Don Ihde – författare

" . . . Dr. Ihde brings an enlightening and deeply humanistic perspective to major technological developments, both past and present." —Science Books & Films"Don Ihde is a pleasure to read. . . . The material is full of nice suggestions and details, empirical materials, fun variations which engage the reader in the work . . . the overall points almost sneak up on you, they are so gently and gradually offered." —John Compton"A sophisticated celebration of cultural diversity and of its enabling technologies. . . . perhaps the best single volume relating the philosophical tradition to the broad issues raised by contemporary technologies." —Choice" . . . important and challenging . . . " —Review of Metaphysics" . . . a range of rich historical, cultural, philosophical, and psychological insights, woven together in an intriguing and clear exposition . . . The book is really a pleasure to read, for its style, immense learning and sanity." —Teaching PhilosophyThe role of tools and instruments in our relation to the earth and the ways in which technologies are culturally embedded provide the foci of this thought-provoking book.

"Ihde is perhaps uniquely situated to provide authoritative accounts of such diverse philosophical traditions as those involved in current explorations of the technology of scientific instruments. . . . Ihde's book breaks new ground and . . . makes an important debate accessible." —Robert AckermannInstrumental Realism has three principal aims: to advocate a "praxis-perception" approach to the philosophy of science; to explore ways in which such an approach offers a mutually illuminating overlap with a philosophy of technology; and to examine comparatively and critically the work of some who advocate an "instrumental realist" approach to the philosophy of science.

". . . an original, quirky, and illuminating collection of material concerning the relatively new and exciting field of technoscience studies. . . . [T]he editors' choice of multiple approaches to the work of four major figures is wholly suited to clarifying their unorthodox and consequently somewhat elusive philosophical positions." —Robert ScharffAlthough often absent from the considerations of philosophers, sociologists, and anthropologists, the material dimension plays an important and even essential role in the practices of the sciences. Chasing Technoscience: Matrix for Materiality begins to redress this absence by bringing together four prominent figures who make technoscience, or science embodied in its technologies, a central theme of their work. Through lively personal interviews and substantive essays, the ideas of Andrew Pickering, Don Ihde, Donna Haraway, and Bruno Latour are brought to bear on the question of materiality in technoscience. The work of these theorists is then compared and critiqued in essays by colleagues. Chasing Technoscience is a ground-breaking, state-of-the-art look at current developments in technoscience.

Material Hermeneutics explores the ways in which new imaging technologies and scientific instruments have changed our notions about ancient history. From the first lunar calendar to the black hole image, and from an ancient mummy in the Italian Alps to the irrigated valleys of Mesopotamia, this book demonstrates how revolutions in science have taught us far more than we imagined. Written by a leading philosopher of technology and utilizing an interdisciplinary approach, this book has implications for many fields, including philosophy, history, science, and technology. It will appeal to scholars and students of the humanities, as well as anthropologists and archaeologists.

Material Hermeneutics explores the ways in which new imaging technologies and scientific instruments have changed our notions about ancient history. From the first lunar calendar to the black hole image, and from an ancient mummy in the Italian Alps to the irrigated valleys of Mesopotamia, this book demonstrates how revolutions in science have taught us far more than we imagined. Written by a leading philosopher of technology and utilizing an interdisciplinary approach, this book has implications for many fields, including philosophy, history, science, and technology. It will appeal to scholars and students of the humanities, as well as anthropologists and archaeologists.

New and expanded edition of the now classic study in the phenomenology of sound.Listening and Voice is an updated and expanded edition of Don Ihde's groundbreaking 1976 classic in the study of sound. Ranging from the experience of sound through language, music, religion, and silence, clear examples and illustrations take the reader into the important and often overlooked role of the auditory in human life. Ihde's newly added preface, introduction, and chapters extend these sound studies to the technologies of sound, including musical instrumentation, hearing aids, and the new group of scientific technologies which make infra- and ultra-sound available to human experience.

This is an investigation of the relationships between global culture and technology. The range of subjects to which Don Idhe applies his skill as a phenomenologist is unified by what he describes as ""a concern which arises with respect to one of the now major trends of Euro-American philosophy - its textism"". Idhe displays a vast knowledge of subject areas as varied as the history of mapping and navigation, NASA statistical information, technology transfer data, and contemporary trends in the philosophy of science, enabling hm to make insightful and innovative connections between topics.

Hermeneutics as a type of interpretation theory has traditionally been thought to apply primarily to texts, linguistic phenomena and processes of reading. Don Ihde's ""Expanding Hermeneutics"" examines the history and contemporary development of interpretation theory, with a special emphasis on how science in practice involves and implicates interpretive processes. He argues that the sciences have developed a sophisticated visual hermeneutics that produces evidence by means of imaging, visual displays and visualizations which rely particularly upon the holistic abilities of perception - primarily visual perception.

This collection brings together twenty-two essays by Paul Ricoeur under the topics of structuralism, psychoanalysis, hermeneutics, and religion. In dramatic conciseness, the essays illuminate the work of one of the leading philosophers of the day. Those interested in Ricoeur's development of the philosophy of language will find rich and suggestive reading. But the diversity of essays also speaks beyond the confines of philosophy to linguists, theologians, psychologists, and psychoanalysts.

An original exploration of the ways cyberspace affects human experience.New technologies suggest new ideas about embodiment: our "reach" extends to global sites through the Internet; we enter cyberspace through the engines of virtual reality. In this book, a leading philosopher of technology explores the meaning of bodies in technology-how the sense of our bodies and of our orientation in the world is affected by the various information technologies.Bodies in Technology begins with an analysis of embodiment in cyberspace, then moves on to consider ways in which social theorists have interpreted or overlooked these conditions. An astute and sensible judge of these theories, Don Ihde is a uniquely provocative and helpful guide through contemporary thinking about technology and embodiment, drawing on sources and examples as various as video games, popular films, the workings of e-mail, and virtual reality techniques.Charting the historical, philosophical, and practical territory between virtual reality and real life, this work is an important contribution to the national conversation on the impact technology-and information technology in particular-has on our lives in a wired, global age.

Heidegger is the only thinker of his generation whose philosophy of technology is still widely read today. In it, he made three basic claims. First, he asserted that the essence of technology is not technological--that technology is not a neutral instrumentality. Second, he claimed that there is a qualitative difference between modern and traditional technologies. Third and most interestingly, he claimed that technology is a metaphysical perspective, a paradigmatic view of the whole of nature. Although Martin Heidegger remains recognized as a founder of the philosophy of technology, in the last sixty years a whole new world of technologies has appeared—bio-, nano-, info-, and imaging. With technology, time moves fast. Does philosophical time move, too? How adequate is Heidegger's thinking now for understanding today's technological advances?After an extensive Introduction that places Heidegger within the thinking about technology typical of his time, the author, a prominent philosopher of technology, reexamines Heidegger's positions from multiple perspectives—historical, pragmatic, anti-Romantic and postphenomenological. His critiques invert Heidegger's essentialism and phenomenologically analyze Heidegger's favored and disfavored technologies. In conclusion, he undertakes a concrete analysis of the technologies Heidegger used to produce his writing and discovers heretofore undiscussed and ironic results. Overall, the book not only serves as an excellent introduction Heidegger's philosophy of technology and a corrective in outlining its limitations, it indicates a postphenomenological counter-strategy for technological analysis, one that would look at the production of technology in practice, based on observing its forms of embodied activity.

Heidegger is the only thinker of his generation whose philosophy of technology is still widely read today. In it, he made three basic claims. First, he asserted that the essence of technology is not technological--that technology is not a neutral instrumentality. Second, he claimed that there is a qualitative difference between modern and traditional technologies. Third and most interestingly, he claimed that technology is a metaphysical perspective, a paradigmatic view of the whole of nature. Although Martin Heidegger remains recognized as a founder of the philosophy of technology, in the last sixty years a whole new world of technologies has appeared—bio-, nano-, info-, and imaging. With technology, time moves fast. Does philosophical time move, too? How adequate is Heidegger's thinking now for understanding today's technological advances?After an extensive Introduction that places Heidegger within the thinking about technology typical of his time, the author, a prominent philosopher of technology, reexamines Heidegger's positions from multiple perspectives—historical, pragmatic, anti-Romantic and postphenomenological. His critiques invert Heidegger's essentialism and phenomenologically analyze Heidegger's favored and disfavored technologies. In conclusion, he undertakes a concrete analysis of the technologies Heidegger used to produce his writing and discovers heretofore undiscussed and ironic results. Overall, the book not only serves as an excellent introduction Heidegger's philosophy of technology and a corrective in outlining its limitations, it indicates a postphenomenological counter-strategy for technological analysis, one that would look at the production of technology in practice, based on observing its forms of embodied activity.

Husserl's Missing Technologies looks at the early-twentieth-century "classical" phenomenology of Edmund Husserl, both in the light of the philosophy of science of his time, and retrospectively at his philosophy from a contemporary "postphenomenology." Of central interest are his infrequent comments upon technologies and especially scientific instruments such as the telescope and microscope. Together with his analysis of Husserl, Don Ihde ventures through the recent history of technologies of science, reading and writing, and science praxis, calling for modifications to phenomenology by converging it with pragmatism. This fruitful hybridization emphasizes human–technology interrelationships, the role of embodiment and bodily skills, and the inherent multistability of technologies. In a radical argument, Ihde contends that philosophies, in the same way that various technologies contain an ever-shortening obsolescence, ought to have contingent use-lives.

Husserl's Missing Technologies looks at the early-twentieth-century "classical" phenomenology of Edmund Husserl, both in the light of the philosophy of science of his time, and retrospectively at his philosophy from a contemporary "postphenomenology." Of central interest are his infrequent comments upon technologies and especially scientific instruments such as the telescope and microscope. Together with his analysis of Husserl, Don Ihde ventures through the recent history of technologies of science, reading and writing, and science praxis, calling for modifications to phenomenology by converging it with pragmatism. This fruitful hybridization emphasizes human–technology interrelationships, the role of embodiment and bodily skills, and the inherent multistability of technologies. In a radical argument, Ihde contends that philosophies, in the same way that various technologies contain an ever-shortening obsolescence, ought to have contingent use-lives.

Paul Ricoeur (1913-) is Professor Emeritus of Philosophy at the University of Chicago and Dean of the Faculty of Letters and Human Sciences at the University of Paris X, Nanterre. One of the foremost contemporary French philosophers, his work is influenced by Husserl, Marcel and Jaspers and is particularly concerned with symbolism, the creation of meaning and the interpretation of texts.The Conflict of Interpretations ranges across an astonishing diversity of fields: structuralism, linguistics, psychoanalysis, religion and faith. The essays it comprises are bound together by Ricoeur's customary concern for interpretation and language and all bear the stamp of the systematic and critical thinking which has become his hallmark in contemporary philosophy. Edited by Don Ihde

With Existential Technics, Don Ihde advances his reflections on the role technology plays in human life. Heretofore primarily the province of Continental thinkers, philosophy of technology is a growing preoccupation of North American philosophers. This collection of essays is a philosophical reflection on and critique of human experience from a clearly American perspective guided by phenomenological analysis.This book is divided into three parts. The first, technics, deals with human interaction with technology and its existential effects. The remaining sections on perception and interpretation examine the imaginative use of phenomenology in the visual and auditory realms of art, music, and intercultural perceptions, and are followed by discussions of contemporary hermeneutics and deconstruction theory, particularly in the thought of Heidegger and Derrida.

Phenomenology in America has developed in unique directions with respect to descriptive analysis and in relation to interdisciplinary fields. Descriptions examines current trends in phenomenology. It begins by reflecting on phenomenological description itself, then takes phenomenology into such areas as time, science and the arts, the social, and into the universities.Ranging from the development of theory by such well-known philosophers as Maurice Natanson and Robert Sokolowski, this collection addresses the topics of pregnant subjectivity, nostalgia, the ethical function of architecture, computer science, and academic freedom.

Expanded new edition of the landmark book demonstrating the practice of phenomenology through visual illusions and ambiguous drawingsSince the initial publication of Experimental Phenomenology in 1977, Don Ihde's groundbreaking career has developed from his contributions to the philosophy of technology and technoscience to his own postphenomenology. This new and expanded edition of Experimental Phenomenology resituates the text in the succeeding currents of Ihde's work with a new preface and two new sections, one devoted to pragmatism and phenomenology and the other to technologies and material culture. Now, in the case of tools, instruments, and media, Ihde's active and experimental style of phenomenology is taken into cyberspace, science and media technologies, computer games, display screens, and more.

Expanded new edition of the landmark book demonstrating the practice of phenomenology through visual illusions and ambiguous drawingsSince the initial publication of Experimental Phenomenology in 1977, Don Ihde's groundbreaking career has developed from his contributions to the philosophy of technology and technoscience to his own postphenomenology. This new and expanded edition of Experimental Phenomenology resituates the text in the succeeding currents of Ihde's work with a new preface and two new sections, one devoted to pragmatism and phenomenology and the other to technologies and material culture. Now, in the case of tools, instruments, and media, Ihde's active and experimental style of phenomenology is taken into cyberspace, science and media technologies, computer games, display screens, and more.

This critical reader brings together both essential as well as under-recognized writings from the work of Don Ihde, one of the most important contemporary thinkers on technology and human experience.Don Ihde is one of the world's foremost thinkers on the place of technologies in our lives. Over the course of a long career, he has built a unique and useful perspective by expanding on phenomenological and American pragmatist philosophy and has developed wide-ranging insights and conceptual tools for describing the details of our experience across the various areas of human activity, including scientific practice, anthropological history, computer interface, design, art history, and the technologies of everyday life. The Critical Ihde brings together many of Ihde's most influential writings, as well as a number of under-recognized gems. Across these works are examples of his influential contributions to the phenomenology of human auditory and visual experience, his foundational work on the phenomenology of technology, and his thoughts on the technologies of scientific practice, including laboratory and medical imaging. Further, these chapters reveal the development of "postphenomenology," Ihde's original philosophical perspective, one that continues to flourish today across the work of a growing interdisciplinary and international collective of scholars.

This critical reader brings together both essential as well as under-recognized writings from the work of Don Ihde, one of the most important contemporary thinkers on technology and human experience.Don Ihde is one of the world's foremost thinkers on the place of technologies in our lives. Over the course of a long career, he has built a unique and useful perspective by expanding on phenomenological and American pragmatist philosophy and has developed wide-ranging insights and conceptual tools for describing the details of our experience across the various areas of human activity, including scientific practice, anthropological history, computer interface, design, art history, and the technologies of everyday life. The Critical Ihde brings together many of Ihde's most influential writings, as well as a number of under-recognized gems. Across these works are examples of his influential contributions to the phenomenology of human auditory and visual experience, his foundational work on the phenomenology of technology, and his thoughts on the technologies of scientific practice, including laboratory and medical imaging. Further, these chapters reveal the development of "postphenomenology," Ihde's original philosophical perspective, one that continues to flourish today across the work of a growing interdisciplinary and international collective of scholars.

Acoustic Technics opens with the 19th century discovery of radiation which exceeds our human bodily perceptual experience, light beyond light, sound beyond sound and on into what today we call the electromagnetic spectrum. Claiming a second scientific revolution through imaging technologies and drawing from both instrumental sensory mediation and animal studies, Acoustic Technics follows listening in its new forms into music, echo-location, infra and ultra-sounds, medical diagnosis, surveillance, and subsurface and interplanetary domains. Synthesized sounds, sonification, in both esoteric and popular technologies such as earbuds, cellphones, television are analyzed from a postphenomenological perspective.

A personal account of the aging body and advanced technologies by a preeminent philosopher of technologyMedical Technics is a rigorous examination of how medical progress has modified our worlds and contributed to a virtual revolution in longevity. Don Ihde offers a unique autobiographical tour of medical events experienced in a decade, beginning in his 70s. Ihde offers experiential and postphenomenological analyses of technologies such as sonography and microsurgery, and ultimately asks what it means to increasingly become a cyborg. Forerunners: Ideas FirstShort books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

Med denna bok vill Don Ihde introducera det fenomenologiska tänkandet inte genom att tala om fenomenologin utan genom att från början betona utövandet, det faktiska praktiserandet av fenomenologisk analys. Fenomenologin fungerar först och främst som en undersökande vetenskap, där experimentet är en viktig beståndsdel. Det är denna dimension som Experimentell fenomenologi inriktar sig på. Don Ihde är professor i filosofi vid State University of New York, Binghamton.

New and expanded edition of the now classic study in the phenomenology of sound.Listening and Voice is an updated and expanded edition of Don Ihde's groundbreaking 1976 classic in the study of sound. Ranging from the experience of sound through language, music, religion, and silence, clear examples and illustrations take the reader into the important and often overlooked role of the auditory in human life. Ihde's newly added preface, introduction, and chapters extend these sound studies to the technologies of sound, including musical instrumentation, hearing aids, and the new group of scientific technologies which make infra- and ultra-sound available to human experience.