Dorothy Parker - Böcker

Dorothy Parker, more than any of her contemporaries, captured the spirit of the Jazz Age in her poetry and prose, and The Collected Dorothy Parker includes an introduction by Brendan Gill in Penguin Modern Classics.Dorothy Parker was the most talked-about woman of her day, notorious as the hard-drinking bad girl with a talent for stinging repartee and endlessly quotable one-liners. The decadent 1920s and 1930s in New York were a time of great experiment and daring for women. For the rich, life seemed a continual party, but the excesses took their emotional toll. In the bitingly witty poems and stories collected here, along with her articles and reviews, she brilliantly captures the spirit of the decadent Jazz Age in New York, exposing both the dazzle and the darkness. But beneath the sharp perceptions and acidic humour, much of her work poignantly expresses the deep vulnerability of a troubled, self-destructive woman who, in the words of philosopher Irwin Edman, was 'a Sappho who could combine a heartbreak with a wisecrack'.Dorothy Parker (1893-1967) was born in West End, New Jersey, and grew up in New York. In 1916 she sold some of her poetry to the editor of Vogue, and was subsequently given an editorial position on the magazine. She then became drama critic of Vanity Fair and the central figure of the celebrated Algonquin Round Table, whose members included George S. Kaufman and Harpo Marx. Her collections of poems included Enough Rope (1926) and Not So Deep as a Well (1936), and her collections of stories included Here Lies (1939); in addition, she collaborated on and wrote screenplays including the Oscar-winning A Star is Born (1937), and Alfred Hitchcock's Saboteur (1942).If you enjoyed The Collected Dorothy Parker, you might like Truman Capote's The Complete Stories, also available in Penguin Modern Classics.'She managed to express her real feelings in stanzas which snap and glitter like a Chanel handbag'Peter Ackroyd, The Times

Offers a drama about women living on their own in a New York residence hotel; with husbands dead and children, if any, too busy for aging parents, the ladies are empty-nesters struggling with lives that have lost their centers. This book features a meditation on the limitations of a woman's life.

Best remembered as a member of the Algonquin Round Table, the fabled Jazz Age literay coterie, Dorothy Parker built a reputations as one of the era's most beloved poets. Parker's satirical wit and sharp-edged humour earned her a reputation as the wittiest woman in America. This Penguin Classics edition of her poetry - the companion to Parker's Complete Stories and introduced by her noted biographer, Marion Meade - is the only complete collection available, showcasing the dry quips and piercingly introspective verse of a writer whose legend continues to fascinate.

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.Dorothy Parker was the most talked-about woman of the decadent 1920s, notorious as a hard-drinking bad girl with a talent for endlessly quotable one-liners. In the stories collected here, she brilliantly captures the spirit of the decadent Jazz Age in New York, exposing both the dazzle and the darkness. This selection includes among others 'The Standard of Living', 'Mr Durant' and her masterpiece, 'Big Blonde'.'She has fascinated generations with her wit, flair and talent' The New York Review of Books

90 Classic titles celebrating 90 years of Penguin BooksWhat can you say, when a man asks you to dance with him? I most certainly will not dance with you. I’ll see you in hell first. Why, thank you, I’d like to awfully, but I’m having labor pains.Acerbic, pithy and vibrant, Dorothy Parker’s writings capture the dizzying decadence of Jazz Age New York. Parker, however, refuses to be swept along: she gleefully deconstructs its hypocrisy, prejudice and taboos with style and precision.

Fall head over heels with this collection of unconventionaland heartfelt romances that will leave you longing for more. From icons offeminist literature to forgotten Chinese modernists, these women writers chartevolutions of love across lifetimes, from the first flush of youth to growingold together. This new anthology gathers the talents of Margaret Atwood,Virginia Woolf, Amy Bloom, E. M. Delafield, Dorothy Parker, Elizabeth Taylor,Mary Lavin, Ling Shuhua, Jessamyn West and Carol Shields.This anthology brings together forgotten and celebratedfemale masters of the short story format. In the spirit of the Women Writersseries, these stories first appeared in books and periodicals published in thetwentieth century. The result is a carefully curated collection of stories thatsketch evolving understandings of love and female agency, as their heroinesnavigate romance and commitment, idealism and realism, innocence andexperience.

The best of modern American drama is represented in the seventeen essays of this collection. They explore the works of four of the most celebrated playwrights of the twentieth century: Tennessee Williams, Arthur miller, Edward Albee, and Sam Shepard.Among the rich variety of modern American playwrights these four stand above the rest. All four have created works that have received great critical acclaim and produced intense critical controversy. Very different in temperament and style, they bring strikingly different perspectives to their work; and yet all share a fascination with social and family structures, and all demonstrate extraordinary gifts with language.Each playwright is discussed in four or five essays, each essay in turn deals with one or two aspects of one play. Together these essays, originally published in the journal Modern Drama, provide a penetrating study of recent American theatre through the work of four of its very best dramatists.

When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell - does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”).Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post