Elizabeth Amann – författare

From the color of a politician’s tie, to exorbitantly costly haircuts, to the size of an American flag pin adorning a lapel, it’s no secret that style has political meaning. And there was no time in history when the politics of fashion was more fraught than during the French Revolution. In the 1790s almost any article of clothing could be scrutinized for evidence of one’s political affiliation. A waistcoat with seventeen buttons, for example, could be a sign of counterrevolution—a reference to Louis XVII—and earn its wearer a trip to the guillotine. In Dandyism in the Age of Revolution, Elizabeth Amann shows that in France, England, and Spain, daring dress became a way of taking a stance toward the social and political upheaval of the period. France is the centerpiece of the story, not just because of the significance of the Revolution but also because of the speed with which its politics and fashions shifted. Dandyism in France represented an attempt to recover a political center after the extremism of the Terror, while in England and Spain it offered a way to reflect upon the turmoil across the Channel and Pyrenees. From the Hair Powder Act, which required users of the product to purchase a permit, to the political implications of the feather in Yankee Doodle’s hat, Amann aims to revise our understanding of the origins of modern dandyism and to recover the political context from which it emerged.

A broad, comparative and trans-Atlantic approach to the Age of RevolutionsCutting across disciplines and linguistic borders, this book explores the dissemination and transformation of revolutionary ideas in the period between the mid-eighteenth century and the revolutions of 1848. In addition to revolutionary movements in Europe and the United States, it deals with the international impact of the Haitian Revolution. The chapters in the book adopt transnational approaches to revolution to show how political uprisings often reverberated far beyond the borders of the states directly affected – in the form of narratives, metaphors, translations, letters, pamphlets and dialogues, as well as physical objects.

A broad, comparative and trans-Atlantic approach to the Age of RevolutionsPluralist and multilingual perspectives on the Age of RevolutionsFocus on how revolutionary ideas are transformed and distorted as they cross bordersInnovative approaches drawn from translation studies, conceptual history, book history, and material cultureCutting across disciplines and linguistic borders, this book explores the dissemination and transformation of revolutionary ideas in the period between the mid-eighteenth century and the revolutions of 1848. In addition to revolutionary movements in Europe and the United States, it deals with the international impact of the Haitian Revolution. The chapters in the book adopt transnational approaches to revolution to show how political uprisings often reverberated far beyond the borders of the states directly affected in the form of narratives, metaphors, translations, letters, pamphlets and dialogues, as well as physical objects.

The introduction of omnibus services in the late 1820s revolutionised urban life in Paris, London and many other cities. As the first form of mass transportation—in principle, they were ‘for everyone’—they offered large swaths of the population new ways of seeing both the urban space and one another. This study examines how the omnibus gave rise to a vast body of cultural representations that probed the unique social experience of urban transit. These representations took many forms—from stories, plays and poems to songs, caricatures and paintings—and include works by many well-known artists and authors such as Picasso and Pissarro and Charles Dickens, Wilkie Collins and Guy de Maupassant. Analysing this corpus, the book explores how the omnibus and horse-drawn tram functioned in the cultural imagination of the nineteenth century and looks at the types of stories and values that were projected upon them. The study is comparative in approach and considers issues of gender, class andpolitics, as well as genre and narrative technique.

The introduction of omnibus services in the late 1820s revolutionised urban life in Paris, London and many other cities. As the first form of mass transportation—in principle, they were ‘for everyone’—they offered large swaths of the population new ways of seeing both the urban space and one another. This study examines how the omnibus gave rise to a vast body of cultural representations that probed the unique social experience of urban transit. These representations took many forms—from stories, plays and poems to songs, caricatures and paintings—and include works by many well-known artists and authors such as Picasso and Pissarro and Charles Dickens, Wilkie Collins and Guy de Maupassant. Analysing this corpus, the book explores how the omnibus and horse-drawn tram functioned in the cultural imagination of the nineteenth century and looks at the types of stories and values that were projected upon them. The study is comparative in approach and considers issues of gender, class andpolitics, as well as genre and narrative technique.

Este libro estudia uno de los elementos característicos de la literatura y el arte del siglo XIX: la intensa mitificación del pasado histórico, con la consecuente renovación y reinterpretación del panteón de figuras legendarias, portadoras de mensajes nacionales o universales. En conjunto, la obra ofrece un panorama amplio de este proceso de reescritura histórica y literaria. Cada uno de los doce capítulos de este volumen examina un mito específico desde la óptica decimonónica. Están dispuestos en orden cronológico, a partir del nacimiento de la leyenda o la figura estudiada, que pueden ser de origen histórico o literario. Así, se analiza la trayectoria literaria de personajes históricos como Don Rodrigo, Urraca de Castilla y León, o el duque de Alba; de eventos del pasado, como la quema de las naves de Cortés; o de figuras literarias y legendarias, como La Celestina o Abén Humeya. Por último, se examina el nacimiento de nuevos mitos nacionales, como La Perricholi.La obra profundiza en la contribución de esos mitos a la construcción del ideario y la identidad nacionales en el mundo hispánico, bajo el impulso de la estética romántica y de la recuperación de la historia local.