Edwidge Danticat – författare

'A vision of female solidarity which transcends place and time' Sunday Times: Edwidge Danticat's groundbreaking debut.At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child shouldever know, and a legacy of shame that can be healed only when she returns to Haiti - to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti - and the enduring strength of Haiti's women - with vibrant imagery and narrative grace that bear witness to her people's suffering and courage.

It is 1937, and Amabelle Desir is a young Haitian woman working as a maid for a wealthy family in the Dominican Republic, across the border from her homeland. The Republic, under the iron rule of the Generalissimo, treats the Haitians as second-class citizens, and although Amabelle feels a strong sense of loyalty to her employers, especially since her own parents drowned crossing the river from Haiti, racial tensions are heightened when Amabelle's boss accidentally kills a Haitian in a car accident. The accident is a catalyst for a systematic round-up of Haitians, ostensibly for repatriation but in fact a prelude to slaughter. Amabelle, caught up in the chaos and confusion, returns to Haiti after much hardship to make a new life, but is for years uncertain of the fate of her lover, Sebastian, and haunted by a nagging sense of guilt.A powerful, fiercely economical and deceptively moving work, blending historical accuracy with lyrical brilliance.

The dew breaker is a quiet man, a husband and father, a hard-working barber, a kindly landlord to the men living in a basement apartment in his home. He is a fixture in his Brooklyn neighbourhood, recognizable by the terrifying scar on his face. But beneath the surface of this American life lies a dangerous truth: the brutal crimes committed in the country of his birth.As his story unfolds, we enter the lives of those around him: his devoted wife and rebellious daughter, his sometimes unsuspecting, sometimes apprehensive neighbours, tenants, and clients. And in the Haiti of the dew breaker's past, we witness his last, desperate act of violence, and his first encounter with the woman who will offer him a form of redemption-albeit imperfect-that will change him forever . . . By the author of The Farming of Bones, The Dew Breaker is a wonderful novel of interconnected lives-a book of love, remorse, and hope; of rebellions both personal and political; of the compromises often necessary after the most intimate brushes with history.

Edwidge Danticat's groundbreaking debut, with new introduction from Booker Prize winner Bernardine EvaristoAt the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti - to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence.In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti - and the enduring strength of Haiti's women - with vibrant imagery and narrative grace that bear witness to her people's suffering and courage.AN OPRAH BOOK CLUB SELECTION 'A vision of female solidarity which transcends place and time' Sunday Times'Exquisite and unforgettable' Washington Post'Extraordinarily successful' New York Times Book Review'A first novel of precious humanity' Independent

"Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them."--Create Dangerously In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world.Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe. Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

A New York Times Notable BookA Miami Herald Best Book of the YearA moving and deeply personal account of art and exile from Edwidge Danticat, winner of two National Book Critics Circle Awards—now with a new preface by the author"Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them."—Create DangerouslyIn this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite—or because of—the horrors that drove them from their homelands.She writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, Jean-Michel Basquiat and other artists of Haitian descent, and a renowned Haitian radio journalist whose political assassination shocked the world. She also eulogizes an aunt who guarded her family’s homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented immigrant, and a Haitian woman mutilated in a machete attack who became a public witness against torture.Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

Food – how it’s grown, how it’s shared – makes us who we are. This issue traces the connections between farm and food, between humus and human. According to the first book of the Bible, tending the earth was humankind’s first task: “The Lord God planted a garden in Eden, in the east; and there he put the man whom he had formed” (Gen. 2:8). The desire to get one’s hands dirty raising one’s own food, then, doesn’t just come from modern romanticism, but is built into human nature.The title, “The Welcome Table,” comes from a spiritual first sung by enslaved African-Americans. The song refers to the Bible’s closing scene, the wedding feast of the Lamb described in the Book of Revelation, to which every race, tribe, and tongue are invited – a divine pledge of a day of freedom and freely shared plenty, of earth renewed and humanity restored. In the case of food, the symbol is the substance. Every meal, if shared generously and with radical hospitality, is already now a taste of the feast to come.Also in this issue: poetry by Luci Shaw; reviews of books by Julia Child, Robert Farrar Capon, Peter Mayle, Albert Woodfox, and Maria von Trapp; and art by Michael Naples, Sieger Köder, Carl Juste, André Chung, Ángel Bracho, Winslow Homer, Raymond Logan, Sybil Andrews, Cameron Davidson, and Jason Landsel.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

What if Martin Luther King Jr., this name-branded, oft-sanitized preacher from Atlanta, is a prophet whose message America has yet to fully reckon with?Ten days before Martin Luther King Jr.’s assassination, Rabbi Abraham Joshua Heschel said, “Where in America today do we hear a voice like the voice of the prophets of Israel? Martin Luther King is a sign that God has not forsaken the United States of America. God has sent him to us.” What if Heschel’s words about King are true? What if this name-branded, oft-sanitized, Super-Bowl-ad-commercialized, National-Mall-memorialized preacher from Atlanta . . . is a prophet whose message America has yet to fully reckon with? This issue of Plough Quarterly looks at King’s unfinished struggle against the three evils of racism, materialism, and militarism. Perspectives from Edwidge Danticat, Gary Dorrien, Brandon M. Terry, D. L. Mayfield, Eugene Rivers, and Susannah Heschel explore the ways King’s message of nonviolence, justice, and love of neighbor still matters today: to refugees and immigrants, soldiers and veterans, preachers and prisoners, black lives matter activists and the white working class.Also in this issue: original poetry by Naomi Shihab Nye; reviews of new books by James Forman Jr., Steve Krivák, Jim Forest, and Christopher de Hamel; and art by Yvan Lamothe, Roberson Joseph, Barry Moser, Benny Andrews, Zoe Cromwell, Julian Peters, Asuka Hishiki, Mark Smith, Mary Kang, Marc Chagall,John Partipilo, Yuri Kozyrev, Vinicius Barajas, Iain Stewart, Giovanni Bellini.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

From the internationally acclaimed, best-selling author of Brother, I'm Dying, a collection of vividly imagined stories about community, family, and love.AUGUST 2020 REESE'S BOOK CLUB PICKWINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARDWINNER OF THE STORY PRIZEWINNER OF THE 2020 VILCEK PRIZE IN LITERATURERich with hard-won wisdom and humanity, set in locales from Miami and Port-au-Prince to a small unnamed country in the Caribbean and beyond, Everything Inside is at once wide in scope and intimate, as it explores the forces that pull us together, or drive us apart, sometimes in the same searing instant.In these eight powerful, emotionally absorbing stories, a romance unexpectedly sparks between two wounded friends; a marriage ends for what seem like noble reasons, but with irreparable consequences; a young woman holds on to an impossible dream even as she fights for her survival; two lovers reunite after unimaginable tragedy, both for their country and in their lives; a baby's christening brings three generations of a family to a precarious dance between old and new; a man falls to his death in slow motion, reliving the defining moments of the life he is about to lose. This is the indelible work of a keen observer of the human heart--a master.

'Danticat offers an invaluable primer to the Haitian American experience in all its inherited trauma. Arguably she does for the Haitian diaspora what Junot Díaz has done for Dominican Americans' TLSShortlisted for the 2025 OCM Bocas Prize for Nonfiction'Danticat's observations feel more like a guide to living - a testament to what writers can offer in difficult times' Tinbete Ermyas, NPR Best Books of 2024Tracing a loose arc from Edwidge Danticat's childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We're Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so "we're alone" is both a fearsome admission and an intimate invitation-we're alone now, we can talk. We're Alone is a book that asks us to think through some of the world's intractable problems while deepening our understanding of one of the most significant novelists at work today.PRAISE FOR EDWIDGE DANTICAT'In Danticat's hands, with great tenderness, these hidden lives are moved away from the margins' TLS'Stunning ruminations on the Haitian diaspora identity, as well as the layered complexities of seeking hope after tragedy . . . Read it, you will not be disappointed' Bad Form

'Danticat offers an invaluable primer to the Haitian American experience in all its inherited trauma. Arguably she does for the Haitian diaspora what Junot Díaz has done for Dominican Americans' TLS'Danticat's observations feel more like a guide to living - a testament to what writers can offer in difficult times' Tinbete Ermyas, NPR Best Books of 2024Tracing a loose arc from Edwidge Danticat's childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We're Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so "we're alone" is both a fearsome admission and an intimate invitation-we're alone now, we can talk. We're Alone is a book that asks us to think through some of the world's intractable problems while deepening our understanding of one of the most significant novelists at work today.PRAISE FOR EDWIDGE DANTICAT'In Danticat's hands, with great tenderness, these hidden lives are moved away from the margins' TLS'Stunning ruminations on the Haitian diaspora identity, as well as the layered complexities of seeking hope after tragedy . . . Read it, you will not be disappointed' Bad Form

'Danticat offers an invaluable primer to the Haitian American experience in all its inherited trauma. Arguably she does for the Haitian diaspora what Junot Díaz has done for Dominican Americans' TLSShortlisted for the 2025 OCM Bocas Prize for Nonfiction'Danticat's observations feel more like a guide to living - a testament to what writers can offer in difficult times' Tinbete Ermyas, NPR Best Books of 2024Tracing a loose arc from Edwidge Danticat's childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We're Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so "we're alone" is both a fearsome admission and an intimate invitation-we're alone now, we can talk. We're Alone is a book that asks us to think through some of the world's intractable problems while deepening our understanding of one of the most significant novelists at work today.PRAISE FOR EDWIDGE DANTICAT'In Danticat's hands, with great tenderness, these hidden lives are moved away from the margins' TLS'Stunning ruminations on the Haitian diaspora identity, as well as the layered complexities of seeking hope after tragedy . . . Read it, you will not be disappointed' Bad Form

'Is home the place where we are born? Or is it the place where we die?'These questions haunt Magnolia, a successful Haitian American real estate agent in Miami, after she hears the terrifying sounds of gunfire while shopping for her daughter's birthday gift.Once she's safely home, Magnolia hides the fact that she was at the mall shooting from everyone close to her. But given her life back, she begins to see it all clearly, and as if for the first time - the extraordinary bond she has with her teenage daughter, Zoë; the nearly broken relationship she has with her partner, Harrison; the ghost-haunted mind of her mentally unwell mother; her father's immense pain and his reason for seeking solace in the arms of a mistress. As Magnolia struggles through the labyrinth of her past, she must also come to terms with the losses sustained that traumatic day.Taking as its title the Haitian Kreyòl word for mourning, Dèy celebrates the complexity of life in a brave and striking novel that is one of Danticat's most powerful and deeply affecting works yet.

What is a family and what is it good for?Story 1: Families are in crisis, and the cause is moral breakdown. We urgently need a deep renewal of our family culture, supported by public policies that strengthen traditional marriage and encourage childbearing.Story 2: Families are in crisis, and the cause is capitalism. We need structural changes in society so that all families can flourish: parental leave, guaranteed healthcare, flexible work hours for parents, restorative justice.What if both these stories are true? This issue of Plough reflects on what a family is and what it is for, so that the transformations needed to solve the crisis of the family start from a firm basis, not a nostalgic ideal or progressive theorizing. As always, we take as a starting point the teachings of Jesus. It turns out his idea of family values might not be what people think. He calls us to extend our natural love for our biological family to a vast new throng of siblings – a family of many ethnicities and cultures that includes the widowed, the unmarried, the outsider, and the stranger. In this issue: - Ross Douthat asks what is stopping people from having the one more child they desire.- Edwidge Danticat says families are not nuclear.- Gina Dalfonzo reveals what singles know best about the church as family.- Norann Voll remembers a Jewish woman who escaped the Holocaust and married a German.- W. Bradford Wilcox and Alysse ElHage report on how the Covid pandemic has impacted the family.- Noah Van Niel asks whether masculinity is OK anymore.- Cardinal Christoph Schönborn reflects the burden of family history, celibacy, and monument toppling.- Sarah C. Williams pinpoints the source of feminist pioneer Josephine Butler’s daring.- Rabbi Jonathan Sacks begins the story of marriage 385 million years ago in a lake in Scotland.- Zito Madu recalls how his father’s amazing storytelling saved the past from oblivion.You’ll also find:- M. M. Townsend on what Louisa May Alcott and Simone de Beauvoir had in common- A special announcement about Plough’s new poetry contest: the Rhina Espaillat Poetry Award- A reading from G. K. Chesterton- Two new poems by Rachel Hadas- Reviews of Eric Edstrom’s Un-American, Maya Schenwar and Victoria Law’s Prison by Any Other Name, Brian Doyle’s One Long River of Song, and Martín Caparrós’s HungerPlough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

Canwe move beyond borders that divide us without losing our identity? Overthe past decade, theyearning for rootedness, for being part of a story bigger than oneself, hasflared up as a cultural force to be reckoned with. There’s much to affirm in thisdesire to belong to a people. That means pride in all that is admirable in thenation to which we belong – and repentance for its historic sins. Afocus on national identity, ofcourse, can lead to darker places. The new nationalists, who in Westerncountries often appeal to the memory of a Christian past, applaud whengovernments fortify borders to keep out people who are fleeing for their lives.(Needless to say, such actions are contrary to the Christian faith.) Is ouryearning for roots doomed to lead to a heartless politics of exclusion? Doesmaintaining group or national identity require borders guarded with lethalviolence?  Theanswer isn’t artificial schemes for universal brotherhood, such as a universal language. Our differencesare what make a community human. Might the true ground for community lie deepereven than shared nationality or language? After all, the biblical vision ofhumankind’s ultimate future has “every tribe and language and people andnation” coming together – beyond all borders but still as themselves. In this issue: - Santiago Ramosdescribes a double homelessness immigrant children experience as outsiders inboth countries.- Ashley Lucasprofiles a Black Panther imprisoned for life and looks at the impact on hisfamily.- Simeon Wiehlerhelps a museum repatriate a thousand human skulls collected by a colonialist.- Yaniv Sageecalls Zionism back to its founding vision of a shared society withPalestinians.- StephanieSaldaña finds the lost legendary chocolates of Damascus being crafted in Texas.- EdwidgeDanticat says storytelling builds a home that no physical separation can takeaway.- Phographer RiverClaure reimagines Saint-Exupéry’s LePetit Prince as an Aymara fairy tale.- Ann Thomas tellsof liminal experiences while helping families choose a cemetery plot.- Russell Moorechallenges the church to reclaim its integrity and staunch an exodus. You’ll also find: - Prize-winning poemsby Mhairi Owens, Susan de Sola, and Forester McClatchey- A profile of Japanesepeacemaker Toyohiko Kagawa- Reviews ofFredrik deBoer’s The Cult of Smart,Anna Neima’s The Utopians, and AmorTowles’s The Lincoln Highway- Insights onfollowing Jesus from E. Stanley Jones, Barbara Brown Taylor, Teresa of Ávila,Oscar Romero, Martin Luther King Jr., Eberhard Arnold, Leonardo Boff, MeisterEckhart, C. S. Lewis, Hermas, and Dietrich Bonhoeffer Plough Quarterly features stories,ideas, and culturefor people eager to put their faith into action. Each issue brings you in-deptharticles, interviews, poetry, book reviews, and art to help you put Jesus’message into practice and find common cause with others.