Deborah Tall – författare

The Poet's Notebook brings together excerpts from the working notebooks of twenty-six American poets. Unsystematic, spontaneous, irreverent, intense, witty, unexpected, these notebooks shimmer with reflections, speculations, confessions, quotations, impressions, and ruminations. They create a portrait of the artist as a purposeful gatherer and sifter of every kind of experience.Included are the notebooks from such distinguished and eclectic voices as Rita Dove, Stephen Dunn, Carolyn Forché, Donald Hall, Garrett Hongo, Joy Harjo, Donald Justice, Yusef Komunyakaa, James Merrill, Mary Oliver, Charles Simic, and William Stafford.

Why does a particular landscape move us? What is it that attaches us to a particular place? Tall’s From Where We Stand is an eloquent exploration of the connections we have with places—and the loss to us if there are no such connections. A typically rootless child of several American suburbs, Tall set out to make a true home for herself in the landscape that circumstance had brought her—the Finger Lakes region of upstate New York. In a mosaic of personal anecdotes, historical sketches, and lyrical meditations, she interweaves her own story with the story of this place and its people—from the Seneca Nation of the Iroquois, to European settlers, to the many utopians who sensed and were inspired by a spiritual resonance here. This edition includes an introduction by William Kittredge and a foreword by Stephen Kuusisto, both highlighting the book’s significance and Tall’s exquisite skill in tracing the relationship between homelands and storytelling.

Why does a particular landscape move us? What is it that attaches us to a particular place? Tall’s From Where We Stand is an eloquent exploration of the connections we have with places—and the loss to us if there are no such connections. A typically rootless child of several American suburbs, Tall set out to make a true home for herself in the landscape that circumstance had brought her—the Finger Lakes region of upstate New York. In a mosaic of personal anecdotes, historical sketches, and lyrical meditations, she interweaves her own story with the story of this place and its people—from the Seneca Nation of the Iroquois, to European settlers, to the many utopians who sensed and were inspired by a spiritual resonance here. This edition includes an introduction by William Kittredge and a foreword by Stephen Kuusisto, both highlighting the book’s significance and Tall’s exquisite skill in tracing the relationship between homelands and storytelling.

Winner of the Kathryn A. Morton Prize in Poetry, judge Charles Simic.

In her fourth book of poems, Deborah Tall serves up, as Charles Simic remarks, "a huge feast of words and images." Spare, charged, eloquently complex, her poems distill emotion to its precipitate. In "Cottage by the Beach, Normandy," loneliness is this: A dozen tulips/erect in the centerpiece,/ hold their allotment of empty air. In "Winter Solstice," war yields, A hillside of markers,/a showroom of tombs./The bushes fruited with ice.Summons is a call to speak out—in the face of violence, cruelty, and loss—and a summoning up of the forces of nature and humanity that console."The art of prosody, of which Deborah Tall is a master, is a jeweler’s art. It is about ascertaining the weight of words, measuring each one of them in turn against silence and time. . . . As we read, line by line, sounds turn into music, words and images grow in meaning. If you believe this is what all poets do anyway, you are wrong. Only the best of them know how to make us reread with increasing pleasure a few lines of poetry."—from the foreword by Charles SimicMarketing Plans:o Author tour NYC, Boston, NY State and New Englando Advertisements in key literary and trade magazinesDeborah Tall is the author of three previous books of poems (most recently Come Wind, Come Weather from State Street Press) and two books of nonfiction: The Island of the White Cow: Memories of an Irish Island (Atheneum, 1986) and From Where We Stand: Recovering a Sense of Place (Knopf, 1993). Tall is the editor of the Seneca Review and co-editor of the anthology The Poet’s Notebook (Norton, 1995). She has taught writing and literature at Hobart and William Smith Colleges since 1982 and lives in Ithaca, New York.

“Without self-absorption, Tall traces the self’s emergence in a place which she recognized from the start as her testing place.”—Seamus Heaney “In the literature of place, Deborah Tall’s book stands out for its delicacy, range of learning, and refreshing frankness.”—Phillip Lopate In her third book of nonfiction, Deborah Tall explores the genealogy of the missing. Haunted by her orphaned father’s abandonment by his extended family, his secretive, walled-off trauma and absent history, she sets off in pursuit of the family he claims not to have. From the dutiful happiness of Levittown in the 1950s to a stricken former shtetl in Ukraine, we follow Tall’s journey through evasions and lies. Reflecting on family secrecy, postwar American culture, and the urge for roots, Tall’s search uncovers not just a missing family but an understanding of the part family and history play in identity. A Family of Strangers is Tall’s life’s work, told in such exacting, elegant language that the suppressed past vividly asserts its place in the present.Deborah Tall is the author of four books of poems, most recently Summons, published by Sarabande Books after Charles Simic chose it for the Kathryn A. Morton Poetry Prize. She has also published two previous two books of nonfiction, The Island of the White Cow: Memories of an Irish Island and From Where We Stand: Recovering a Sense of Place, and co-edited the anthology The Poet's Notebook with Stephen Kuusisto and David Weiss. Tall has taught writing and literature at Hobart and William Smith Colleges and edited its literary journal, Seneca Review, since 1982. She lives in Ithaca, New York, with her husband David Weiss and their two daughters.