Deirdre Flynn – författare

Austerity and Irish Women’s Writing and Culture, 1980–2020 focuses on the under-represented relationship between austerity and Irish women’s writing across the last four decades. Taking a wide focus across cultural mediums, this collection of essays from leading scholars in Irish studies considers how economic policies impacted on and are represented in Irish women’s writing during critical junctures in recent Irish history. Through an investigation of cultural production north and south of the border, this collection analyses women’s writing using a multimedium approach through four distinct lenses: austerity, feminism, and conflict; arts and austerity; race and austerity; and spaces of austerity. This collection asks two questions: what sort of cultural output does austerity produce? And if the effects of austerity are gendered, then what are the gender-specific responses to financial insecurity, both national and domestic? By investigating how austerity is treated in women’s writing and culture from 1980 to 2020, this collection provides a much-needed analysis of the gendered experience of economic crisis and specifically of Ireland’s consistent relationship with cycles of boom and bust. Thirteen chapters, which focus on fiction, drama, poetry, women’s life writing, ​and women's cultural contributions, examine these questions. This volume takes the reader on a journey across decades and forms as a means of interrogating the growth of the economic divide between the rich and the poor since the 1980s through the voices of Irish women.

Austerity and Irish Women’s Writing and Culture, 1980–2020 focuses on the under-represented relationship between austerity and Irish women’s writing across the last four decades. Taking a wide focus across cultural mediums, this collection of essays from leading scholars in Irish studies considers how economic policies impacted on and are represented in Irish women’s writing during critical junctures in recent Irish history. Through an investigation of cultural production north and south of the border, this collection analyses women’s writing using a multimedium approach through four distinct lenses: austerity, feminism, and conflict; arts and austerity; race and austerity; and spaces of austerity. This collection asks two questions: what sort of cultural output does austerity produce? And if the effects of austerity are gendered, then what are the gender-specific responses to financial insecurity, both national and domestic? By investigating how austerity is treated in women’s writing and culture from 1980 to 2020, this collection provides a much-needed analysis of the gendered experience of economic crisis and specifically of Ireland’s consistent relationship with cycles of boom and bust. Thirteen chapters, which focus on fiction, drama, poetry, women’s life writing, ​and women's cultural contributions, examine these questions. This volume takes the reader on a journey across decades and forms as a means of interrogating the growth of the economic divide between the rich and the poor since the 1980s through the voices of Irish women.

The Routledge Handbook of Motherhood on Screen offers a comprehensive global analysis of the representation of Mothers and Motherhood in contemporary screen industries and online spaces. Over five distinct sections, this handbook examines how the complexities and realities of contemporary motherhood are translated to the screen.Offering a full scholarly overview of the field, this handbook provides a ground-breaking and important contribution to our understanding of motherhood on screen. The geographical and genre reach of the handbook presents new ways of theorising and reframing current scholarly debate, and gives a wide-ranging and comprehensive contribution to knowledge of on-screen representations. An international team of established scholars and emerging voices provide analysis of representations from around the world, spanning a breadth of genres. The chapters situate transnational screen representations of motherhood in the 21st Century and assess the implications of contemporary representation of motherhood.Thoroughly challenging and expanding understandings of motherhood and mothers, this handbook will be an essential multi-faceted publication for researchers and students of film, TV, animation, motherhood, gender studies, feminism, ageing studies, anthropology and sociology.

The Routledge Handbook of Motherhood on Screen offers a comprehensive global analysis of the representation of Mothers and Motherhood in contemporary screen industries and online spaces. Over five distinct sections, this handbook examines how the complexities and realities of contemporary motherhood are translated to the screen.Offering a full scholarly overview of the field, this handbook provides a ground-breaking and important contribution to our understanding of motherhood on screen. The geographical and genre reach of the handbook presents new ways of theorising and reframing current scholarly debate, and gives a wide-ranging and comprehensive contribution to knowledge of on-screen representations. An international team of established scholars and emerging voices provide analysis of representations from around the world, spanning a breadth of genres. The chapters situate transnational screen representations of motherhood in the 21st Century and assess the implications of contemporary representation of motherhood.Thoroughly challenging and expanding understandings of motherhood and mothers, this handbook will be an essential multi-faceted publication for researchers and students of film, TV, animation, motherhood, gender studies, feminism, ageing studies, anthropology and sociology.

Irish Digital Cultures explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally.Bringing together interdisciplinary scholars and media studies professionals from across Ireland, this collection investigates how Irish life, culture and identity are impacted and evolving with the increasing reliance on digital platforms and tools. Emerging and established scholars at the cutting edge of Irish cultural research offer chapters that speak to the diversity of the digital in the Irish cultural sphere. The Culture and Identity section explores issues of representation, digital re-imaginings of ‘Irishness’, the discursive interplay of ‘old Ireland’ versus ‘new Ireland’ online, and Irishness as a self-brand and marketable commodity in the digital commons. From Irish gamers on YouTube to popular Irish podcast production, this section examines interconnections of culture and identity, exploring how these are reimagined and articulated in digital spaces. Building on these themes, the Contexts and Spaces section introduces scholarship on Irish cultural memory and the digital archive, protest and visibility in Irish digital spaces, artistic practice and performance, and the policing of ‘Irishness’ online.This volume will interest Irish Studies researchers and scholars, particularly those working at the intersection of Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media, as well as students studying Irish culture across the humanities and social sciences.

This is the first book on Irish literature to focus on the theme of loss, and how it is represented in Irish writing. The main notion of loss being dealt with is that of death, but feelings of loss in the wake of immigration and of the loss of certainties that defined notions of identity are also analysed.

This collection is the first to examine how the city is written in modern Irish fiction. Focusing on the multi-faceted, layered, and ever-changing topography of the city in Irish writing, it brings together studies of Irish and Northern Irish fictions which contribute to a more complete picture of modern Irish literature and Irish urban cultural identities. It offers a critical introduction to the Irish city as it represented in fiction as a plural space to mirror the plurality of contemporary Irish identities north and south of the border. The chapters combine to provide a platform for new research in the field of Irish urban literary studies, including analyses of the fiction of authors including James Joyce, Roddy Doyle, Kate O’Brien, Hugo Hamilton, Kevin Barry, and Rosemary Jenkinson. An exciting and diverse range of fictions is introduced and examined with the aim of generating a cohesive perspective on Irish urban fictions and to stimulate further discussion in this emerging area.

This is the first book on Irish literature to focus on the theme of loss, and how it is represented in Irish writing. The main notion of loss being dealt with is that of death, but feelings of loss in the wake of immigration and of the loss of certainties that defined notions of identity are also analysed.