Dena Goodman – författare

Furnishing the Eighteenth Century provides an illuminating, interdisciplinary look into European and American furniture during the century that connoisseurs and collectors consider its golden age. Lavishly illustrated, this lively collection of essays by historians, art historians, and literary scholars examines the ways furniture of this period reflects the global contacts and social rituals developed in eighteenth-century Europe and America. Drawing on literature, painting, account books and death inventories, this diverse compilation explores how and why eighteenth-century men and women on both sides of the Atlantic purchased and used furniture. Ultimately, these essays make the past come alive, showing us what made desks, tables and chairs deeply meaningful in their own time and historically informative today.Contributors: Donna Bohanan, Natacha Coquery, Madeleine Dobie, Dena Goodman, Mimi Hellman, David Jaffee, Ann Smart Martin, Kathryn Norberg, Chaela Pastore, David Porter, Mary Salzman, Carolyn Sargentson

Marie-Antoinette is one of the most fascinating and controversial figures in all of French history. This volume explores the many struggles by various individuals and groups to put right Marie's identity, and it simultaneously links these struggles to larger destabilizations in social, political and gender systems in France.Looking at how Marie was represented in politics, art, literature and journalism, the contributors to this volume reveal how crucial political and cultural contexts were enacted "on the body of the queen" and on the complex identity of Marie. Taken together, these essays suggest that it is precisely because she came to represent the contradictions in the social, political and gender systems of her era, that Marie remains such an important historical figure.

Marie-Antoinette is one of the most fascinating and controversial figures in all of French history. This volume explores the many struggles by various individuals and groups to put right Marie's identity, and it simultaneously links these struggles to larger destabilizations in social, political and gender systems in France.Looking at how Marie was represented in politics, art, literature and journalism, the contributors to this volume reveal how crucial political and cultural contexts were enacted "on the body of the queen" and on the complex identity of Marie. Taken together, these essays suggest that it is precisely because she came to represent the contradictions in the social, political and gender systems of her era, that Marie remains such an important historical figure.

Furnishing the Eighteenth Century provides an illuminating, interdisciplinary look into European and American furniture during the century that connoisseurs and collectors consider its golden age. Lavishly illustrated, this eclectic and lively collection of essays by historians, art historians, and literary scholars examines the many ways furniture of this period reflects the complex social and cultural issues that shaped this century in both Europe and America. In addition to furniture and portraiture, this diverse compilation considers literature, account books, and handbooks, allowing for a revealing look at how these furnishings created, contested, and subverted their cultures on both sides of the Atlantic. Ultimately, these essays make the past come alive, showing us what made this furniture meaningful in its own time, and why it is still meaningful today.

The public sector currently employs around 40 percent of all union members in the United States. Pressures for cost-effective and quality government services have placed new demands on the labor-management relationship. A fluctuating set of expectations about the appropriate responsibilities of government and a shifting political culture are severely testing the ability of the public sector to meet demands for increased accountability and expanded services.Especially in an age of knowledge workers, the traditional division between labor and management regarding leadership and work may no longer be viable. Going Public examines the forces affecting labor and management and the prospects for adopting service-oriented cooperative relationships as a key strategy for meeting the expanded demands on the public sector.Contributors: Robert R. Albright, Rensselaer Polytechnic Institute; Lorenzo Bordogna, University of Milan; Jonathan Brock, University of Washington; John F. Burton Jr., Rutgers University; Adrienne E. Eaton, Rutgers University; Stephen Goldsmith, Harvard University; Jeffrey H. Keefe, Rutgers University; Charles Kerchner, Claremont Graduate School; David B. Lipsky, Cornell University; Martin H. Malin, Chicago-Kent College of Law; Marick F. Masters, University of Pittsburgh; Sonia Ospina, New York University; Terry Thomason, University of Rhode Island; Robert M. Tobias, American University; Paula B. Voos, Rutgers University; Allon Yaroni, New York University

Over the course of the eighteenth century, increasing numbers of French women, from the wives and daughters of artisans and merchants to countesses and queens, became writers-not authors, and not mere signers of names, but writers of letters. Taking as her inspiration a portrait of an unknown woman writing a letter to her children by French painter Adélaïde Labille-Guiard, Dena Goodman challenges the deep-seated association of women with love letters and proposes a counternarrative of young women struggling with the challenges of the modern world through the mediation of writing.In Becoming a Woman in the Age of Letters, Goodman enters the lives and world of these women, drawing on their letters, the cultural history of language and education, and the material culture of letter writing itself: inkstands, desks, and writing paper. Goodman follows the lives of elite women from childhood through their education in traditional convents and modern private schools and into the shops and interior spaces in which epistolary furnishings and furniture were made for, sold to, and used by women who took pen in hand. Stationers set up fashionable shops, merchants developed lines of small writing desks, and the furnishings and floor plans of homes changed to accommodate women's needs.It was as writers and consumers that women entered not only shops but also the modern world that was taking shape in Paris and other cities. Although many women, from major novelists, painters, and educators to schoolgirls and their mothers as well as Parisian tourists and other shoppers, come to life in this book, Goodman focuses on four bodies of epistolary work by little-known women: the letters of Genevieve de Malboissiére, Manon Phlipon, Catherine de Saint-Pierre, and Sophie Silvestre. These letters allow Goodman to explore how particular girls of different social positions came to womanhood through letter writing. She shows how letter writing expanded women's horizons even as it deepened their ability to reflect on themselves.The analysis of more than one hundred illustrations—from paintings by major Dutch and French artists to inkstands and writing desks, stationers' trade cards, and manuscript letters on decorated paper—is integral to Goodman's argument.