Derek Thompson – författare

**SHORTLISTED FOR THE FINANCIAL TIMES AND SCHRODERS BUSINESS BOOK OF THE YEAR AWARD 2025**THE INSTANT NEW YORK TIMES BESTSELLER AND OBAMA BOOK OF THE YEAR'A must-read for progressives' BARACK OBAMA'Downing Street's current hot read' ANDREW MARR'Forceful, quick-moving, important' FINANCIAL TIMESThe threat to liberal democracy isn't just autocrats - it's a lack of effective action by so-called progressives.We have the means to build an equitable world without hunger, fuelled by clean energy. Instead, we have a politics driven by scarcity, lives defined by unaffordability and public institutions that no longer deliver on big ideas. It's time for change.Bestselling authors Ezra Klein and Derek Thompson have spent decades analysing the political, economic and cultural forces that have led us here. In this once-in-a-generation intervention, they unpick the barriers to progress and show how we can, and must, shift the political agenda to one that not only protects and preserves, but also builds. From healthcare to housing, infrastructure to innovation, they lay out a path to a future defined not by fear, but by abundance.

**SHORTLISTED FOR THE FINANCIAL TIMES AND SCHRODERS BUSINESS BOOK OF THE YEAR AWARD 2025**THE INSTANT NEW YORK TIMES BESTSELLER AND OBAMA BOOK OF THE YEAR'A must-read for progressives' BARACK OBAMA'Downing Street's current hot read' ANDREW MARR'Forceful, quick-moving, important' FINANCIAL TIMESThe threat to liberal democracy isn't just autocrats - it's a lack of effective action by so-called progressives.We have the means to build an equitable world without hunger, fuelled by clean energy. Instead, we have a politics driven by scarcity, lives defined by unaffordability and public institutions that no longer deliver on big ideas. It's time for change.Bestselling authors Ezra Klein and Derek Thompson have spent decades analysing the political, economic and cultural forces that have led us here. In this once-in-a-generation intervention, they unpick the barriers to progress and show how we can, and must, shift the political agenda to one that not only protects and preserves, but also builds. From healthcare to housing, infrastructure to innovation, they lay out a path to a future defined not by fear, but by abundance.

What makes a hit a hit? In Hit Makers, Atlantic Senior Editor Derek Thompson puts pop culture under the lens of science to answer the question that every business, every producer, every person looking to promote themselves and their work has asked. Drawing on ancient history and modern headlines - from vampire lore and Brahms's Lullaby to Instagram - Thompson explores the economics and psychology of why certain things become extraordinarily popular. With incisive analysis and captivating storytelling, he reveals that, though blockbuster films, Internet memes and number-one songs seem to have come out of nowhere, hits actually have a story and operate by certain rules. People gravitate towards familiar surprises: products that are bold and innovative, yet instantly comprehensible. Whether he is uncovering the secrets of JFK and Barack Obama's speechwriters or analysing the unexpected reasons for the success of Fifty Shades of Grey, Thompson goes beyond the cultural phenomena that make the news by revealing the desires that make us all human. While technology might change, he shows, our innate preferences do not, and throughout history hits have held up a mirror to ourselves. From the dawn of Impressionist art to the future of Snapchat, from small-scale Etsy entrepreneurs to the origin of Star Wars, Derek Thompson tells the fascinating story of how culture happens - and where genius lives.

The study and application of spatial information systems have been developed primarily from the use of computers in the geosciences. These systems have the principle functions of capturing, storing, representing, manipulating, and displaying data in 2-D and 3-D worlds. This book approaches its subject from the perspectives of informatics and geography, presenting methods of conceptual modeling developed in computer science that provide valuable aids for resolving spatial problems. This book is an essential textbook for both students and practitioners. It is indispensable for academic geographers, computer scientists, and the GIS professional.- Serves as the first comprehensive textbook on the field of Spatial Information Systems (also known as Geographic Information Systems)- Contains extensive illustrations- Presents numerous detailed examples

The study and application of spatial information systems have been developed primarily from the use of computers in the geosciences. These systems have the principle functions of capturing, storing, representing, manipulating, and displaying data in 2-D and 3-D worlds. This book approaches its subject from the perspectives of informatics and geography, presenting methods of conceptual modeling developed in computer science that provide valuable aids for resolving spatial problems. This book is an essential textbook for both students and practitioners. It is indispensable for academic geographers, computer scientists, and the GIS professional. Serves as the first comprehensive textbook on the field of Spatial Information Systems (also known as Geographic Information Systems) Contains extensive illustrations Presents numerous detailed examples

What makes a hit a hit? In Hit Makers, Atlantic Senior Editor Derek Thompson puts pop culture under the lens of science to answer the question that every business, every producer, every person looking to promote themselves and their work has asked. Drawing on ancient history and modern headlines - from vampire lore and Brahms's Lullaby to Instagram - Thompson explores the economics and psychology of why certain things become extraordinarily popular. With incisive analysis and captivating storytelling, he reveals that, though blockbuster films, Internet memes and number-one songs seem to have come out of nowhere, hits actually have a story and operate by certain rules. People gravitate towards familiar surprises: products that are bold and innovative, yet instantly comprehensible. Whether he is uncovering the secrets of JFK and Barack Obama's speechwriters or analysing the unexpected reasons for the success of Fifty Shades of Grey, Thompson goes beyond the cultural phenomena that make the news by revealing the desires that make us all human. While technology might change, he shows, our innate preferences do not, and throughout history hits have held up a mirror to ourselves. From the dawn of Impressionist art to the future of Snapchat, from small-scale Etsy entrepreneurs to the origin of Star Wars, Derek Thompson tells the fascinating story of how culture happens - and where genius lives.

In 2008, I was diagnosed with severe bipolar disorder, Type I, featuring psychotic manic episodes characterized by thoughts of grandeur, delusions, and hallucinations. Often when I open up about that to someone who knows me, I get, "e;What's that like?"e;I guess I don't exactly fit their perception of someone with a mental health issue. I'm not like that person they see in the media, the one who lives with something like bipolar disorder and all its negative stereotypes and stigma. I like those conversations I get to have with them afterward to try and explain what it's like for me to go manic, to show them a peek behind the curtain into what I experience when I'm psychotic. But the main reason I like the conversations is that I know it's nothing like they think it is. They come in with this idea that mental health issues, including psychosis, is a cookie-cutter diagnosis. That somehow we're the same as the people they see in the media committing unthinkable acts. But for most us out there fighting, it's nothing like that. So, what I've decided to do is try and recreate those conversations for you by writing a piece of fiction about what it's like for me to have a manic episode. I wanted to show you, to the best of my limited literary skill, what it's like to experience psychotic elements that blur the line between fantasy and reality-taking you into "e;the Spin,"e; where my manic life is chaotic, hectic, unpredictable, and seemingly out of control. Contrary to popular belief, my psychosis does not make me evil. In fact, when I'm manic, I believe I'm fighting evil for a good cause. Very much like other manics, my mania is filled with a shitload of spiritual elements and symbolism. I've taken elements from these episodes and layered them on top of a favorite story of mine. I hope this will convey some sense of what it's like in my manic mind right before I get committed. Like manic episodes that can come and go seemingly when they will, this story doesn't have a traditional beginning, middle, and end. During my first manic episode, I went to bed fine one night and awoke seeing and feeling such shit that I thought someone had drugged me with hallucinogens. The next couple of weeks felt like a couple of hours, with that story coming to an abrupt end when I came to in the suicide watch wing of the psych ward. This story is short and hopefully comes at you fast, with no real answers in the end, leaving you with only a weird, ambivalent anticipation of the psychosis you know is coming at you in the next manic episode. The same feeling many manics have after they come back down. I also talk to myself constantly when I'm manic, so you will see a lot of internal dialogue to give you a sense of that state of mind. One last thing: I really wanted to imitate the feeling of my mania running wild in my mind, so I added short bursts of mixed memories from my past episodes-manic flashbacks. This also ties all the episodes together, just as the episodes during my psychosis in real life are tied together. I've planted a few other surprises to give you as close to a manic experience I can. My hope is that this story will help change the negative stigma and stereotypes that are still strongly out there about mental health issues. I hope that showing what my psychosis feels like will help others out there to keep fighting theirs as well. Perception is reality, and we need to start trying to change that toward the positive for mental health issues. This is my contribution to that cause. So, without further bullshitting: This is what that's like.

NEW YORK TIMES BESTSELLER “A terrific book...Powerful and persuasive.” —Fareed Zakaria “Spectacular…Offers a comprehensive indictment of the current problems and a clear path forward…Klein and Thompson usher in a mood shift. They inspire hope and enlarge the imagination.” —David Brooks, The New York Times From bestselling authors and journalistic titans Ezra Klein and Derek Thompson, Abundance is a once-in-a-generation, paradigm-shifting call to renew a politics of plenty, face up to the failures of liberal governance, and abandon the chosen scarcities that have deformed American life.To trace the history of the twenty-first century so far is to trace a history of unaffordability and shortage. After years of refusing to build sufficient housing, America has a national housing crisis. After years of limiting immigration, we don’t have enough workers. Despite decades of being warned about the consequences of climate change, we haven’t built anything close to the clean-energy infrastructure we need. Ambitious public projects are finished late and over budget—if they are ever finished at all. The crisis that’s clicking into focus now has been building for decades—because we haven’t been building enough. Abundance explains that our problems today are not the results of yesteryear’s villains. Rather, one generation’s solutions have become the next gener­ation’s problems. Rules and regulations designed to solve the problems of the 1970s often prevent urban-density and green-energy projects that would help solve the problems of the 2020s. Laws meant to ensure that government considers the consequences of its actions have made it too difficult for government to act consequentially. In the last few decades, our capacity to see problems has sharpened while our ability to solve them has diminished. Progress requires facing up to the institutions in life that are not working as they need to. It means, for liberals, recognizing when the government is failing. It means, for conservatives, recognizing when the government is needed. In a book exploring how we can move from a liberalism that not only protects and pre­serves but also builds, Klein and Thompson trace the political, economic, and cultural barriers to progress and propose a path toward a politics of abundance. At a time when movements of scarcity are gaining power in country after country, this is an answer that meets the challenges of the moment while grappling honestly with the fury so many rightfully feel.

Cynics are as old as Man himself. Ancient sources tell of Adam who, when seeing Eve for the first time, muttered, "e;Uh-oh. There goes Free Will."e; If Adam was indeed the father of the human race - and, as such, the progenitor of cynicism - is it any surprise his children are just like him? Nowadays, the word 'cynic' has been relegated to a synonym of 'doubter', 'pessimist' or 'sceptic'. But, given our modern preoccupations with pleasure, fame, fortune and power, maybe we need cynics more than ever. Perhaps theirs is that small, sane voice amid the roar of instant gratification, 24-hour television, media manipulation and marketing. Or perhaps we just wanted to sell a book. But, of course - we're not that cynical. Are we?

Pochemu odni idei stanovyatsya populyarnymi, a drugie ostayutsya nikomu ne izvestnymi?Ot zarozhdeniya impressionizma i do budushchego Facebook, ot skromnyh dizajnerov, torguyushchih na Etsy, i do proiskhozhdeniya "Zvezdnyh vojn" — obrashchayas'' ko vsem ehtim i drugim temam, starshij redaktor The Atlantic Derek Tompson podrobno issleduet skrytye mekhanizmy razvitiya kul''tury i raskryvaet sekrety sozdaniya megauspeshnyh proektov."EHta kniga — o hitah, tekh nemnogochislennyh produktah i ideyah, kotorye dobivayutsya isklyuchitel''noj izvestnosti i kommercheskogo uspekha v populyarnoj kul''ture i media. Glavnyj ee tezis zaklyuchaetsya v tom, chto, dazhe nesmotrya na ogromnoe chislo pesen, teleshou, blokbasterov, internet-memov i mobil''nyh prilozhenij, poyavlyayushchihsya, kak inogda kazhetsya, neizvestno otkuda, na ehtot kul''turnyj haos dejstvuyut neskol''ko faktorov: psihologiya lyudej, kotorye lyubyat to, chto im nravitsya; social''nye seti, cherez kotorye rasprostranyayutsya idei; i ehkonomika rynkov kul''turnyh produktov. Est'' sposob, pozvolyayushchij lyudyam proektirovat'' hity, i, chto ne menee vazhno, sposob, pozvolyayushchij drugim lyudyam uznavat'', kogda populyarnost'' sozdaetsya iskusstvenno". (Derek Tompson)

Nada "se vuelve viral". Si crees que una película, canción o app popular surgió de la nada para convertirse, de boca en boca, en un éxito, te estás perdiendo la historia real. Cada éxito de taquilla tiene una historia secreta de poder, influencia, emisoras oscuras y cultos apasionados que convierten algunos productos nuevos en fenómenos culturales. Incluso las ideas más brillantes se marchitan en la oscuridad si no se conectan a la red correcta.En su pionera investigación, el editor de Atlantic Derek Thompson nos descubre la psicología oculta en por qué nos gusta lo que nos gusta y revela la economía de los mercados culturales que, invisiblemente, moldean nuestras vidas.Rompiendo mitos sentimentales de la creación de éxitos que dominan la cultura y el negocio pop, nos muestra que la calidad no es suficiente para el éxito.Puede que este sea un mundo nuevo, pero hay algunas verdades perdurables sobre lo que quieren las audiencias y los consumidores. Toda empresa, artista o persona que busque promocionarse quiere saber qué es lo que hace que algunas obras tengan tanto éxito, mientras otras desaparecen.Creadores de hits es un viaje mágico y misterioso a través de los éxitos de la cultura pop del siglo XX y la moneda más valiosa del siglo XXI: la atención de la gente. Desde los comienzos del arte impresionista hasta el futuro de Facebook, desde los pequeños diseñadores de Etsy hasta el origen de La guerra de las galaxias, Thompson relata la fascinante historia de las causas de la popularidad y del modo en que la cultura cobra vida.