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Häftad, Engelska, 2026
165 kr
Skickas inom 5-8 vardagar
'Across 21 albums, Jones smartly covers the songs and music as well as the geo-cultural milieu that nurtured and enveloped them. An excellent book' Irish Times 'Makes one crave a follow-up undertaking for 1976!' Record Collector 'Enormously entertaining . . . Never has pop history been so elegantly told' London Standard1975 was the apotheosis of music. Rich with masterpieces, it's the most important year in the narrative arc of the music of the twentieth-century: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, A Night at the Opera by Queen and the eponymous Fleetwood Mac, to name just a few.The records of 1975 were magisterial; records that couldn't be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or a record as unimpeachable and as prescient as Horses?It was a year filled with an unparalleled sense of ambition, where the album was venerated as much as the modern novel, where everyone was trying to make a masterpiece.Setting the music against the social, political and artistic context of the time, Dylan Jones brilliantly unravels the cultural fragments that made 1975 the greatest year of them all.
Häftad, Engelska, 2021
187 kr
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*Includes an exclusive new chapter*'Excellent' Guardian'Hugely enjoyable' Irish Times'Dazzling' LRB 'Fascinating' New Statesman 'An absolute must-read' GQAn NME and BBC Culture Book of the Year 2020For a while, Sweet Dreams were made of this.From the testimony of the people who lived it, comes Dylan Jones' masterful history of the Blitz kids, synth-pop and the style press, from 1975 to 1985. 'Few music scenes have received more opprobrium than the New Romantics. A bunch of fame-grabbing clothes-horses? Certainly. But also, a progressive force that opened new routes for music while embracing most genders, ethnicities and sexual preferences.' MOJO 'Compelling reading for those who lived and breathed the indulgence of the era without realising its significance or contemplating its legacy.' Simon Armitage'Dylan Jones explains how a bunch of penniless nightclub show-offs morphed into pop royalty in the 1980s . . . An excitable patchwork of interviews, punctuated with gossip and pertinent theory.' UNCUT'It's all here: the swishing, the androgynous preening, the sweetly-dreamt synth-pop splendour of early '80s Britain. Something was happening, and Mr. Jones knew what it was.' Barney Hoskyns
Häftad, Engelska, 2018
139 kr
Skickas
** Shortlisted for the NME Best Music Book Award 2018 **THE SUNDAY TIMES BESTSELLERA TIMES BOOK OF THE YEARA GUARDIAN BOOK OF THE YEARA HERALD BOOK OF THE YEARAN IRISH INDEPENDENT BOOK OF THE YEAR'The definitive book on Bowie' The Times Drawn from a series of conversations between David Bowie and Dylan Jones across three decades, together with over 180 interviews with friends, rivals, lovers, and collaborators - some of whom have never before spoken about their relationship with Bowie - this oral history is an intimate portrait of a remarkable rise to stardom and one of the most fascinating lives of our time.Profoundly shaped by his relationship with his schizophrenic half-brother Terry, Bowie was a man of intense relationships that often came to abrupt ends. He was a social creature, equally comfortable partying with John Lennon and dining with Frank Sinatra, and in Dylan Jones's telling - by turns insightful and salacious - we see as intimate a portrait as could possibly be drawn.Including illuminating, never-before-seen material from Bowie himself, drawn from a series of Jones’s interviews with him across three decades, DAVID BOWIE is an epic, unforgettable cocktail-party conversation about a man whose enigmatic shapeshifting and irrepressible creativity produced one of the most sprawling, fascinating lives of our time.***NOW REVISED AND EXPANDED***
Häftad, Engelska, 2024
165 kr
Skickas inom 5-8 vardagar
Rebellion always starts somewhere, and in the music world of the transgressive teen whether it be the 1960s of the 2020s, The Velvet Underground represent ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang, around a psychedelic rock and roll band - a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory - The Velvets were the first major American rock group with a mixed gender line-up; they never smiled in photographs, wore sunglasses indoors, and in the process invented the archetype. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. Dylan Jones' definitive oral history of The Velvet Underground draws on contributions from remaining members, contemporaneous musicians, critics, film-makers, and the generation of artists who emerged in their wake, to celebrate not only their impact but their legacy, which burns brighter than ever into the 21st century.
Häftad, Engelska, 2010
143 kr
Skickas inom 5-8 vardagar
Just who does David Cameron think he is? In an engaging series of landmark interviews that will define the would-be prime minister ahead of the next election, Dylan Jones finds out.David Cameron is asking you for the keys to Number 10 – but is he a smartly dressed smoothie with all the right lines, or a gifted politician who instinctively understands the country’s priorities? A throwback to the age when privilege brought power, or a dynamic alternative to a Labour Party that has run out of ideas?Award-winning journalist Dylan Jones set out to answer these questions in a series of wide-ranging and candid interviews that will define David Cameron ahead of the next election – and for years to come. A book about a politician for people who don’t buy books about politicians, ‘Cameron on Cameron’ will, for many, settle the question of whether David Cameron has got what it takes to lead the country.What Cameron thinks may soon become what Britain does – and Jones teases out the details of Cameron’s positions on the big issues. From the Iraq war to our friendship with America, from education to immigration, ‘Cameron on Cameron’ will make for an unprecendented view into a politician’s world and a document of practical use in our democracy. From the Conservative Party's bouts of vicious internal backstabbing to Cameron’s marriage to Samantha and their family life – ‘Cameron on Cameron’ lays bare the forces which shape the man who may succeed Gordon Brown before the decade is out.
Häftad, Engelska, 2014
135 kr
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One Day: Saturday 13 July 1985, nearly two billion people woke up with one purpose. Nearly a third of humanity knew where they were going to be that day. Watching, listening to, attending: Live Aid. One Decade: Britain in the Eighties was different. The culture was different, the politics were different, and our engagement with the world was different. And it was just one day in 1985 that showed how different it was.In One Day, One Decade Dylan Jones tells the story of the Eighties through that day at Wembley, sweeping backwards to the end of the Seventies, and forward to the start of the Nineties. It draws on his personal reminiscences and perspective of music, media, fashion, politics and all forms of pop culture to frame the decade.This is a big book but not a exhaustive and dry social history. Live Aid was the decade’s pinch point, when a nation's attitudes and expectations were somehow captured and changed forever. The author suggests that before Live Aid, Britain was one place, and after Live Aid it was another.Britain in the Eighties was a juxtaposition of militancy and profligacy, a country where industry was being broken down, societies were being demolished, and unemployment became an inevitable lifestyle choice: yet the Eighties was also the apotheosis of pop culture, a decade where entertainment, opinion and subjectivity were more important than ever before.Dylan Jones was at the heart of the 1980s editing the seminal magazines i-D and The Face. He was one of the Blitz Kids and was both a commentator and one of the style-makers of the time. This is a controversial book, a story told from the inside by one who was at the centre of events.
Inbunden, Engelska, 2026
365 kr
Kommande
The oral history of the golden age of London's most fashionable restaurants.In October 1976, the London restaurant world was turned upside down when Michael Caine, celebrated chef Richard Shepherd and Irish entrepreneur Peter Langan opened Langan's, a celebrity hangout that would revolutionise the capital's dining scene. This soon became the most celebrated restaurant in the city, and helped turn London into an internationally recognised culinary hot spot. Inheriting its status from Mr. Chow and St. Lorenzo, Langan's was soon joined by Joe Allen, Le Caprice and L'Escargot, making London the most vibrant restaurant capital of the age.London never looked back. In the five decades since, the city has become the global culinary petri dish, a multi-cultural hotbed of super chefs and gastronomic ingenuity, of monstrous egos and appalling kitchen behaviour, bad reviews and scabrous critics (AA Gill, Giles Coren and Michael Winner), dictatorial maître ds, inter-restaurant feuding (Jeremy King v Richard Caring, Jamie Oliver v Marci Pierre White, Gordon Ramsey v Gino D'Acampo, Marcus Wareing and Mario Batali), ridiculous trends (everything from nouvelle cuisine and kimchi to tasting menus and wine pairings), scandals (Gordon Ramsey, Boris Becker, Jamie Oliver), difficult customers ("What do you mean I can't have Table 3?"), financial shenanigans, global media attention and more.Written with Dylan Jones's trademark glamour and wit, Table Hopping reveals all you need to know about the fine dining world of one of the greatest cities in the world.
Häftad, Engelska, 2026
234 kr
Kommande
In October 1976, the London restaurant world was turned upside down when Michael Caine, celebrated chef Richard Shepherd and Irish entrepreneur Peter Langan opened Langan's, a celebrity hangout that would revolutionise the capital's dining scene. This soon became the most celebrated restaurant in the city, and helped turn London into an internationally recognised culinary hot spot. Inheriting its status from Mr. Chow and St. Lorenzo, Langan's was soon joined by Joe Allen, Le Caprice and L'Escargot, making London the most vibrant restaurant capital of the age.London never looked back. In the five decades since, the city has become the global culinary petri dish, a multi-cultural hotbed of super chefs and gastronomic ingenuity, of monstrous egos and appalling kitchen behaviour, bad reviews and scabrous critics (AA Gill, Giles Coren and Michael Winner), dictatorial maitre ds, inter-restaurant feuding (Jeremy King v Richard Caring, Jamie Oliver v Marci Pierre White, Gordon Ramsey v Gino D'Acampo, Marcus Wareing and Mario Batali), ridiculous trends (everything from nouvelle cuisine and kimchi to tasting menus and wine pairings), scandals (Gordon Ramsey, Boris Becker, Jamie Oliver), difficult customers ("What do you mean I can't have Table 3?"), financial shenanigans, global media attention and more.
Häftad, Engelska, 2018
257 kr
Skickas inom 3-6 vardagar
Inbunden, Engelska, 2019
223 kr
Skickas inom 3-6 vardagar
'It's just another song to me. I've written 1,000 of them and it's really just another one.' Jimmy Webb 'When I heard it I cried. It made me cry because I was homesick. It's just a masterfully written song.' Glen CampbellThe sound of 'Wichita Lineman' was the sound of ecstatic solitude, but then its hero was the quintessential loner. What a great metaphor he was: a man who needed a woman more than he actually wanted her. Written in 1968 by Jimmy Webb, 'Wichita Lineman' is the first philosophical country song: a heartbreaking torch ballad still celebrated for its mercurial songwriting genius fifty years later. It was recorded by Glen Campbell in LA with a legendary group of musicians known as 'the Wrecking Crew', and something about the song's enigmatic mood seemed to capture the tensions in America at a moment of crisis. Fusing a dribble of bass, searing strings, tremolo guitar and Campbell's plaintive vocals, Webb's paean to the American West describes a telephone lineman's longing for an absent lover, who he hears 'singing in the wire' - and like all good love songs, it's an SOS from the heart. Mixing close-listening, interviews and travelogue, Dylan Jones explores the legacy of a record that has entertained and haunted millions for over half a century. What is it about this song that continues to seduce listeners, and how did the parallel stories of Campbell and Webb - songwriters and recording artists from different ends of the spectrum - unfold in the decades following? Part biography, part work of musicological archaeology, The Wichita Lineman opens a window on to America in the late-twentieth century through the prism of a song that has been covered by myriad artists in the intervening decades.'Americana in the truest sense: evocative and real.' Bob Stanley
Häftad, Engelska, 2020
134 kr
Skickas
The sound of 'Wichita Lineman' was the sound of ecstatic solitude, but then its hero was the quintessential loner. What a great metaphor he was: a man who needed a woman more than he actually wanted her. Written in 1968 by Jimmy Webb, 'Wichita Lineman' is the first philosophical country song: a heartbreaking torch ballad still celebrated for its mercurial songwriting genius fifty years later. It was recorded by Glen Campbell in LA with a legendary group of musicians known as 'the Wrecking Crew', and something about the song's enigmatic mood seemed to capture the tensions in America at a moment of crisis. Fusing a dribble of bass, searing strings, tremolo guitar and Campbell's plaintive vocals, Webb's paean to the American West describes a telephone lineman's longing for an absent lover, who he hears 'singing in the wire' - and like all good love songs, it's an SOS from the heart. Mixing close-listening, interviews and travelogue, Dylan Jones explores the legacy of a record that has entertained and haunted millions for over half a century. What is it about this song that continues to seduce listeners, and how did the parallel stories of Campbell and Webb - songwriters and recording artists from different ends of the spectrum - unfold in the decades following? Part biography, part work of musicological archaeology, The Wichita Lineman opens a window on to America in the late-twentieth century through the prism of a song that has been covered by myriad artists in the intervening decades.'Americana in the truest sense: evocative and real.' Bob Stanley 'It's just another song to me. I've written 1,000 of them and it's really just another one.' Jimmy Webb 'When I heard it I cried. It made me cry because I was homesick. It's just a masterfully written song.' Glen Campbell 'I love the song because its as though it's been in my life forever.' Amy Raphael'It's not just the perfect pop song, it's almost perfect as an idea, existing outside of the song itself.' Stuart Maconie 'I don't really think of 'Wichita Lineman' as easy listening, I just think it's a great song.' Paul Weller
E-bok
Engelska, 2019114 kr
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'It's just another song to me. I've written 1,000 of them and it's really just another one.' Jimmy Webb 'When I heard it I cried. It made me cry because I was homesick. It's just a masterfully written song.' Glen CampbellThe sound of 'Wichita Lineman' was the sound of ecstatic solitude, but then its hero was the quintessential loner. What a great metaphor he was: a man who needed a woman more than he actually wanted her. Written in 1968 by Jimmy Webb, 'Wichita Lineman' is the first philosophical country song: a heartbreaking torch ballad still celebrated for its mercurial songwriting genius fifty years later. It was recorded by Glen Campbell in LA with a legendary group of musicians known as 'the Wrecking Crew', and something about the song's enigmatic mood seemed to capture the tensions in America at a moment of crisis. Fusing a dribble of bass, searing strings, tremolo guitar and Campbell's plaintive vocals, Webb's paean to the American West describes a telephone lineman's longing for an absent lover, who he hears 'singing in the wire' - and like all good love songs, it's an SOS from the heart. Mixing close-listening, interviews and travelogue, Dylan Jones explores the legacy of a record that has entertained and haunted millions for over half a century. What is it about this song that continues to seduce listeners, and how did the parallel stories of Campbell and Webb - songwriters and recording artists from different ends of the spectrum - unfold in the decades following? Part biography, part work of musicological archaeology, The Wichita Lineman opens a window on to America in the late-twentieth century through the prism of a song that has been covered by myriad artists in the intervening decades.'Americana in the truest sense: evocative and real.' Bob Stanley
128 kr
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David Bowie. Culture Club. Wham!. Soft Cell. Duran Duran. Sade. Adam Ant. Spandau Ballet. The Eurythmics.'Excellent' Guardian 'Hugely enjoyable' Irish Times 'Dazzling' LRB 'Fascinating' New Statesman 'An absolute must-read' GQ One of the most creative entrepreneurial periods since the Sixties, the era of the New Romantics grew out of the remnants of post-punk and developed quickly alongside club culture, ska, electronica, and goth. The scene had a huge influence on the growth of print and broadcast media, and was arguably one of the most bohemian environments of the late twentieth century. Not only did it visually define the decade, it was the catalyst for the Second British Invasion, when the US charts would be colonised by British pop music - making it one of the most powerful cultural exports since the Beatles.In Sweet Dreams, Dylan Jones charts the rise of the New Romantics through testimony from the people who lived it.For a while, Sweet Dreams were made of this.
Häftad, Engelska, 2015
119 kr
Skickas inom 7-10 vardagar
The King departed this world during the month of punk Rock's apotheosis. Punk had set out to destroy Elvis, or at least everything he came to represent, but never got the chance. Elvis destroyed himself before anyone else could.Nearly forty years after his death, Rock's ultimate legend and prototype just won't go away and his influence and legacy are to be found not just in music today, but the world over. Elvis Presley has permeated the modern world in ways that are bizarre and inexplicable: a pop icon while he was alive, he has become almost a religious icon in death, a modern-day martyr crucified on the wheel of drugs, celebrity culture, junk food and sex.In Elvis Has Left the Building, Dylan Jones takes us back to those heady days around the time of his death and the rise of punk. He evokes the hysteria and devotion of The King's numerous disciples and imitators, offering a uniquely insightful commentary on Elvis's life, times and outrageous demise. This is a fresh account, written with the authors customary panache, recounting how Elvis single-handedly changed the course of popular music and culture, and what his death meant and still means to us today.
Del 5 - Special Publications of the International Union of Geodesy and Geophysics
Applications of Data Assimilation and Inverse Problems in the Earth Sciences
Inbunden, Engelska, 2023
1 563 kr
Skickas inom 7-10 vardagar
Many contemporary problems within the Earth sciences are complex, and require an interdisciplinary approach. This book provides a comprehensive reference on data assimilation and inverse problems, as well as their applications across a broad range of geophysical disciplines. With contributions from world leading researchers, it covers basic knowledge about geophysical inversions and data assimilation and discusses a range of important research issues and applications in atmospheric and cryospheric sciences, hydrology, geochronology, geodesy, geodynamics, geomagnetism, gravity, near-Earth electron radiation, seismology, and volcanology. Highlighting the importance of research in data assimilation for understanding dynamical processes of the Earth and its space environment and for predictability, it summarizes relevant new advances in data assimilation and inverse problems related to different geophysical fields. Covering both theory and practical applications, it is an ideal reference for researchers and graduate students within the geosciences who are interested in inverse problems, data assimilation, predictability, and numerical methods.
Häftad, Engelska, 2012
548 kr
Skickas inom 3-6 vardagar
E-bok
Engelska, 202344 kr
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Rebellion always starts somewhere, and in the music world of the transgressive teen whether it be the 1960s of the 2020s, The Velvet Underground represent ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang, around a psychedelic rock and roll band - a stylistic idea that evolved in the rarefied environs of Andy Warhol''s Factory - The Velvets were the first major American rock group with a mixed gender line-up; they never smiled in photographs, wore sunglasses indoors, and in the process invented the archetype. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. Dylan Jones'' definitive oral history of The Velvet Underground draws on contributions from remaining members, contemporaneous musicians, critics, film-makers, and the generation of artists who emerged in their wake, to celebrate not only their impact but their legacy, which burns brighter than ever into the 21st century.
E-bok
Engelska, 202444 kr
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Few people can say they have shaped the cultural landscape of the last four decades while crossing paths with some of the most extraordinary personalities on the planet. But then, of course, Dylan Jones isn''t just anyone.These Foolish Things captivatingly charts Dylan''s life: from his peripatetic childhood and late adolescence in 1970s London - a city then alive with possibility - to his award-winning tenure at what would become one of the most dynamic magazines of its era, GQ. It details how he came to be in that hot seat: a journey through the Swinging London slipstreams of punk and new romanticism, and through i-D, The Face and Arena, which created the platform on which GQ was based, with Dylan as a common denominator.Littered with a gold-star cast of characters - including a who''s who of celebrity from David Bowie and Bryan Ferry to Alastair Campbell and Prince Charles, via Samuel L. Jackson, Piers Morgan and Rihanna - this memoir reflects on how GQ became an established style and how Dylan sought to stir up music, politics and fashion.Witty, perceptive and deliciously entertaining, but by turns bravely vulnerable, These Foolish Things is a memoir like no other: a dazzling retelling of the start of the twenty-first century from one of the world''s most fascinating media giants.
Inbunden, Engelska, 2024
286 kr
Skickas inom 5-8 vardagar
Few people can say they have shaped the cultural landscape of the last four decades while crossing paths with some of the most extraordinary personalities on the planet. But then, of course, Dylan Jones isn't just anyone.These Foolish Things captivatingly charts Dylan's life: from his peripatetic childhood and late adolescence in 1970s London - a city then alive with possibility - to his award-winning tenure at what would become one of the most dynamic magazines of its era, GQ. It details how he came to be in that hot seat: a journey through the Swinging London slipstreams of punk and new romanticism, and through i-D, The Face and Arena, which created the platform on which GQ was based, with Dylan as a common denominator.Littered with a gold-star cast of characters - including a who's who of celebrity from David Bowie and Bryan Ferry to Alastair Campbell and Prince Charles, via Samuel L. Jackson, Piers Morgan and Rihanna - this memoir reflects on how GQ became an established style and how Dylan sought to stir up music, politics and fashion.Witty, perceptive and deliciously entertaining, but by turns bravely vulnerable, These Foolish Things is a memoir like no other: a dazzling retelling of the start of the twenty-first century from one of the world's most fascinating media giants.
Häftad, Engelska, 2025
152 kr
Skickas inom 5-8 vardagar
Few people can say they have shaped the cultural landscape of the last four decades while crossing paths with some of the most extraordinary personalities on the planet. But then, of course, Dylan Jones isn't just anyone.These Foolish Things captivatingly charts Dylan's life: from his peripatetic childhood and late adolescence in 1970s London - a city then alive with possibility - to his award-winning tenure at what would become one of the most dynamic magazines of its era, GQ. It details how he came to be in that hot seat: a journey through the Swinging London slipstreams of punk and new romanticism, and through i-D, The Face and Arena, which created the platform on which GQ was based, with Dylan as a common denominator.Littered with a gold-star cast of characters - including a who's who of celebrity from David Bowie and Bryan Ferry to Alastair Campbell and Prince Charles, via Samuel L. Jackson, Piers Morgan and Rihanna - this memoir reflects on how GQ became an established style and how Dylan sought to stir up music, politics and fashion.Witty, perceptive and deliciously entertaining, but by turns bravely vulnerable, These Foolish Things is a memoir like no other: a dazzling retelling of the start of the twenty-first century from one of the world's most fascinating media giants.
Inbunden, Engelska, 2025
301 kr
Skickas inom 5-8 vardagar
There is a myth that the long, dark days before punk were full of legions of British prog rock groups; that the likes of Yes, Genesis, King Crimson, Emerson Lake & Palmer and Jethro Tull roamed the land, soiling the culture like university-educated Orcs.Wrong.The mid-seventies were dense with extraordinarily sophisticated, mature rock music made by singers, songwriters and musicians who had no problem calling themselves artists. And the records they made aspired to artistic status: everyone was trying to make their own masterpiece, and the sense of competitiveness was like something not seen since the mid-sixties. Three-minute pop singles had given way to concept albums and pop-package tours had been supplanted by rock festivals, and rock in general had a renewed sense of ambition.1975 was the apotheosis of the adult pop, the most important year in the narrative arc of post-war music, and a year that was rich with masterpieces: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, Another Green World by Brian Eno, The Hissing of Summer Lawns by Joni Mitchell and A Night at the Opera by Queen, amongst countless other legendary albums.These records were magisterial; records that couldn't be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or indeed a record as unimpeachable and as prescient as Horses?1975, as Dylan Jones expertly illustrates, was the greatest year of them all.
E-bok
Engelska, 202544 kr
Läs direkt efter köp
There is a myth that the long, dark days before punk were full of legions of British prog rock groups; that the likes of Yes, Genesis, King Crimson, Emerson Lake & Palmer and Jethro Tull roamed the land, soiling the culture like university-educated Orcs.Wrong.The mid-seventies were dense with extraordinarily sophisticated, mature rock music made by singers, songwriters and musicians who had no problem calling themselves artists. And the records they made aspired to artistic status: everyone was trying to make their own masterpiece, and the sense of competitiveness was like something not seen since the mid-sixties. Three-minute pop singles had given way to concept albums and pop-package tours had been supplanted by rock festivals, and rock in general had a renewed sense of ambition.1975 was the apotheosis of the adult pop, the most important year in the narrative arc of post-war music, and a year that was rich with masterpieces: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, Another Green World by Brian Eno, The Hissing of Summer Lawns by Joni Mitchell and A Night at the Opera by Queen, amongst countless other legendary albums.These records were magisterial; records that couldn''t be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or indeed a record as unimpeachable and as prescient as Horses?1975, as Dylan Jones expertly illustrates, was the greatest year of them all.
Häftad, Engelska, 2015
164 kr
Skickas inom 10-15 vardagar
______________‘A perceptive and thorough examination of both the man and the music’ ? NME‘A highly engaging and refreshingly irreverent portrait of the Doors' frontman’? i-D______________A revealing biography of Jim Morrison, lead singer of The Doors and a musical iconIn Paris’s Père-Lachaise cemetery, Jim Morrison’s graffiti-scrawled tombstone is a place of pilgrimage for local devotees, adolescent hedonists and wayward backpackers alike. Found dead in his bathtub aged only 27 having achieved worldwide stardom as lead singer of The Doors, Morrison was quickly immortalised amongst the rock and roll deity such as Hendrix and Joplin. In death, however, this debauched ‘rock poet’ remained more stubbornly enigmatic than ever. Who was the real Jim Morrison? Nihilist, egoist, shaman: he was a master of self-creation. A mosaic mythology of new-age hippy rhetoric, French poetry and Nietszchean symbolism obscured a man trapped by the mythology that he had so carefully constructed around himself. In this colourful and intimate biography, Dylan Jones strips bare the skin-tight leather suit of Jim Morrison’s Lizard King persona, and offers a frank and honest appraisal of a much beloved and often-romanticised counter-cultural icon. Mr Mojo is littered with little-known anecdotes from fellow stars, spurned lovers and industry moguls. It is a refreshingly honest portrait of a self-indulgent artist with a penchant for pageantry and public self-destruction.
E-bok
Engelska, 2015164 kr
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______________''A perceptive and thorough examination of both the man and the music'' ? NME''A highly engaging and refreshingly irreverent portrait of the Doors'' frontman''? i-D______________A revealing biography of Jim Morrison, lead singer of The Doors and a musical iconIn Paris''s Père-Lachaise cemetery, Jim Morrison''s graffiti-scrawled tombstone is a place of pilgrimage for local devotees, adolescent hedonists and wayward backpackers alike. Found dead in his bathtub aged only 27 having achieved worldwide stardom as lead singer of The Doors, Morrison was quickly immortalised amongst the rock and roll deity such as Hendrix and Joplin. In death, however, this debauched ''rock poet'' remained more stubbornly enigmatic than ever.Who was the real Jim Morrison? Nihilist, egoist, shaman: he was a master of self-creation. A mosaic mythology of new-age hippy rhetoric, French poetry and Nietszchean symbolism obscured a man trapped by the mythology that he had so carefully constructed around himself.In this colourful and intimate biography, Dylan Jones strips bare the skin-tight leather suit of Jim Morrison''s Lizard King persona, and offers a frank and honest appraisal of a much beloved and often-romanticised counter-cultural icon. Mr Mojo is littered with little-known anecdotes from fellow stars, spurned lovers and industry moguls. It is a refreshingly honest portrait of a self-indulgent artist with a penchant for pageantry and public self-destruction.
E-bok
Engelska, 2012165 kr
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And then there was David Bowie, the uber-freak with the mismatched pupils, the low-tech space face from the planet Sparkle. This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist. This is the performance that turned Bowie into a star, embedding his Ziggy Stardust persona into the nation's consciousness. With a tall, flame-orange cockade quiff (stolen from a Kansai Yamamoto model on the cover of Honey), lavishly applied make-up, white nail polish, and wearing a multi-coloured jump-suit that looked as though it were made from fluorescent fish skin (chosen by Ziggy co-shaper, the designer Freddie Buretti), and carrying a brand spanking new, blue acoustic guitar, a bone-thin Bowie appeared not so much as a pop singer, but rather as some sort of benevolent alien, a concept helped along by the provocative appearance of his guitarist, the chicken-headed Mick Ronson, with both of them unapologetically sporting knee-length patent leather wrestler's boots (Bowie's were red). 'Most people are scared of colour,' Bowie said later. 'Their lives are built up in shades of grey. It doesn't matter how straight the style is, make it brightly coloured material and everyone starts acting weird.' Suddenly Bowie - a man called alias - had the world at his nail-varnished fingertips, and in no time at all he would be the biggest star in the world.
E-bok
Engelska, 2013110 kr
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One Day: Saturday 13 July 1985, nearly two billion people woke up with one purpose. Nearly a third of humanity knew where they were going to be that day. Watching, listening to, attending: Live Aid. One Decade: Britain in the Eighties was different. The culture was different, the politics were different, and our engagement with the world was different. And it was just one day in 1985 that showed how different it was.In One Day, One Decade Dylan Jones tells the story of the Eighties through that day at Wembley, sweeping backwards to the end of the Seventies, and forward to the start of the Nineties. It draws on his personal reminiscences and perspective of music, media, fashion, politics and all forms of pop culture to frame the decade.This is a big book but not a exhaustive and dry social history. Live Aid was the decade’s pinch point, when a nation's attitudes and expectations were somehow captured and changed forever. The author suggests that before Live Aid, Britain was one place, and after Live Aid it was another.Britain in the Eighties was a juxtaposition of militancy and profligacy, a country where industry was being broken down, societies were being demolished, and unemployment became an inevitable lifestyle choice: yet the Eighties was also the apotheosis of pop culture, a decade where entertainment, opinion and subjectivity were more important than ever before.Dylan Jones was at the heart of the 1980s editing the seminal magazines i-D and The Face. He was one of the Blitz Kids and was both a commentator and one of the style-makers of the time. This is a controversial book, a story told from the inside by one who was at the centre of events.
E-bok
Engelska, 2017111 kr
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** Shortlisted for the NME Best Music Book Award 2018 **THE SUNDAY TIMES BESTSELLERA TIMES BOOK OF THE YEARA GUARDIAN BOOK OF THE YEARA HERALD BOOK OF THE YEARAN IRISH INDEPENDENT BOOK OF THE YEAR'The definitive book on Bowie' The Times Drawn from a series of conversations between David Bowie and Dylan Jones across three decades, together with over 180 interviews with friends, rivals, lovers, and collaborators - some of whom have never before spoken about their relationship with Bowie - this oral history is an intimate portrait of a remarkable rise to stardom and one of the most fascinating lives of our time.Profoundly shaped by his relationship with his schizophrenic half-brother Terry, Bowie was a man of intense relationships that often came to abrupt ends. He was a social creature, equally comfortable partying with John Lennon and dining with Frank Sinatra, and in Dylan Jones's telling - by turns insightful and salacious - we see as intimate a portrait as could possibly be drawn.Including illuminating, never-before-seen material from Bowie himself, drawn from a series of Jones’s interviews with him across three decades, DAVID BOWIE is an epic, unforgettable cocktail-party conversation about a man whose enigmatic shapeshifting and irrepressible creativity produced one of the most sprawling, fascinating lives of our time.***NOW REVISED AND EXPANDED***
Inbunden, Engelska, 2010
1 119 kr
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Practical Goal Programming is intended to allow academics and practitioners to be able to build effective goal programming models, to detail the current state of the art, and to lay the foundation for its future development and continued application to new and varied fields. Suitable as both a text and reference, its nine chapters first provide a brief history, fundamental definitions, and underlying philosophies, and then detail the goal programming variants and define them algebraically. Chapter 3 details the step-by-step formulation of the basic goal programming model, and Chapter 4 explores more advanced modeling issues and highlights some recently proposed extensions.Chapter 5 then details the solution methodologies of goal programming, concentrating on computerized solution by the Excel Solver and LINGO packages for each of the three main variants, and includes a discussion of the viability of the use of specialized goal programming packages. Chapter 6 discusses the linkages between Pareto Efficiency and goal programming. Chapters 3 to 6 are supported by a set of ten exercises, and an Excel spreadsheet giving the basic solution of each example is available at an accompanying website.Chapter 7 details the current state of the art in terms of the integration of goal programming with other techniques, and the text concludes with two case studies which were chosen to demonstrate the application of goal programming in practice and to illustrate the principles developed in Chapters 1 to 7. Chapter 8 details an application in healthcare, and Chapter 9 describes applications in portfolio selection.
E-bok
PDF, Engelska, 20101 413 kr
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Practical Goal Programming is intended to allow academics and practitioners to be able to build effective goal programming models, to detail the current state of the art, and to lay the foundation for its future development and continued application to new and varied fields. Suitable as both a text and reference, its nine chapters first provide a brief history, fundamental definitions, and underlying philosophies, and then detail the goal programming variants and define them algebraically. Chapter 3 details the step-by-step formulation of the basic goal programming model, and Chapter 4 explores more advanced modeling issues and highlights some recently proposed extensions.
Chapter 5 then details the solution methodologies of goal programming, concentrating on computerized solution by the Excel Solver and LINGO packages for each of the three main variants, and includes a discussion of the viability of the use of specialized goal programming packages. Chapter 6 discusses the linkages between Pareto Efficiency and goal programming. Chapters 3 to 6 are supported by a set of ten exercises, and an Excel spreadsheet giving the basic solution of each example is available at an accompanying website.
Chapter 7 details the current state of the art in terms of the integration of goal programming with other techniques, and the text concludes with two case studies which were chosen to demonstrate the application of goal programming in practice and to illustrate the principles developed in Chapters 1 to 7. Chapter 8 details an application in healthcare, and Chapter 9 describes applications in portfolio selection.
E-bok
Engelska, 201199 kr
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Natalie Vine, one of Britain's top forensic psychiatrists, spends every day trying to get inside the heads of some of the most violent criminals imaginable. It's lonely, harrowing work, but perhaps it helps her deal with the demons of her past.Locked in the mind of Thomas Meredith are terrible visions of how a serial killer tortured and murdered his girlfriend, in front of his very eyes, a year earlier. Once a doctor, Meredith has become a recluse who only emerges from his isolated home to work the graveyard shift in a local motorway cafe. Natalie Vine is the one person with the ability and empathy to make Meredith open up, to bring to the surface the horror that he has buried so deeply. And she must succeed, no matter how much pain it causes.For Meredith is the only living witness to this murderer's actions, and he has started killing again...