Edward Copeland – författare

In the early nineteenth century there was a sudden vogue for novels centering on the glamour of aristocratic social and political life. Such novels, attractive as they were to middle-class readers, were condemned by contemporary critics as dangerously seductive, crassly commercial, designed for the 'masses' and utterly unworthy of regard. Until recently, silver-fork novels have eluded serious consideration and been overshadowed by authors such as Jane Austen. They were influenced by Austen at their very deepest levels, but were paradoxically drummed out of history by the very canon-makers who were using Austen's name to establish their own legitimacy. This first modern full-length study of the silver-fork novel argues that these novels were in fact tools of persuasion, novels deliberately aimed at bringing the British middle classes into an alliance with an aristocratic program of political reform.

This study addresses a paradox in the lives of women in Jane Austen's time who had no legal access to money yet were held responsible for domestic expenditure. The book translates the fictional money of the novels of Jane Austen's day into the power of contemporary spendable incomes, and from the perspective of what the British pound could buy at the market, the economic lives of women in the novels emerge as part of a general picture of women's economic disability. Through the work of writers such as Austen and Edgeworth, as well as those of magazine fiction, the author examines the professional lives of women authors, their publishers, their profits, and the demands of their reading public. By linking authorship to the economic lives of contemporary women, Women Writing About Money links the fantasy worlds of women's fiction with the social and economic realities of both readers and writers.

Jane Austen's stock in the popular marketplace has never been higher, while academic studies continue to uncover new aspects of her engagement with her world. This fully updated edition of the acclaimed Cambridge Companion offers clear, accessible coverage of the intricacies of Austen's works in their historical context, with biographical information and suggestions for further reading. Major scholars address Austen's six novels, the letters and other works, in terms accessible to students and the many general readers, as well as to academics. With seven new essays, the Companion now covers topics that have become central to recent Austen studies, for example, gender, sociability, economics, and the increasing number of screen adaptations of the novels.

Jane Austen's stock in the popular marketplace has never been higher, while academic studies continue to uncover new aspects of her engagement with her world. This fully updated edition of the acclaimed Cambridge Companion offers clear, accessible coverage of the intricacies of Austen's works in their historical context, with biographical information and suggestions for further reading. Major scholars address Austen's six novels, the letters and other works, in terms accessible to students and the many general readers, as well as to academics. With seven new essays, the Companion now covers topics that have become central to recent Austen studies, for example, gender, sociability, economics, and the increasing number of screen adaptations of the novels.

Sense and Sensibility, Jane Austen's first published novel (1811), introduced its readers to many of the themes which would dominate Austen's future work. On one level it is a simple story of two sisters finding fulfilment within a society bounded by regulations and restrictions. But on another it is a comprehensive exploration of the moral dilemmas facing young women in the choices they have to make about their lives. Austen writes about everyday events of her own time with a subtlety and sensitivity unprecedented in the English novel. This edition, first published in 2006, takes as its copytext the second edition of 1813, which corrects some errors of the first edition. The volume provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life and an authoritative textual apparatus. This edition is an indispensable resource for all scholars and readers of Austen.

In the early nineteenth century there was a sudden vogue for novels centering on the glamour of aristocratic social and political life. Such novels, attractive as they were to middle-class readers, were condemned by contemporary critics as dangerously seductive, crassly commercial, designed for the 'masses' and utterly unworthy of regard. Until recently, silver-fork novels have eluded serious consideration and been overshadowed by authors such as Jane Austen. They were influenced by Austen at their very deepest levels, but were paradoxically drummed out of history by the very canon-makers who were using Austen's name to establish their own legitimacy. This first modern full-length study of the silver-fork novel argues that these novels were in fact tools of persuasion, novels deliberately aimed at bringing the British middle classes into an alliance with an aristocratic program of political reform.