Domnica Radulescu – författare

The eleven essays making up this book unite scholars from various disciplines to explore how feminists live, survive, and thrive in academia. The pieces investigate innovative ways that women academics occupy the space of the Academy as real living bodies while resisting being judged, devalued, or valued on the basis of their biological bodies. Specific themes include abortion rights activism, authority in the classroom, feminist mentoring, the role of women's studies programs, division of labor, and the role of theater and performance in enacting lasting change.

Though comic women have existed since the days of Baubo, the mythic figure of sexual humor, they have been neglected by scholars and critics. This pioneering volume tells the stories of five women who have created revolutionary forms of comic performance and discourse that defy prejudice. The artists include 16th-century performer Isabella Andreini, 17th-century improviser Caterina Biancolelli, 20th-century Italian playwright Franca Rame, and contemporary performance artists Deb Margolin and Kimberly Dark. All create humor that subverts patriarchal attitudes, conventional gender roles, and stereotypical images. The book ends with a practical guide for performers and teachers of theater.

It is 1977 and seventeen-year-old Mona Manoliu has fallen in love with Mihai, a mysterious boy who lives in the romantic mountain city where she spends her summers. She can think of nothing and no one else. But life under Ceausescu's Romania is difficult. Hunger, paranoia and fear infect everyone. One day Mona sees Mihai wearing the black leather jacket favoured by the secret police. Is it possible he is one of them? As food shortages worsen and more of her loved ones disappear, Mona comes to understand that she must leave Romania. She escapes in secret - narrowly avoiding the police - through Yugoslavia to Italy, and finally to Chicago. But she leaves without saying a final goodbye to Mihai. And though she struggles to bury her longing for the past, many years later she finds herself compelled to return, determined to learn the truth.

1980s Romania: As the sun sets on the magical shore of the Black Sea and casts its last rays across the water, all Nora Teodoru can think about is pursuing her dream of becoming an accomplished artist - and of her love for Gigi, her childhood boyfriend from the Turkish part of town.But storm clouds are gathering as life under Dictator Nicolae Ceausescu becomes increasingly unbearable. His secret police are circling, never far from the young couple's doors. Nora and Gigi make plans to escape to Turkey. But nothing can prepare them for the events that follow...

This multi-genre anthology is a collection of diverse artistic works ranging from poetry to creative fiction and non-fiction, from drama to photography. The collection is inspired by the multilayered experience of displacement, with a focus on the migration of what Edward Said calls “large aggregates of humanity” of the last several decades. Most of the contributors to the collection are themselves immigrants or refugees, or have worked with displaced peoples, such as migrants unfairly kept in detention centers or struggling to resettle in their host countries. This offers an added level of authenticity and truthfulness to their work. The multifaceted artistic exploration of the trauma of migration unfolds with a sense of urgency that engages and awakens readers to the harsh realities faced by millions as they escape war, famine, and gang violence only to encounter new and unexpected difficulties in the countries where they have asked for refuge.This book could not be more relevant and necessary today, having arisen as a direct and impassioned response to the present realities of the migration of peoples, in the belief that artistic expression in all its forms has the power to transform, heal, raise consciousness, and incite to real action in the world.

"Immigrant Voices in the Pandemic" is a powerful collection of stories that showcase how the COVID-19 period has influenced the way we create art. This anthology is a testimony to how art can deliver our common humanity, especially in times of crisis, smuggling stories of immigration, exile, and loneliness into the pandemic frame.This second iteration of the anthology "Voices on the Move' is a varied tapestry that weaves in stories of grief and loss on one hand and recovery and hope on the other. The literature and art included here allow their creators and readers to inhabit a "flow state," enabling them to experience various levels of ecstasy rather than worry and pain.The authors gathered in this anthology are diverse, with some established in their respective fields, while others are just beginning their artistic journey. All of their voices come together to compose a choir whose song is audible beyond the pandemic. They are refugees, immigrants, and displaced people, and the entire book has emerged from directly lived experiences and personal stories.As an authentically feminist work, this collection also opens doors towards social change and equality. The pieces gathered here, whether in poetry, prose, drama, or visual arts, innovate at the aesthetic level, creating new languages and often breaking with traditional forms in all the genres."Immigrant Voices in the Pandemic" offers a unique perspective on how the COVID-19 crisis has impacted the artistic expression of refugees, immigrants, and migrants. It is a must-read for those seeking to understand the impact of this moment in our common history on the artistic community and on humanity as a whole.

In what ways does political trauma influence the art arising from it? Is there an aesthetic of war and exile in theatrical works that emerge from such experiences? Are there cultural markers defining such works from areas like Eastern Europe and Israel? This book considers these questions in an examination of plays, performances and theater artists that speak from a place of political violence and displacement.The author's critical inquiry covers a variety of theatrical experimentations, including Brechtian distancing, black humor, pastiche, surreal and hyper-real imagery, reversed chronologies and disrupted narratives. Drawing on postmodern theories and performance studies as well as interviews and personal statements from the artists discussed, this study explores the transformative power of the theater arts and their function as catalysts for social change, healing and remembrance.

This collection traces some of the major patterns of representation of East European women in Western art and culture, drawing careful connections between these philosophical, artistic, and cultural constructions and actual historical, sociopolitical realities. The articles analyze a wide array of forms of representation-narrative, theater, opera, journalism, film, and media-over a period of two centuries, in order to demonstrate that certain stereotypical and simplistic views of East European women have long been perpetuated in the Western world. Furthermore, these essays assert that the treatment of women in a given society is directly linked to the ways in which they are seen and represented in the imagination and artistic constructions of that culture.