Set in Paris, LE DIVORCE is an alluring and elegant comedy of love and divorce French-style. Isabel Walker, a young, not-so-innocent, American abroad, arrives in Paris to find that her sister's French husband ('the frog prince') has just walked out. While Isabel embarks on her own sentimental education - seduced by gourmet food, antiques, existentialism and an older man - her sister's marriage disintergrates into bitter Franco-American wrangles over money, titles and a mysterious painting. With a sharp tongue and an ironic eye for the foibles of the Parisian bourgeoisie, the French art world and American ex-patriots, Isabel is a collector of experience, even those she can't control. Comedy veers suddenly close to tragedy as passionate jealousy, self-interest and artistic intrigue interweave.

A wickedly funny and observant novel about the delicate questions of love, death and money.Amy Hawkins, Californian millionairess, is travelling in Europe, to find her culture, her roots and a cause to which she might devote her considerable fortune. She lands at one of the finest small hotels in the French Alps - a hotel noted for skiing and its famous cooking lessons - and soon finds that Americans are not the flavour of the month in France.A few days into her trip, she narrowly survives an avalanche. Two of the hotel's other guests, English publisher Adrian Venn and his much younger wife Kerry, are not as fortunate and both lie comatose in a nearby hospital. Amy steps in as Adrian's children - young and old, legitimate and illegitimate - assemble in Valmeri to protect their interests should he not pull through, and in her innocence sets in motion a series of events in France and England that threaten to topple carefully built family alliances once and for all. Add one or two small affaires and soon it is, as the French would say, a situation.

Lulu Sawyer arrives in Marrakech hoping to rekindle her romance with businessman Ian Drumm. It's the perfect cover for her assignment with the CIA: tracing the flow of money from donors to radical Islamic groups. As she navigates the complex interface of East and West, Lulu stumbles into unforeseen intrigues: a young Muslim girl, Suma, is on the run from her brother intent on an honour killing; and a beautiful Saudi woman, Gazi, is vying for Ian's love, leaving her husband in a desperate bid to escape her repressive society. The more Lulu immerses herself in the workings of Marrakech, the more questions emerge as beneath the surface of this polite expatriate community lies a more sinister world laced with double standards as well as double agents.

Director of some of the most controversial films of the twentieth century, Stanley Kubrick created a reputation as a Hollywood outsider as well as a cinematic genius. His diverse yet relatively small oeuvre - he directed only thirteen films during a career that spanned more than four decades - covers a broad range of the themes that shaped his century and continues to shape the twenty-first: war and crime, gender relations and class conflict, racism, and the fate of individual agency in a world of increasing social surveillance and control. In ""Depth of Field"", leading screenwriters and scholars analyze Kubrick's films from a variety of perspectives. They examine such groundbreaking classics as ""Dr. Strangelove and 2001: A Space Odyssey"" and later films whose critical reputations are still in flux. ""Depth of Field"" ends with three viewpoints on Kubrick's final film, ""Eyes Wide Shut"", placing it in the contexts of film history, the history and theory of psychoanalysis, and the sociology of sex and power. Probing Kubrick's whole body of work, ""Depth of Field"" is the first truly multidisciplinary study of one of the most innovative and controversial filmmakers of the twentieth century.

“[A] vivid . . . quest for roots. . . . Splendid.”—The New York Times Book Review Growing up in the small river town of Moline, Illinois, Diane Johnson always dreamed of venturing off to see the world—and did. Now having traveled widely and lived part-time in Paris for many years, she is stung when a French friend teases her about Americans’ indifference to history.  Could it be true? The j’accuse haunts Diane and inspires her to dig into her family’s past, working back from the Friday night football of her youth to the adventures illuminated in the letters and memoirs of her stalwart pioneer ancestors—beginning with a lonely young soldier who came to America from France in 1711. As enchanting as her bestselling novels, Flyover Lives is a moving examination of identity and the “wispy but material” family ghosts who shape us. As Johnson pays tribute to her deep Midwestern roots, she captures the perpetual tug-of-war between the magnetic pull of home and our lust for escape and self-invention.

Clara Holly is a former actress, beautiful, rich, and 'well married, far from her Oregon beginnings' to the renowned but reclusive film director Serge Clay. Anne-Sophie is a proper young Frenchwoman with a smart little antique stall in the Paris flea market and a wedding to plan. As the plot thickens they are all drawn into a cross between a modern Feydeau farce and a Kafkaesque nightmare, as their paths and those of a host of other characters intersect at the Cray's château. Despite murder, misunderstanding, hostage-taking and erotic encounters, however, le marriage must go ahead in the grand French style.

Set in Paris, LE DIVORCE is an alluring and elegant comedy of love and divorce French-style. Isabel Walker, a young, not-so-innocent, American abroad, arrives in Paris to find that her sister's French husband ('the frog prince') has just walked out. While Isabel embarks on her own sentimental education - seduced by gourmet food, antiques, existentialism and an older man - her sister's marriage disintergrates into bitter Franco-American wrangles over money, titles and a mysterious painting. With a sharp tongue and an ironic eye for the foibles of the Parisian bourgeoisie, the French art world and American ex-patriots, Isabel is a collector of experience, even those she can't control. Comedy veers suddenly close to tragedy as passionate jealousy, self-interest and artistic intrigue interweave.

A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.

A timely guide to the entire youth justice process at a point of substantial change. An introduction to the entire Youth Justice System (YJS) An holistic approach covering both the youth court and the wider youth justice process Contains expert descriptions, comment (sometimes critical) and analysis Everything you need to start understanding the modern-day Youth Justice System (YJS) This book is the ideal starting point for anyone wishing to gain or enhance understanding of youth justice in England and Wales. It contains chapters on each of the areas in which youth offenders or those at risk of offending come into contact with the Youth Justice System (YJS). It looks at the roles of the youth court, police, Crown prosecutors, youth offending teams (YOTs), youth offending panels (YOPs), voluntary sector and wider community. It deals with sentencing (including the work of the Sentencing Guidelines Council (SGC)), the responsibilities of the Youth Justice Board (YJB) and a range of ways in which crime prevention and anti-social behaviour (ASB) by young people is dealt with and discouraged.The book takes full account of the considerable changes introduced by the Criminal Justice and Immigration Act 2008. It also looks at the unique welfare-based ethos of youth justice and modern-day 'restorative approaches', showing how youth justice practitioners seek to balance these with the needs of crime prevention and the challenge of protecting victims from (sometimes serious) youth offending. Also contains a Glossary of Words, Phrases, Acronyms and Abbreviations, a Timeline, plus illustrative Charts and Tables. For such a 'simple, speedy, summary' it contains a treasure trove of information. Review 'Well structured and easy to navigate with its diagrams and glossary ...its comprehensive coverage of the recent reforms and inclusion of the newly published sentencing guidelines make it the ideal starting point for the student and practitioner, or for those wanting to refresh their knowledge': Justice Journal Authors Mike Watkins is an experienced trainer of magistrates who has written materials for the Judicial Studies Board, Magistrates' Association and Universities of Birmingham and Cambridge. Diane Johnson is Head of Service for Warwickshire Youth Offending Team (YOT).Chris Stanley is Chair of the East Kent Youth Court Panel and of the Kent Branch of the Magistrates' Association. He is a member of the national Council of that body and its Youth Courts Committee. He is a former head of Policy and Research at Nacro and advises the Prison Reform Trust on matters of youth justice. Edited and with further material by Bryan Gibson.

Set in Paris, LE DIVORCE is an alluring and elegant comedy of love and divorce French-style. Isabel Walker, a young, not-so-innocent, American abroad, arrives in Paris to find that her sister's French husband ('the frog prince') has just walked out. While Isabel embarks on her own sentimental education - seduced by gourmet food, antiques, existentialism and an older man - her sister's marriage disintergrates into bitter Franco-American wrangles over money, titles and a mysterious painting. With a sharp tongue and an ironic eye for the foibles of the Parisian bourgeoisie, the French art world and American ex-patriots, Isabel is a collector of experience, even those she can't control. Comedy veers suddenly close to tragedy as passionate jealousy, self-interest and artistic intrigue interweave.

A wickedly funny and observant novel about the delicate questions of love, death and money.Amy Hawkins, Californian millionairess, is travelling in Europe, to find her culture, her roots and a cause to which she might devote her considerable fortune. She lands at one of the finest small hotels in the French Alps - a hotel noted for skiing and its famous cooking lessons - and soon finds that Americans are not the flavour of the month in France.A few days into her trip, she narrowly survives an avalanche. Two of the hotel's other guests, English publisher Adrian Venn and his much younger wife Kerry, are not as fortunate and both lie comatose in a nearby hospital. Amy steps in as Adrian's children - young and old, legitimate and illegitimate - assemble in Valmeri to protect their interests should he not pull through, and in her innocence sets in motion a series of events in France and England that threaten to topple carefully built family alliances once and for all. Add one or two small affaires and soon it is, as the French would say, a situation.

Lulu Sawyer arrives in Marrakech hoping to rekindle her romance with businessman Ian Drumm. It's the perfect cover for her assignment with the CIA: tracing the flow of money from donors to radical Islamic groups. As she navigates the complex interface of East and West, Lulu stumbles into unforeseen intrigues: a young Muslim girl, Suma, is on the run from her brother intent on an honour killing; and a beautiful Saudi woman, Gazi, is vying for Ian's love, leaving her husband in a desperate bid to escape her repressive society. The more Lulu immerses herself in the workings of Marrakech, the more questions emerge as beneath the surface of this polite expatriate community lies a more sinister world laced with double standards as well as double agents.

Director of some of the most controversial films of the twentieth century, Stanley Kubrick created a reputation as a Hollywood outsider as well as a cinematic genius. His diverse yet relatively small oeuvre - he directed only thirteen films during a career that spanned more than four decades - covers a broad range of the themes that shaped his century and continues to shape the twenty-first: war and crime, gender relations and class conflict, racism, and the fate of individual agency in a world of increasing social surveillance and control. In ""Depth of Field"", leading screenwriters and scholars analyze Kubrick's films from a variety of perspectives. They examine such groundbreaking classics as ""Dr. Strangelove and 2001: A Space Odyssey"" and later films whose critical reputations are still in flux. ""Depth of Field"" ends with three viewpoints on Kubrick's final film, ""Eyes Wide Shut"", placing it in the contexts of film history, the history and theory of psychoanalysis, and the sociology of sex and power. Probing Kubrick's whole body of work, ""Depth of Field"" is the first truly multidisciplinary study of one of the most innovative and controversial filmmakers of the twentieth century.

“[A] vivid . . . quest for roots. . . . Splendid.”—The New York Times Book Review Growing up in the small river town of Moline, Illinois, Diane Johnson always dreamed of venturing off to see the world—and did. Now having traveled widely and lived part-time in Paris for many years, she is stung when a French friend teases her about Americans’ indifference to history.  Could it be true? The j’accuse haunts Diane and inspires her to dig into her family’s past, working back from the Friday night football of her youth to the adventures illuminated in the letters and memoirs of her stalwart pioneer ancestors—beginning with a lonely young soldier who came to America from France in 1711. As enchanting as her bestselling novels, Flyover Lives is a moving examination of identity and the “wispy but material” family ghosts who shape us. As Johnson pays tribute to her deep Midwestern roots, she captures the perpetual tug-of-war between the magnetic pull of home and our lust for escape and self-invention.

Clara Holly is a former actress, beautiful, rich, and 'well married, far from her Oregon beginnings' to the renowned but reclusive film director Serge Clay. Anne-Sophie is a proper young Frenchwoman with a smart little antique stall in the Paris flea market and a wedding to plan. As the plot thickens they are all drawn into a cross between a modern Feydeau farce and a Kafkaesque nightmare, as their paths and those of a host of other characters intersect at the Cray's château. Despite murder, misunderstanding, hostage-taking and erotic encounters, however, le marriage must go ahead in the grand French style.

Set in Paris, LE DIVORCE is an alluring and elegant comedy of love and divorce French-style. Isabel Walker, a young, not-so-innocent, American abroad, arrives in Paris to find that her sister's French husband ('the frog prince') has just walked out. While Isabel embarks on her own sentimental education - seduced by gourmet food, antiques, existentialism and an older man - her sister's marriage disintergrates into bitter Franco-American wrangles over money, titles and a mysterious painting. With a sharp tongue and an ironic eye for the foibles of the Parisian bourgeoisie, the French art world and American ex-patriots, Isabel is a collector of experience, even those she can't control. Comedy veers suddenly close to tragedy as passionate jealousy, self-interest and artistic intrigue interweave.

A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.

A timely guide to the entire youth justice process at a point of substantial change. An introduction to the entire Youth Justice System (YJS) An holistic approach covering both the youth court and the wider youth justice process Contains expert descriptions, comment (sometimes critical) and analysis Everything you need to start understanding the modern-day Youth Justice System (YJS) This book is the ideal starting point for anyone wishing to gain or enhance understanding of youth justice in England and Wales. It contains chapters on each of the areas in which youth offenders or those at risk of offending come into contact with the Youth Justice System (YJS). It looks at the roles of the youth court, police, Crown prosecutors, youth offending teams (YOTs), youth offending panels (YOPs), voluntary sector and wider community. It deals with sentencing (including the work of the Sentencing Guidelines Council (SGC)), the responsibilities of the Youth Justice Board (YJB) and a range of ways in which crime prevention and anti-social behaviour (ASB) by young people is dealt with and discouraged.The book takes full account of the considerable changes introduced by the Criminal Justice and Immigration Act 2008. It also looks at the unique welfare-based ethos of youth justice and modern-day 'restorative approaches', showing how youth justice practitioners seek to balance these with the needs of crime prevention and the challenge of protecting victims from (sometimes serious) youth offending. Also contains a Glossary of Words, Phrases, Acronyms and Abbreviations, a Timeline, plus illustrative Charts and Tables. For such a 'simple, speedy, summary' it contains a treasure trove of information. Review 'Well structured and easy to navigate with its diagrams and glossary ...its comprehensive coverage of the recent reforms and inclusion of the newly published sentencing guidelines make it the ideal starting point for the student and practitioner, or for those wanting to refresh their knowledge': Justice Journal Authors Mike Watkins is an experienced trainer of magistrates who has written materials for the Judicial Studies Board, Magistrates' Association and Universities of Birmingham and Cambridge. Diane Johnson is Head of Service for Warwickshire Youth Offending Team (YOT).Chris Stanley is Chair of the East Kent Youth Court Panel and of the Kent Branch of the Magistrates' Association. He is a member of the national Council of that body and its Youth Courts Committee. He is a former head of Policy and Research at Nacro and advises the Prison Reform Trust on matters of youth justice. Edited and with further material by Bryan Gibson.