Dawn Lyon – författare

Based on the oral histories of eighty migrant women and thirty additional interviews with ‘native’ women in the ‘receiving’ countries, this volume documents the contemporary phenomenon of the feminisation of migration through an exploration of the lives of women, who have moved from Bulgaria and Hungary to Italy and the Netherlands. It assumes migrants to be active subjects, creating possibilities and taking decisions in their own lives, as well as being subject to legal and political regulation, and the book analyses the new forms of subjectivity that come about through mobility.

Part I is a largely conceptual exploration of subjectivity, mobility and gender in Europe. The chapters in Part II focus on love, work, home, communication, and food, themes which emerged from the migrant women’s accounts. In Part III, based on the interviews with ‘native’ women – employers, friends, or in associations relevant to migrant women – the chapters analyse their representations of migrants, and the book goes on to explore forms of intersubjectivity between European women of different cultural origins. A major contribution of this book is to consider how the movement of people across Europe is changing the cultural and social landscape with implications for how we think about what Europe means.

Cover image: Painting by Carla Accardi. Reproduced with the kind permission of Luca Barsi of the Galleria Accademia, Via Accademia Albertina 3/e, 10123 Torino.

This collection brings together new and original research on the concept and practice of ‘rhythmanalysis’ in urban sociology as a means to analyse the relationship between the time and space of the city.

Originally proposed by French philosopher and urban scholar, Henri Lefebvre and his collaborator, Catherine Régulier, in the twentieth century, ‘rhythmanalysis’ continues to capture the attention of urban scholars today. Including in-depth analyses of the rhythms of place-making, this volume takes us from the City of London to the Caminito of Buenos Aires. Exploring the production of rhythm on the move – in cars and on the street - in relation to urban atmospheres and the implications of mobility for climate emergency, the chapters consider what happens when everyday urban rhythms are disrupted and reconfigured.

Delving into the mobilisation of the body, materials and technologies to make and detect rhythm, this collection sparks new interest in using rhythmanalysis as a mode of sensing and making sense of the complex entanglements of time and space at the heart of everyday urban life. It is an appealing read for scholars and students in urban sociology, social and cultural geography, mobilities studies, and the sociology and philosophy of time.

This collection brings together new and original research on the concept and practice of ‘rhythmanalysis’ in urban sociology as a means to analyse the relationship between the time and space of the city.

Originally proposed by French philosopher and urban scholar, Henri Lefebvre and his collaborator, Catherine Régulier, in the twentieth century, ‘rhythmanalysis’ continues to capture the attention of urban scholars today. Including in-depth analyses of the rhythms of place-making, this volume takes us from the City of London to the Caminito of Buenos Aires. Exploring the production of rhythm on the move – in cars and on the street - in relation to urban atmospheres and the implications of mobility for climate emergency, the chapters consider what happens when everyday urban rhythms are disrupted and reconfigured.

Delving into the mobilisation of the body, materials and technologies to make and detect rhythm, this collection sparks new interest in using rhythmanalysis as a mode of sensing and making sense of the complex entanglements of time and space at the heart of everyday urban life. It is an appealing read for scholars and students in urban sociology, social and cultural geography, mobilities studies, and the sociology and philosophy of time.