pragmatic Programmer illustrates the best approaches and major pitfalls of many different aspects of software development. Whether you're a new coder, an experienced programmer, or a manager responsible for software projects, use these lessons daily, and you'll quickly see improvements in personal productivity, accuracy, and job satisfaction. You'll learn skills and develop habits and attitudes that form the foundation for long-term success in your career. You'll become a Pragmatic Programmer.

"One of the most significant books in my life."--Obie Fernandez, Author, The Rails Way

"Twenty years ago, the first edition of The Pragmatic Programmer completely changed the trajectory of my career. This new edition could do the same for yours."--Mike Cohn, Author of Succeeding with Agile, Agile Estimating and Planning, and User Stories Applied

". . . filled with practical advice, both technical and professional, that will serve you and your projects well for years to come."--Andrea Goulet, CEO, Corgibytes, Founder, LegacyCode.Rocks

". . . lightning does strike twice, and this book is proof." --VM (Vicky) Brasseur, Director of Open Source Strategy, Juniper Networks

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Penguin presents the unabridged, downloadable, audiobook edition of Foxcatcher by Mark Schultz, read by Stephen Mendel. On 22nd January 1996 Dave Schultz, Olympic gold medallist and wrestling''s golden boy, was shot in the back by John E. du Pont at the famed Foxcatcher estate in Pennsylvania. That started a two day siege at the ranch before the du Pont family heir was finally captured.Foxcatcher is Mark Schultz''s vivid portrait of the complex relationship he and his brother had with du Pont, a man whose catastrophic break from reality lead to tragedy. No one knows the inside story of what went on behind the scenes at Foxcatcher Farms - and inside John du Pont''s head - better than Mark Schultz, also an Olympic gold medalist and a part of the Foxcatcher team.

Reclaiming fun as a meaningful concept for understanding games and play.

“Fun” is somewhat ambiguous. If something is fun, is it pleasant? Entertaining? Silly? A way to trick students into learning? Fun also has baggage—it seems inconsequential, embarrassing, child''s play. In Fun, Taste, & Games, John Sharp and David Thomas reclaim fun as a productive and meaningful tool for understanding and appreciating play and games. They position fun at the heart of the aesthetics of games. As beauty was to art, they argue, fun is to play and games—the aesthetic goal that we measure our experiences and interpretations against.

Sharp and Thomas use this fun-centered aesthetic framework to explore a range of games and game issues—from workplace bingo to Meow Wolf, from basketball to Myst, from the consumer marketplace to Marcel Duchamp. They begin by outlining three elements for understanding the drive, creation, and experience of fun: set-outsideness, ludic forms, and ambiguity. Moving from theory to practice and back again, they explore the complicated relationships among the titular fun, taste, and games. They consider, among other things, the dismissal of fun by game journalists and designers; the seminal but underinfluential game Myst, and how tastes change over time; the shattering of the gamer community in Gamergate; and an aesthetics of play that goes beyond games.