Dorothy Figueira – författare

Through a unique combination of theoretical scope and material, and historical, breadth The Hermeneutics of Suspicion poses an original investigation into our understanding of alterity in Indian literature and history, and significantly contributes to an emerging discourse on East-West literary relations. Hans Georg Gadamer’s notion of hermeneutical consciousness seeks to open up a cultural context through which to engage the other. It stands in opposition to the hermeneutics of suspicion advocated by recent popular theories, such as colonial discourse analysis, multiculturalism, postcolonial theory, the critique of globalism, etc. In his late work, Paul Ricoeur charts a middle path between the hermeneutics of suspicion and a hermeneutical consciousness that addresses the ontological and ethical categories of otherness. His approach reflects concerns voiced elsewhere, particularly in the historiography of Michel de Certeau and the ethics of Emmanuel Levinas. This volume follows the path proposed by Ricoeur and, alongside Certeau and Levinas, provides an examination of varying representations of the Indian Other in classical Greek and Sanskrit sources, the writings of Church Fathers, apocryphal literature, the Romance tradition, Portuguese and Italian travel narratives and Jesuit mission letters. In the various texts examined, the problems of translation are highlighted together with the sense that understanding can be found somewhere between the different approaches of hermeneutical consciousness and critical consciousness. This book not only looks at the European reception of the Indian other, but also looks at the ancient Indian view of its others and the cross-pollination of Indian concepts of otherness with the West.

Through a unique combination of theoretical scope and material, and historical, breadth The Hermeneutics of Suspicion poses an original investigation into our understanding of alterity in Indian literature and history, and significantly contributes to an emerging discourse on East-West literary relations. Hans Georg Gadamer’s notion of hermeneutical consciousness seeks to open up a cultural context through which to engage the other. It stands in opposition to the hermeneutics of suspicion advocated by recent popular theories, such as colonial discourse analysis, multiculturalism, postcolonial theory, the critique of globalism, etc. In his late work, Paul Ricoeur charts a middle path between the hermeneutics of suspicion and a hermeneutical consciousness that addresses the ontological and ethical categories of otherness. His approach reflects concerns voiced elsewhere, particularly in the historiography of Michel de Certeau and the ethics of Emmanuel Levinas. This volume follows the path proposed by Ricoeur and, alongside Certeau and Levinas, provides an examination of varying representations of the Indian Other in classical Greek and Sanskrit sources, the writings of Church Fathers, apocryphal literature, the Romance tradition, Portuguese and Italian travel narratives and Jesuit mission letters. In the various texts examined, the problems of translation are highlighted together with the sense that understanding can be found somewhere between the different approaches of hermeneutical consciousness and critical consciousness. This book not only looks at the European reception of the Indian other, but also looks at the ancient Indian view of its others and the cross-pollination of Indian concepts of otherness with the West.

Through a unique combination of theoretical scope and material, and historical, breadth The Hermeneutics of Suspicion poses an original investigation into our understanding of alterity in Indian literature and history, and significantly contributes to an emerging discourse on East-West literary relations. Hans Georg Gadamer''s notion of hermeneutical consciousness seeks to open up a cultural context through which to engage the other. It stands in opposition to the hermeneutics of suspicion advocated by recent popular theories, such as colonial discourse analysis, multiculturalism, postcolonial theory, the critique of globalism, etc. In his late work, Paul Ricoeur charts a middle path between the hermeneutics of suspicion and a hermeneutical consciousness that addresses the ontological and ethical categories of otherness. His approach reflects concerns voiced elsewhere, particularly in the historiography of Michel de Certeau and the ethics of Emmanuel Levinas. This volume follows the path proposed by Ricoeur and, alongside Certeau and Levinas, provides an examination of varying representations of the Indian Other in classical Greek and Sanskrit sources, the writings of Church Fathers, apocryphal literature, the Romance tradition, Portuguese and Italian travel narratives and Jesuit mission letters. In the various texts examined, the problems of translation are highlighted together with the sense that understanding can be found somewhere between the different approaches of hermeneutical consciousness and critical consciousness. This book not only looks at the European reception of the Indian other, but also looks at the ancient Indian view of its others and the cross-pollination of Indian concepts of otherness with the West.

Through a unique combination of theoretical scope and material, and historical, breadth The Hermeneutics of Suspicion poses an original investigation into our understanding of alterity in Indian literature and history, and significantly contributes to an emerging discourse on East-West literary relations. Hans Georg Gadamer''s notion of hermeneutical consciousness seeks to open up a cultural context through which to engage the other. It stands in opposition to the hermeneutics of suspicion advocated by recent popular theories, such as colonial discourse analysis, multiculturalism, postcolonial theory, the critique of globalism, etc. In his late work, Paul Ricoeur charts a middle path between the hermeneutics of suspicion and a hermeneutical consciousness that addresses the ontological and ethical categories of otherness. His approach reflects concerns voiced elsewhere, particularly in the historiography of Michel de Certeau and the ethics of Emmanuel Levinas. This volume follows the path proposed by Ricoeur and, alongside Certeau and Levinas, provides an examination of varying representations of the Indian Other in classical Greek and Sanskrit sources, the writings of Church Fathers, apocryphal literature, the Romance tradition, Portuguese and Italian travel narratives and Jesuit mission letters. In the various texts examined, the problems of translation are highlighted together with the sense that understanding can be found somewhere between the different approaches of hermeneutical consciousness and critical consciousness. This book not only looks at the European reception of the Indian other, but also looks at the ancient Indian view of its others and the cross-pollination of Indian concepts of otherness with the West.

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity’s ‘faults.’ From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity’s complicated relationship to the past.

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity's 'faults.' From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity's complicated relationship to the past.

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity's 'faults.' From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity's complicated relationship to the past.

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity’s ‘faults.’ From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity’s complicated relationship to the past.

This volume is meant to be a retrospective look at the field of Comparative Literature as it has developed in the past two decades, as well as a reflection on its future direction if it is to remain relevant (and innovative) as a field of study. From its inception in the second half of the twentieth century, Comparative Literature in the US has been conceived as a cross-disciplinary, cross-national, and crosscultural enterprise that brings together theoretical developments in the Humanities and Social Sciences to reflect on the most important intellectual and cultural trends from a comparative perspective through the lens of literary studies. Most of the founders of Comparative Literature were distinguished European scholars who sought a safe haven from the ravages of World War II and its aftermath and who, understandably focused on the Western literary, intellectual and cultural tradition, which at the time was in danger of being annihilated by the onslaught of Fascism and Communism. With the advent of the age of globalization the field of Comparative Literature has become increasingly diverse and must, therefore, be reoriented and recognized accordingly.

This collection of essays explores some of the avenues along which the field of comparative drama studies could be reconfigured at the dawn of the twenty-first century. It offers a comparative analysis of theatre across national and linguistic boundaries while simultaneously acknowledging newer trends in ethnic studies. Indeed, the contributors to this critical anthology productively combine traditional comparative literature methodologies with performance approaches and postcolonial perspectives. In this way, they shed new light on the intertextual, multi-ethnic, and cross-cultural dialogues linking theatrical traditions from Europe, North America, Asia, Africa, and the Pacific region. This book’s broad scope bears testimony to the fact that transnational studies can fruitfully illuminate the multiple dramatic voices of our increasingly globalized age.