David West – författare

This book is a fully updated and expanded new edition of An Introduction to Continental Philosophy, first published in 1996. It provides a clear, concise and readable introduction to philosophy in the continental tradition. It is a wide-ranging and reliable guide to the work of such major figures as Nietzsche, Habermas, Heidegger, Arendt, Sartre, Foucault, Derrida and Žižek. At the same time, it situates their thought within a coherent overall account of the development of continental philosophy since the Enlightenment. Individual chapters consider the character of modernity, the Enlightenment and its continental critics; the ideas of Marxism, the Frankfurt School and Habermas; hermeneutics and phenomenology; existentialism; structuralism, post-structuralism and postmodernism. In addition to the thinkers already mentioned, there is extended discussion of the ideas of Kant, Hegel, Dilthey, Husserl, Gadamer, Kierkegaard, de Beauvoir and Lyotard. The new edition includes an additional, full-length chapter on continental philosophy in the twenty-first century focusing on Giorgio Agamben, Alain Badiou and Slavoj Žižek.Continental Philosophy: An Introduction is an invaluable introductory text for courses on continental philosophy as well as courses in the humanities and social sciences dealing with major figures or influential approaches within that tradition.

Horace is a great poet, much loved and imitated in the past, and in recent years much better understood as a result of the learned commentaries of Nisbet and Hubbard (1970, 1978). and Syndikus (1972, 1973). Yet today he is little read. This is partly because he had never been translated into English which is both close to the Latin and readable. The aim of this book is to provide such a translation and support it by a basic commentary which will help newcomers to Horace, whether or not they know any Latin, to understand how the poetry works. It should also stimulate and provoke students of Latin and of Roman history by propounding interpretations which are not always in line with current orthodoxies.

Horace is the greatest Latin lyric poet, and certainly the most influential. This book provides a new translation of the famous first book of Odes which is both accurate and readable, supported by a basic commentary for students showing how the poems work. The book includes the Oxford Classical Text edition of the Latin text. This book is intended for students, mainly undergraduate but some sixth form, of Latin Literature on Classics courses and Classics and English courses. Latin text with translation and commentary by: West, David (Professor Emeritus of Latin, University of Newcastle);

In these odes Horace creates lyric poetry in Latin which stands comparison with anything written by his brilliant predecessors in Greek. Of the three books published together in 23 BC the second is in many ways the most rewarding. The first ode, for instance, looks back at the civil wars fought by Caesar and Pompey, and by Octavian and Antony, from the point of view of Horace and his friend Pollio who both took part in them. There are also poems of friendship which give insight into the social and intellectual tone of the age of the first Roman emperor Augustus, and Horace's unique, elusive sense of humour is in evidence throughout.This book contains the Latin text (from the Oxford Classical Text), a translation which attempts to be close to the Latin while catching as much as possible of the flavour of the original, and a commentary which tries to suggest how these poems work as poetry.

In these odes Horace creates lyric poetry in Latin which stands comparison with anything written by his brilliant predecessors in Greek. Of the three books published together in 23 BC the second is in many ways the most rewarding. The first ode, for instance, looks back at the civil wars fought by Caesar and Pompey, and by Octavian and Antony, from the point of view of Horace and his friend Pollio who both took part in them. There are also poems of friendship which give insight into the social and intellectual tone of the age of the first Roman emperor Augustus, and Horace's unique, elusive sense of humour is in evidence throughout. This book contains the Latin text (from the Oxford Classical Text), a translation which attempts to be close to the Latin while catching as much as possible of the flavour of the original, and a commentary which tries to suggest how these poems work as poetry.

The aim of this book is to provide a translation and commentary which will help newcomers to Horace, whether or not they know Latin, to understand how the poetry works. This third book of Odes begins with the 'Roman odes' in praise of Augustus, the ruthless politician who had won control over the whole known world. These poems should, therefore, interest historians as poetic presentations of an ideology, and students of literature as the work of a man who found ways of praising while asserting his independence. Part of his strategy is to follow the political odes with an array of poems on love, friendship, country life, religion, and on poetry, all of them filled with delight in life and a unique sense of humour.

The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and alluded to the great authors who had preceded them. Such imitation was generally not regarded as plagiarism but as essential to the creation of a new literary work: imitating one's predecessors was in no way incompatible with originality or progress. These views were not peculiar to the writers of Greece and Rome but were adopted by many others who have written in the 'classical tradition' right up to modern times. Creative Imitation and Latin Literature is an exploration of this concept of imitation. The contributors analyse selected passages from various authors - Greek, Latin and English - in order to demonstrate how Latin authors created new works of art by imitating earlier passages of literature.

Originally published in 1974, these studies of Latin poetry were commissioned with two main purposes in mind: to encourage a fresh reading of several Latin poets from the time of Catullus to Horace, and to illustrate various, critical approaches to literature. As the literary study of Latin developed in schools and universities there was a proliferation of critical techniques, which were greeted with bewilderment by some, with hostility by others. This book does not attempt to adjudicate finally between them. There can be no one 'prescription' for interpreting poetry; but this does not mean that there are no valid standards of judgement. Criticism must be flexible, imaginative and sympathetic, but it must also be rigourous. To counteract feelings of disorientation the editors tried to provide samples of the best critical work in progress at the time of publication.

The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and alluded to the great authors who had preceded them. Such imitation was generally not regarded as plagiarism but as essential to the creation of a new literary work: imitating one's predecessors was in no way incompatible with originality or progress. These views were not peculiar to the writers of Greece and Rome but were adopted by many others who have written in the 'classical tradition' right up to modern times. Creative Imitation and Latin Literature is an exploration of this concept of imitation. The contributors analyse selected passages from various authors - Greek, Latin and English - in order to demonstrate how Latin authors created new works of art by imitating earlier passages of literature.

The role of project sponsor is critical in large projects during the development of the business case, for governance and assurance and as the person who decides that the project should continue or close at any stage. Yet in many organizations the skills of the sponsor are often assumed; he or she will be a senior manager who may well have no practical project experience at all. David West explains the roles and skills that lie at the heart of effective sponsorship. The sponsor acts as a lynch-pin between the Board and the Project Manager, communicating and translating requirements downwards and resource needs, progress and constraints back upwards. An over-zealous sponsor may be tempted to assume some of the project manager's responsibilities, whilst an ineffective sponsor may be invisible, leaving the project manager uninformed by, and unrepresented to, the Board. Project Sponsorship includes exercises, examples and case histories from the real world of projects. It is an essential guide for anyone assuming the important role of managing the business case of the project and will help you ensure that the organization is 'doing the right things' as well as 'doing things right'.

"Head First Object Oriented Analysis and Design is a refreshing look at subject of OOAD. What sets this book apart is its focus on learning. The authors have made the content of OOAD accessible, usable for the practitioner."Ivar Jacobson, Ivar Jacobson Consulting

"I just finished reading HF OOA&D and I loved it! The thing I liked most about this book was its focus on why we do OOA&D-to write great software!"Kyle Brown, Distinguished Engineer, IBM

"Hidden behind the funny pictures and crazy fonts is a serious, intelligent, extremely well-crafted presentation of OO Analysis and Design. As I read the book, I felt like I was looking over the shoulder of an expert designer who was explaining to me what issues were important at each step, and why."Edward Sciore,Associate Professor, Computer Science Department, Boston College

Tired of reading Object Oriented Analysis and Design books that only makes sense after you''re an expert? You''ve heard OOA&D can help you write great software every time-software that makes your boss happy, your customers satisfied and gives you more time to do what makes you happy.

But how?

Head First Object-Oriented Analysis & Design shows you how to analyze, design, and write serious object-oriented software: software that''s easy to reuse, maintain, and extend; software that doesn''t hurt your head; software that lets you add new features without breaking the old ones. Inside you will learn how to:

Use OO principles like encapsulation and delegation to build applications that are flexibleApply the Open-Closed Principle (OCP) and the Single Responsibility Principle (SRP) to promote reuse of your codeLeverage the power of design patterns to solve your problems more efficientlyUse UML, use cases, and diagrams to ensure that all stakeholders arecommunicating clearly to help you deliver the right software that meets everyone''s needs.

By exploiting how your brain works, Head First Object-Oriented Analysis & Design compresses the time it takes to learn and retain complex information. Expect to have fun, expect to learn, expect to be writing great software consistently by the time you''re finished reading this!

This book traces the genealogy of ideas of reason, self and sexuality in the West, opening the way to a richer and more diverse understanding of sexual experience. Western philosophy and religion have distorted and continue to distort our experience of sex and love through three far-reaching constellations of reason, self and sexuality. Thinkers like Plato, Aquinas and Kant helped to fashion an ascetic ideal of reason hostile to bodily pleasures and sexual diversity. By contrast, philosophical hedonism advocates a less demanding conception of rationality and defends sexual pleasure. But this approach of thinkers like Hume, Bentham, La Mettrie and de Sade is still one-sided and limiting. A third constellation, Romanticism avoids the limitations of both forms of rationalism, but in the name of a religion of love and passion that ultimately threatens the integrity of the self.In Reason and Sexuality in Western Thought, a richer understanding of sexual experience is traced to a dissident philosophical tradition. In their different ways Montaigne, Spinoza, Hegel and Kierkegaard, Marcuse and Foucault contribute to a more holistic, multi-layered and open conception of reason, sexuality and the self. This book will be essential reading for all students of philosophy and gender studies.

This book traces the genealogy of ideas of reason, self and sexuality in the West, opening the way to a richer and more diverse understanding of sexual experience. Western philosophy and religion have distorted and continue to distort our experience of sex and love through three far-reaching constellations of reason, self and sexuality. Thinkers like Plato, Aquinas and Kant helped to fashion an ascetic ideal of reason hostile to bodily pleasures and sexual diversity. By contrast, philosophical hedonism advocates a less demanding conception of rationality and defends sexual pleasure. But this approach of thinkers like Hume, Bentham, La Mettrie and de Sade is still one-sided and limiting. A third constellation, Romanticism avoids the limitations of both forms of rationalism, but in the name of a religion of love and passion that ultimately threatens the integrity of the self.In Reason and Sexuality in Western Thought, a richer understanding of sexual experience is traced to a dissident philosophical tradition. In their different ways Montaigne, Spinoza, Hegel and Kierkegaard, Marcuse and Foucault contribute to a more holistic, multi-layered and open conception of reason, sexuality and the self. This book will be essential reading for all students of philosophy and gender studies.

This book is a fully updated and expanded new edition of An Introduction to Continental Philosophy, first published in 1996. It provides a clear, concise and readable introduction to philosophy in the continental tradition. It is a wide-ranging and reliable guide to the work of such major figures as Nietzsche, Habermas, Heidegger, Arendt, Sartre, Foucault, Derrida and Žižek. At the same time, it situates their thought within a coherent overall account of the development of continental philosophy since the Enlightenment. Individual chapters consider the character of modernity, the Enlightenment and its continental critics; the ideas of Marxism, the Frankfurt School and Habermas; hermeneutics and phenomenology; existentialism; structuralism, post-structuralism and postmodernism. In addition to the thinkers already mentioned, there is extended discussion of the ideas of Kant, Hegel, Dilthey, Husserl, Gadamer, Kierkegaard, de Beauvoir and Lyotard. The new edition includes an additional, full-length chapter on continental philosophy in the twenty-first century focusing on Giorgio Agamben, Alain Badiou and Slavoj Žižek.Continental Philosophy: An Introduction is an invaluable introductory text for courses on continental philosophy as well as courses in the humanities and social sciences dealing with major figures or influential approaches within that tradition.

Social Movements in Global Politics is a timely new account of the unconventional, ‘extra-institutional’ activities of social movements. In the face of impending global crises and stubborn conflicts, a conventional view of politics risks leaving us confused and fatalistic, feeling powerless because we are unaware of all that can be achieved by political means. By contrast, a variety of recent social movements, ranging from those of women, gays and lesbians and anti-racists, to environmentalists, the Occupy movement and the Arab Spring, demonstrate the enormous potential of political action beyond the institutional sphere of politics. At the same time, religious fundamentalists, racial supremacists and ultra-nationalists make clear that movements are not necessarily progressive and are often at odds with one another. West highlights the many ways in which national and global institutions depend on a broader context of extra-institutional action or what is, in effect, the formative dimension of politics. He explores some of the major contributions of social movements: from the genealogy of liberal democratic nation-states, sixties’ radicalism and the ‘new social movements’ to the politics of sexuality, gender and identity, the politicization of nature and climate, and alter-globalization. The book also considers current theoretical approaches and sets out the basis for a critical theory of social movements. This is a fresh and original account of social movements in politics and will be essential reading for any students and scholars interested in the challenges and the unpredictable potential of political action.

Social Movements in Global Politics is a timely new account of the unconventional, ‘extra-institutional’ activities of social movements. In the face of impending global crises and stubborn conflicts, a conventional view of politics risks leaving us confused and fatalistic, feeling powerless because we are unaware of all that can be achieved by political means. By contrast, a variety of recent social movements, ranging from those of women, gays and lesbians and anti-racists, to environmentalists, the Occupy movement and the Arab Spring, demonstrate the enormous potential of political action beyond the institutional sphere of politics. At the same time, religious fundamentalists, racial supremacists and ultra-nationalists make clear that movements are not necessarily progressive and are often at odds with one another. West highlights the many ways in which national and global institutions depend on a broader context of extra-institutional action or what is, in effect, the formative dimension of politics. He explores some of the major contributions of social movements: from the genealogy of liberal democratic nation-states, sixties’ radicalism and the ‘new social movements’ to the politics of sexuality, gender and identity, the politicization of nature and climate, and alter-globalization. The book also considers current theoretical approaches and sets out the basis for a critical theory of social movements. This is a fresh and original account of social movements in politics and will be essential reading for any students and scholars interested in the challenges and the unpredictable potential of political action.

Social Movements in Global Politics is a timely new account of the unconventional, ‘extra-institutional’ activities of social movements. In the face of impending global crises and stubborn conflicts, a conventional view of politics risks leaving us confused and fatalistic, feeling powerless because we are unaware of all that can be achieved by political means. By contrast, a variety of recent social movements, ranging from those of women, gays and lesbians and anti-racists, to environmentalists, the Occupy movement and the Arab Spring, demonstrate the enormous potential of political action beyond the institutional sphere of politics. At the same time, religious fundamentalists, racial supremacists and ultra-nationalists make clear that movements are not necessarily progressive and are often at odds with one another. West highlights the many ways in which national and global institutions depend on a broader context of extra-institutional action or what is, in effect, the formative dimension of politics. He explores some of the major contributions of social movements: from the genealogy of liberal democratic nation-states, sixties’ radicalism and the ‘new social movements’ to the politics of sexuality, gender and identity, the politicization of nature and climate, and alter-globalization. The book also considers current theoretical approaches and sets out the basis for a critical theory of social movements. This is a fresh and original account of social movements in politics and will be essential reading for any students and scholars interested in the challenges and the unpredictable potential of political action.

From the first observation to medical helicopters of World War Two and the Korean War to the Air Cavalry of Vietnam and the missile-armed attack helicopters of today's armies, twelve dioramic scenes reveal how helicopters have introduced a new dynamic into the way warfare is waged.

From the wood and canvas biplanes of World War One to the latest vertical takeoff stealth fighters and pilotless drones of the world's air forces, twelve dioramic scenes reveal how combat aircraft have gradually become the sophisticated stealth machines of today.