Debra N. Mancoff - Böcker

Dante Gabriel Rossetti (1828–1882), best known and admired for his striking and seductive portraits of women, was one of the founding members of the Pre-Raphaelite Brotherhood, a group of artists whose work is inspired by the art of the early Italian Renaissance. Rossetti’s powerful and unconventional portraits, with their sumptuous, jewel-like colours, are explored in this beautiful gift book. Examples have been drawn from the full range of Rossetti’s work – including paintings, drawings, print illustrations, decorative designs and staged photographs – and chart the artist’s lively engagement with mythology, history, literature, biblical subjects and modern life. Rossetti defined his experiences through his passion for his subjects and this book traces his deliberate intertwining of art and life. His models such as Jane Morris, Elizabeth Siddal and his sister Christina, were his inspiration and, in his rejection of conventional beauty, he redefined difference as desirable. Through his view of women – in which admiration veered towards fixation, praise towards possession – Rossetti confronted the staid 19th-century public with a new and powerful image of women, and the allure of that power is still felt today.With 126 illustrations in colour

What makes a work of art a masterpiece? Discover the answers in the fascinating stories of how these artworks came to be and the circumstances of their long-lasting impact on the world.Beginning with Botticelli’s The Birth of Venus, we travel through time and a range of styles and stories – including theft, scandal, artistic reputation, politics and power – to Warhol’s Campbell’s Soup Cans, challenging the idea of what a masterpiece can be, and arriving in the twenty-first century with Amy Sherald’s portrait of Michelle Obama, a modern-day masterpiece still to be tested by time.  Each artwork has a tale that reveals making a masterpiece often involves much more than just a demonstration of artistic skill: their path to fame is only fully disclosed by looking beyond what the eye can see. Rather than trying to describe the elements of greatness, Making a Masterpiece takes account of the circumstances outside the frame that contribute to the perception of greatness and reveals that the journey from the easel to popular acclaim can be as compelling as the masterpiece itself.Featuring:Birth of Venus, Sandro BotticelliMona Lisa, Leonardo da VinciJudith Beheading Holofernes, Artemisia GentileschiGirl with a Pearl Earring, Johannes VermeerUnder the Wave off Kanagawa, Katsushika HokusaiFifteen Sunflowers, Vincent van GoghPortrait of Adele Bloch-Bauer I (Woman in Gold, Gustav KlimtAmerican Gothic, Grant WoodGuernica, Pablo PicassoSelf-Portrait with Thorn Necklace and Hummingbird, Frida KahloCampbell’s Soup Cans, Andy WarholMichelle LaVaughn Robinson Obama, Amy Sherald  Discover the stories of how, why and what makes a masterpiece in this compelling and comprehensive title.

How Art Is Made looks at renowned works of art from across the centuries and around the globe and asks the intriguingly simple question – how were these works actually made?  Divided into two sections – materials and methods – each chapter showcases a single work of art which demonstrates the mastery and innovative use of a single material or method, from oil paint, pastel and pencil, to woodcut, litho and impasto. Each work is presented as the centerpiece of a capsule history, while comparative works are also included to help amplify our understanding.How, for example, did Michelangelo paint the Sistine Chapel fresco, or Turner become such a master of watercolour? How did Warhol turn so effectively to screen printing, and how does Yayoi Kusama create such beguiling 'infinity rooms'?The book enhances the experience of looking at great works of art and guides us to a deeper understanding of how they were created and why we regard them as so important.

This volume of 13 original interdisciplinary essays surveys the relationship of Victorian works and the urban experience that shaped them. Each essay addresses how the selection or rejection of an urban setting provide the context for a representative product of Victorian art or culture.

Everything you ever wanted to know about King Arthur and his knights is covered in this fascinating volume: the origins of the Grail legend, the Tristan and Isolde love story in opera and literature, Spielberg's use of Arthurian motifs in Star Wars , the depiction of Arthur in paintings, the presentation of Camelot on the Broadway stage, the twitting of the legend in Monty Python and theHoly Grail and much more.This critical survey of Arthurian history and legend, archaeology, literature, and the arts from the fifth century to the present provides an introduction for the general reader and a useful summary for the specialist. It offers both historical facts and key discussions on Arthurian subjects, from post-Roman Britain to the most recent novels and films. There is a lengthy glossary of Arthurian characters, motifs, and places, a chronology of major historical and literary items, a guide to pronunciation, and a full bibliography.What's new inthe Second Edition:All the material has been revised and updated to 1996 since the original 1988 edition; The chapter on modern literature has been thoroughly revised, with new material on writings from France, Germany, England, and America; The coverage of King Arthur in the arts has entirely rewritten by one of the premier authorities in Arthurian studies. Brand-new geneological charts of the ancestry of Arthur and his family and the Grail kings and knights.; A fully up-to-date chronology; Many new illustrations.

Everything you ever wanted to know about King Arthur and his knights is covered in this fascinating volume: the origins of the Grail legend, the Tristan and Isolde love story in opera and literature, Spielberg's use of Arthurian motifs in Star Wars , the depiction of Arthur in paintings, the presentation of Camelot on the Broadway stage, the twitting of the legend in Monty Python and theHoly Grail and much more.This critical survey of Arthurian history and legend, archaeology, literature, and the arts from the fifth century to the present provides an introduction for the general reader and a useful summary for the specialist. It offers both historical facts and key discussions on Arthurian subjects, from post-Roman Britain to the most recent novels and films. There is a lengthy glossary of Arthurian characters, motifs, and places, a chronology of major historical and literary items, a guide to pronunciation, and a full bibliography.What's new inthe Second Edition:All the material has been revised and updated to 1996 since the original 1988 edition; The chapter on modern literature has been thoroughly revised, with new material on writings from France, Germany, England, and America; The coverage of King Arthur in the arts has entirely rewritten by one of the premier authorities in Arthurian studies. Brand-new geneological charts of the ancestry of Arthur and his family and the Grail kings and knights.; A fully up-to-date chronology; Many new illustrations.

The Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, be realized. This collection of original essays explores the issue of return in the modern Arthurian legend. With an Introduction by noted scholar Raymond H. Thompson and 13 essays by authors from the fields of literature, art history, film history, and folklore, this collection reveals the flexibility of the legend. Just as the modern legend takes the form current to its generation, the myth of return generates a new legend with each telling. As these authors show, return can come in the form of a noble king or a Caribbean immigrant, with the mystery of an art theft or a dying boy's dream.

The Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, be realized. This collection of original essays explores the issue of return in the modern Arthurian legend. With an Introduction by noted scholar Raymond H. Thompson and 13 essays by authors from the fields of literature, art history, film history, and folklore, this collection reveals the flexibility of the legend. Just as the modern legend takes the form current to its generation, the myth of return generates a new legend with each telling. As these authors show, return can come in the form of a noble king or a Caribbean immigrant, with the mystery of an art theft or a dying boy's dream.

This volume of 13 original interdisciplinary essays surveys the relationship of Victorian works and the urban experience that shaped them. Each essay addresses how the selection or rejection of an urban setting provide the context for a representative product of Victorian art or culture.

From the accidental to the purposeful, the innocent to the brazen, discover all the ways famous artists have begged and borrowed their way to greatness.  ‘Good artists borrow, great artists steal.’ – Pablo Picasso   The great masters of art earned their reputation for supposedly taking art in entirely new directions – for pioneering new techniques, breaking with tradition and busting norms – but behind almost every famous artwork you can find influence and inspiration artfully ‘stolen’ from elsewhere.  Great Artists Steal takes over 30 groundbreaking artworks throughout history and shows how in truth they have their roots firmly in the past or in other works. For example: How Turner’s blazing seascapes inspired Monet’s atmospheric Impressionism. How Rembrandt’s expressive self‑portraits shaped Courbet’s raw explorations of character. How Edo‑era woodblock prints transformed Western art, influencing the likes of Whistler, Van Gogh and Cassatt in ways that reshaped modern visual culture. How Michelangelo, Manet, Caravaggio and others reimagined familiar motifs to create works we now consider trailblazing.   Richly illustrated and global in scope, Great Artists Steal reveals the hidden networks of influence that bind together centuries of artistic innovation. Accessible yet deeply researched, it reframes art history as a story not of solitary geniuses but of creative exchange.   Whether you’re an art student, enthusiast or novice, this book will provide you with a new perspective on the history of art – and tell some fascinating stories along the way.

Rich in symbolism and metaphor, and blessed with its own varied and dramatic palette, the garden has proved to be an extremely fertile source of artistic inspiration. In The Garden in Art, acclaimed art historian Debra N. Mancoff reveals the many different ways in which artists from all periods of history - from ancient Egypt to the present day - have employed the motif of the garden. Featuring more than 200 illustrations of both renowned and lesser-known works, the book approaches its subject thematically, exploring such topics as working gardens, the garden through the seasons and artists' gardens. Complete with a detailed timeline and a suggested list of gardens to visit, The Garden in Art is an absorbing and highly rewarding examination of the meaning and significance of the depiction of the garden.

The conventional history of art is one of great men making great paintings, and displaying their works to a predominantly male audience in male-run institutions. Women, however, have had a role, often working behind the scenes, out of sight or in resistance to prevailing attitudes and practices. And it is in these exceptions to the rules of the masculine world of art-making that women artists have been perceived as groundbreaking, defiant and even subversive. A compelling selection of more than 60 artists from the early Renaissance to the present day, among them Judith Leyster, Mary Cassatt, Frida Kahlo and Louise Bourgeois, Danger! Women Artists at Work explores the most intriguing and provocative aspects of art by women who shook up the art world. Through a lively introduction and six thematic chapters dealing with such subjects as the ways in which women have challenged the boundaries of expression and how they have viewed the human body, Debra N. Mancoff presents an absorbing tale of those who have struggled and triumphed in their efforts to transform the visual arts.