Edwige Tamalet Talbayev – författare

Investigating the material imprint of water on thought itselfWater Logics examines the epistemological adjustments that take place when we make water the source and medium for thinking about the world. Eschewing metaphorical readings of rivers, seas, and oceans, it brings together leading voices from across the social sciences and the humanities to argue rather for a distinct focus on materiality, engaging posthumanism, biotheory, and other cutting-edge theoretical approaches.From the Caribbean Sea to the Indian Ocean, this rich collection is inhabited by migrants, port cities, and coral reefs. It explores the fruitful potential of water for literary, anthropological, and ethical studies, bringing both cohesive transdisciplinarity and fresh comparative perspectives to hydro-criticism. Taken together, the wide range of critical interpretative practices constitutes a signal contribution to the blue humanities.

Investigating the material imprint of water on thought itselfWater Logics examines the epistemological adjustments that take place when we make water the source and medium for thinking about the world. Eschewing metaphorical readings of rivers, seas, and oceans, it brings together leading voices from across the social sciences and the humanities to argue rather for a distinct focus on materiality, engaging posthumanism, biotheory, and other cutting-edge theoretical approaches.From the Caribbean Sea to the Indian Ocean, this rich collection is inhabited by migrants, port cities, and coral reefs. It explores the fruitful potential of water for literary, anthropological, and ethical studies, bringing both cohesive transdisciplinarity and fresh comparative perspectives to hydro-criticism. Taken together, the wide range of critical interpretative practices constitutes a signal contribution to the blue humanities.

The writer Gabriel Audisio once called the Mediterranean a "liquid continent." Taking up the challenge issued by Audisio's phrase, Edwige Tamalet Talbayev insists that we understand the region on both sides of the Mediterranean through a "transcontinental" heuristic. Rather than merely read the Maghreb in the context of its European colonizers from across the Mediterranean, Talbayev compellingly argues for a transmaritime deployment of the Maghreb across the multiple Mediterranean sites to which it has been materially and culturally bound for millennia.The Transcontinental Maghreb reveals these Mediterranean imaginaries to intersect with Maghrebi claims to an inclusive, democratic national ideal yet to be realized. Through a sustained reflection on allegory and critical melancholia, the book shows how the Mediterranean decenters postcolonial nation-building projects and mediates the nomadic subject's reinsertion into a national collective respectful of heterogeneity. In engaging the space of the sea, the hybridity it produces, and the way it has shaped such historical dynamics as globalization, imperialism, decolonization, and nationalism, the book rethinks the very nature of postcolonial histories and identities along its shores.

Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis. In this context, Critically Mediterranean asks how the theories and methodologies of Mediterranean studies may be brought to bear upon the modern and contemporary periods. Contributors explore how the Mediterranean informs philosophy, phenomenology, the poetics of time and space, and literary theory. Ranging from some of the earliest twentieth-century material on the Mediterranean to Edmond Amran El Maleh, Christoforos Savva, Orhan Pamuk, and Etel Adnan, the essays ask how modern and contemporary Mediterraneans may be deployed in political, cultural, artistic, and literary practice. The critical Mediterranean that emerges is plural and performative—a medium through which subjects may negotiate imagined relations with the world around them. Vibrant and deeply interdisciplinary, Critically Mediterranean offers timely interventions for a sea in crisis.

Re-Membering Hospitality in the Mediterranean examines the embodied praxis of hospitality—whether through the ritual modes of religious history, the pages of literature, the visual arts, dystopian narratives of the future, or the realpolitik of shelter and asylum. It moves beyond dominant transit tropes of aporetic exchange (in the lineage of Jacques Derrida). The volume offers a fractal view of Mediterranean studies as inflected by the lived, aesthetic, and philosophical histories of hospitality.This book brings together leading voices ranging from early-career to established scholars across the social sciences and the humanities to argue for a distinct focus on the Mediterranean pre/conditions and pre/histories of hospitality. To date, there has been no interdisciplinary intervention that takes up hospitality as a starting point to critical thinking about Mediterranean studies as an expansive, dynamic, and ever-evolving discipline. Against the inescapable backdrop of necropolitics and catastrophe, Re-Membering Hospitality in the Mediterranean offers a rich, agentive alternative for Mediterranean worldmaking.

Re-Membering Hospitality in the Mediterranean examines the embodied praxis of hospitality-whether through the ritual modes of religious history, the pages of literature, the visual arts, dystopian narratives of the future, or the realpolitik of shelter and asylum. It moves beyond dominant transit tropes of aporetic exchange (in the lineage of Jacques Derrida). The volume offers a fractal view of Mediterranean studies as inflected by the lived, aesthetic, and philosophical histories of hospitality.This book brings together leading voices ranging from early-career to established scholars across the social sciences and the humanities to argue for a distinct focus on the Mediterranean pre/conditions and pre/histories of hospitality. To date, there has been no interdisciplinary intervention that takes up hospitality as a starting point to critical thinking about Mediterranean studies as an expansive, dynamic, and ever-evolving discipline. Against the inescapable backdrop of necropolitics and catastrophe, Re-Membering Hospitality in the Mediterranean offers a rich, agentive alternative for Mediterranean worldmaking.

Re-Membering Hospitality in the Mediterranean examines the embodied praxis of hospitality—whether through the ritual modes of religious history, the pages of literature, the visual arts, dystopian narratives of the future, or the realpolitik of shelter and asylum. It moves beyond dominant transit tropes of aporetic exchange (in the lineage of Jacques Derrida). The volume offers a fractal view of Mediterranean studies as inflected by the lived, aesthetic, and philosophical histories of hospitality.This book brings together leading voices ranging from early-career to established scholars across the social sciences and the humanities to argue for a distinct focus on the Mediterranean pre/conditions and pre/histories of hospitality. To date, there has been no interdisciplinary intervention that takes up hospitality as a starting point to critical thinking about Mediterranean studies as an expansive, dynamic, and ever-evolving discipline. Against the inescapable backdrop of necropolitics and catastrophe, Re-Membering Hospitality in the Mediterranean offers a rich, agentive alternative for Mediterranean worldmaking.

Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis. In this context, Critically Mediterranean asks how the theories and methodologies of Mediterranean studies may be brought to bear upon the modern and contemporary periods. Contributors explore how the Mediterranean informs philosophy, phenomenology, the poetics of time and space, and literary theory. Ranging from some of the earliest twentieth-century material on the Mediterranean to Edmond Amran El Maleh, Christoforos Savva, Orhan Pamuk, and Etel Adnan, the essays ask how modern and contemporary Mediterraneans may be deployed in political, cultural, artistic, and literary practice. The critical Mediterranean that emerges is plural and performative—a medium through which subjects may negotiate imagined relations with the world around them. Vibrant and deeply interdisciplinary, Critically Mediterranean offers timely interventions for a sea in crisis.