Djuna Barnes – författare
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»Oförglömlig berättelse om två kvinnors kärlek och lidande. Att läsa den är som att dricka vin och se en pärla upplösas i glaset. Du har tagit in mer än du vet, boken bara fortsätter arbeta i dig.« Jeanette Winterson
»När jag läser Nattens skogar känner jag mig som kvinnan på omslaget; förförd, naken, inne i min egen värld tillsammans med boken, som sannerligen är en pärla.« Karenina.se
Djuna Barnes Nattens skogar, ett av den litterära modernismens mest ikoniska verk, dokumenterar amerikaner, irländare, österrikare, judar - alla i någon form av exil - i det dekadenta tjugotalets Paris, Berlin och Wien. Ingen glömmer romanens huvudpersoner efter att ha mött dem: Robin Vote, Nora Flood, Jenny Petherbridge, Matthew O Connor. Men framför allt är det Djuna Barnes rika, stämningsmättade språk, med dess djuplodande insikter i besatthetens natur, som gör Nattens skogar [Nightwood, 1936] till ett enastående prosaverk. En av den engelskspråkiga 1900-talslitteraturens stora klassiker, här i Thomas Warburtons formidabla svenska översättning.
DJUNA BARNES [1892-1982] var en amerikansk författare, poet, dramatiker, journalist och konstnär. Hon tillhörde den legendariska amerikanska författar- och konstnärskolonin i Paris på 1920- och 1930-talen. I dag räknas hon till den engelskspråkiga modernismens stora namn, tillsammans med James Joyce, Virginia Woolf, T. S. Eliot och Gertrude Stein.
»Så bra att endast den som övat sina sinnen med poesi förmår uppskatta den så mycket den förtjänar.« T. S. Eliot
89 kr
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NYÖVERSÄTTNING
Nattens skogar av Djuna Barnes handlar om natten. Om vad kärlek och åtrå och natten gör med oss. Barnes modernistiska mästerverk utspelar sig i Paris på 1920-talet. Det är här vi möter Nora Flood, Jenny Petherbridge och Matthew O´Connor. Det är här vi möter den mystiska, excentriska, dekadenta, oförglömliga Robin Vote. Hon som alla älskar och åtrår. Hon som ingen förstår. Hon som är som natten.
Djuna Barnes (1892-1982) var en amerikansk författare, poet och journalist. Hon var en del av den amerikanska litterära exil som levde och verkade i Paris under 1920- och 1930-talen. Nattens skogar räknas idag som ett av modernismens största och mest oförglömliga mästerverk. Det är en bok som när den väl börjat gro i dig aldrig slutar att växa.
Denna utgåva är framtagen i samarbete mellan Modernista och Sjösala förlag.
I ny svensk översättning av Erik Thompson och med förord av Björn Kohlström.
129 kr
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Lose yourself in the tortured love lives of expats in 1920s Paris in this iconic cult classic.'Nightwood is itself. It is its own created world, exotic and strange, and reading it is like drinking wine with a pearl dissolving in the glass ... From now on, a part of you is pearl-lined.' Jeanette Winterson'Like a dark lesbian genius rolling in a giant heap of damp, dead leaves. What a great, shaking, grieving party this book is - the best.' Eileen Myles'I read with the aching intensity of a person possessed ... The story of passion and grief, of exile and loneliness, spoke directly to me, a young woman who [never] felt she quite belonged ... A hymn to the dispossessed, the misbegotten and those who love too much.' Siri HustvedtNightwood tells the stories of the love-lives of a group of American expats and Europeans in Paris in the 1920s - an exotic, night-time underworld, eccentric, seedy and beautiful. A modernist masterpiece, and one of the earliest novels to explicitly portray homosexuality, the influence of Djuna Barnes's novel remains exceptional.'A bold, exceptionally well-written modernist prose poem ... The closest thing to James Joyce.' Andre Aciman'The great achievement of a style, the beauty of phrasing, the brilliance of wit and characterisation, and a quality of horror and doom very nearly related to that of Elizabethan tragedy.' T.S. Eliot'One of the greatest books of the twentieth century.' William S. Burroughs'A writer of wild and original gifts . To her name there is always to be attached the splendor of Nightwood, a lasting achievement of her great gifts and eccentricities - her passionate prose and, in this case, a genuineness of human passions.' Elizabeth Hardwick
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»Djuna Barnes imponerades av inget, men fascinerades av allt. Mest av allt var hon en skicklig iakttagare av människor, fra n tonläge och ordval till handlingar.« | Sara Danius, DNDjuna Barnes, en av modernismens stora ikoner, var en mästare i novellgenren. Ändå var hon sparsam med att återpublicera novellerna. När hon väl gjorde det så reviderade hon dem ofta sa mycket att det blev nya texter. Så skedde med det svenska urvalet Natt bland hästar, som därigenom kom att bli ett unikt Djuna Barnes-verk. Tio noveller - av vilka ett flertal hör till hennes mest klassiska - däribland titelnovellen (Natt bland hästar), Utsläpp, Läkarna och Kaninen, som författaren skickade till Sverige i grundligt omarbetade versioner.Reidar Ekners eminenta svenska översättningar av Djuna Barnes-noveller, Natt bland hästar, utgör en sann litterär skatt. Lite drygt ett halvt sekel senare blir de nu tillgängliga på nytt, tillsammans med Meta Ottossons nyöversättning av novellen Aller et retour. Med ett nyskrivet förord av litteraturkritikern Jonas Thente.DJUNA BARNES [1892-1982] var en amerikansk författare, poet, dramatiker, journalist och konstnär. Hon tillhörde den legendariska amerikanska författar och konstnärskolonin i Paris på 1920- och 1930-talen. I dag räknas hon till den engelskspråkiga modernismens stora namn, vid sidan av James Joyce, Virginia Woolf, T. S. Eliot och Gertrude Stein.
97 kr
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T. S. Eliot recognized Djuna Barnes as "incontestably one of the most original writers of our time." This collection of Barnes's early work features journalism (including a firsthand account of the force-feeding endured by suffragettes and an interview with James Joyce), poetry ("The Book of Repulsive Women"), and stories ("Smoke").
133 kr
Tillfälligt slut
Lose yourself in the tortured love lives of expats in 1920s Paris in this iconic cult classic.'Nightwood is itself. It is its own created world, exotic and strange, and reading it is like drinking wine with a pearl dissolving in the glass ... From now on, a part of you is pearl-lined.' Jeanette Winterson'Like a dark lesbian genius rolling in a giant heap of damp, dead leaves. What a great, shaking, grieving party this book is - the best.' Eileen Myles'I read with the aching intensity of a person possessed ... The story of passion and grief, of exile and loneliness, spoke directly to me, a young woman who [never] felt she quite belonged ... A hymn to the dispossessed, the misbegotten and those who love too much.' Siri HustvedtNightwood tells the stories of the love-lives of a group of American expats and Europeans in Paris in the 1920s - an exotic, night-time underworld, eccentric, seedy and beautiful. A modernist masterpiece, and one of the earliest novels to explicitly portray homosexuality, the influence of Djuna Barnes's novel remains exceptional.'A bold, exceptionally well-written modernist prose poem ... The closest thing to James Joyce.' Andre Aciman'The great achievement of a style, the beauty of phrasing, the brilliance of wit and characterisation, and a quality of horror and doom very nearly related to that of Elizabethan tragedy.' T.S. Eliot'One of the greatest books of the twentieth century.' William S. Burroughs'A writer of wild and original gifts . To her name there is always to be attached the splendor of Nightwood, a lasting achievement of her great gifts and eccentricities - her passionate prose and, in this case, a genuineness of human passions.' Elizabeth Hardwick
95 kr
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Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. 'I have quite changed my mind. I am going to run away and become a boy.'In these three stories, written by Djuna Barnes under the pseudonym Lydia Steptoe, three characters find themselves on the brink of a sexual awakening - accompanied by guns, whips, and worldly innuendo.A fourteen-year-old girl plans to become 'a virago', until her mother intercepts her first tryst by dressing up as her male lover. A boy of the same age is lured into the forest by his father's mistress. A woman of forty falls in love and longs to kill herself, so unbearable is the return of the youth she thought she wanted. 'Alice', she tells herself, 'be a man.'Barnes makes gender and desire seem slippery and joyful - and makes the fictional Lydia Steptoe seem like a writer for our time.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.
158 kr
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Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another persona woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature.Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.
389 kr
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"Lesbianism, its flories and sorows, is the subject and quest of this marvelously erverse sentimental journey by Nightwood's author... A striking lesbian mainfesto and a deft parody."Library JournalBlending fiction, myth, and revisionary parody and accompanied by the author's delightful illustrations, Ladies Almanac is also a brilliant modernist composition and arguably the most audacious lesbian text of its time. While the book pokes fun at the wealthy expatriates who were Barnes' literary contemporaries and remains controversial today, it seems to have delighted its cast of characters, which was also the first audience. Barney herself subsidized its private publication in 1928. Fifty of the 1050 copies of the first edition were hand colored by the author, who was identified only as a lady of Fashion: on the title page.
155 kr
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"Now this be a Tale of as fine a Wench as ever wet Bed . . . Thus begins this Almanack, which all Ladies should carry about with them, as the Priest his Breviary, as the Cook his Recipes, as the Doctor his Physic, as the Bride her Fears, and as the Lion his Roar!"
406 kr
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234 kr
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219 kr
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388 kr
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1 544 kr
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Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890–1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.
496 kr
Skickas inom 5-8 vardagar
Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.
194 kr
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From the author of Nightwood, Djuna Barnes has written a book that is all that she was, and must still be vulgar, beautiful, defiant, witty, poetic, and a little mad.Told as through a kaleidoscope, the chronicle of the Ryder family is a bawdy tale of eccentricity and anarchy; through sparkling detours and pastiche, cult author Djuna Barnes spins an audacious, intricate story of sexuality, power, and praxis.Ryder, like its namesake, Wendell Ryder, is many things—lyric, prose, fable, illustration; protagonist, bastard, bohemian, polygamist. Born in the 1800s to infamous nonconformist Sophia Grieve Ryder, Wendell’s search for identity takes him from Connecticut to England to multifarious digressions on morality, tradition, and gender. Censored upon its first release in 1928, Ryder’s portrayal of sexuality remains revolutionary despite the passing of time and the expurgations in the text, preserved by Barnes in protest of the war “blindly raged against the written word.” The weight of Wendell’s story endures despite this censorship, as his drive to assume the masculine roles of patriarch and protector comes at the sacrifice of the women around him.A vanguard modernist, Djuna Barnes has been called the patron literary saint of Bohemia, and her second novel, Ryder, evinces her cutting wit and originality. The nonlinear structure and polyphonic narration pull the reader into Barnes’ harlequin world like a riptide, echoing the melodic cascade of James Joyce’s Ulysses and the avant-garde feminism of Dorothy Richardson. The novel is a rhapsodic saga that could have come only from Barnes’ pen—and politics—as impactful today upon at its first pressing, a document of sexual revolution and censorship.
- Nyhet
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A "striking lesbian manifesto and a deft parody" by the acclaimed author of Nightwood. (—Library Journal)Nearly 100 years after its original 1928 publication sent shockwaves through the literary scene, Ladies Almanack reigns as a brilliant modernist composition and one of the most audacious lesbian texts of the 20th century. At once a scathing social satire and a love letter to the wealthy expatriates of Paris high society, the book delights in its cast of characters, who are clear analogues to Barnes’ lesbian literary contemporaries—and the book’s first readers.Arranged by month and written in a pastiche of Restoration literature, Ladies Almanack records the life and lovers of Dame Evangeline Musset, a pseudonymous stand-in for Natalie Clifford Barney. Accompanied for the first time by Barnes’ original Elizabethan-style woodcut illustrations, this new edition also features a sharp, impassioned introduction by Sarah Schulman reflecting on the ways in which lesbian lives have changed—and haven’t—since the 1920s. After decades out of print, Dalkey Archive is proud to revive the Ladies Almanack for contemporary readers: a classic that delivers all the salacious drama of The L Word with the literary wit and wordplay of Shakespeare.
109 kr
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123 kr
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Djuna Barnes (1892-1982) once described herself as the most famous unknown writer, and although her novel, Nightwood is celebrated, her poetry has been a well-kept secret until now. This selection, the only one currently available, contains work written between 1914 and the 1970s. Many of the poems in The Book of Repulsive Women first appeared in pamphlets and literary journals in New York and Paris. Published together for the first time, they throw new light on Barnes' development as a writer. The book reveals her as a poet of unique power, at once compelling and disorientating. Marianne Moore observed, "reading Djuna Barnes is like reading a foreign language, which you understand".The Book of Repulsive Women includes previously unpublished poems, and five illustrations by Barnes herself. Rebecca Loncraine provides an essential introduction to Barnes' poetry.
176 kr
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Djuna Barnes is rightly remembered for Nightwood, her breakthrough and final novel: a hallmark of modernist literature, championed by T. S. Eliot, and one of the first, strangest, and most brilliant novels of love between women to be published in the twentieth century. Barnes’s career began long before Nightwood, however, with journalism, essays, drama, and satire of extraordinary wit and courage. Long into her later life, after World War II, when she published nothing more, it was her short fiction above all that she prized and would continue to revise.Here are all the stories Barnes sought to preserve, in the versions she preferred, as well as a smattering of rarities as selected by critic and New Yorker contributor Merve Emre. These are tales of women “‘tragique’ and ‘triste’ and ‘tremendous’ all at once,” of sons and daughters being initiated into the ugly comedy of life, monuments all to a worldview singular and scathing. As Emre writes in her foreword, “[Barnes’s] themes are love and death, especially in Paris and New York; the corruption of nature by culture; the tainted innocence of children; and the mute misery of beasts . . . her characters may be alien to life, but they are alive - spectacularly, grotesquely alive.”
156 kr
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135 kr
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224 kr
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Del 291 - Salto
Solange es Frauen gibt, wie sollte da etwas vor die Hunde gehen ?
Inbunden, Tyska, 2026
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