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15 produkter

Journals and Correspondence of Lady Eastlake

With Facsimiles of her Drawings and a Portrait

AvElizabeth Eastlake,Charles Eastlake Smith

Häftad, Engelska, 2014

434 kr

Skickas inom 7-10 vardagar

Later known as Lady Eastlake, the writer Elizabeth Rigby (1809-93) travelled widely in her early years, and subsequently moved in the highest literary and artistic circles. After an illness in 1827 she was taken abroad to recover, and her encounters with European art led to her writing career. In 1849, she married the painter Charles Eastlake, who became the director of the National Gallery and president of the Royal Academy. Continuing to write, especially for the Quarterly Magazine, on literature and art, she spent part of each year touring galleries and private collections across Europe. This engaging two-volume work of 1895, edited by her nephew and full of shrewd judgements on art and on people, is compiled from her journals and letters. Volume 1 describes Eastlake's early life: the extracts from her journals end in 1854 with her impressions of the reopening of the Crystal Palace at Sydenham.

Journals and Correspondence of Lady Eastlake

With Facsimiles of her Drawings and a Portrait

AvElizabeth Eastlake,Charles Eastlake Smith

Häftad, Engelska, 2014

461 kr

Skickas inom 7-10 vardagar

Later known as Lady Eastlake, the writer Elizabeth Rigby (1809-93) travelled widely in her early years, and subsequently moved in the highest literary and artistic circles. After an illness in 1827 she was taken abroad to recover, and her encounters with European art led to her writing career. In 1849, she married the painter Charles Eastlake, who became the director of the National Gallery and president of the Royal Academy. Continuing to write, especially for the Quarterly Magazine, on literature and art, she spent part of each year touring galleries and private collections across Europe. This engaging two-volume work of 1895, edited by her nephew and full of shrewd judgements on art and on people, is compiled from her journals and letters. Volume 2, covering the period from 1854 to her death, concludes with a reminiscence by one of her closest friends, the illustrator and author Eleanor Vere Boyle.

Treasures of Art in Great Britain

Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss.

AvGustav Friedrich Waagen,Elizabeth Eastlake

Häftad, Engelska, 2015

558 kr

Skickas inom 7-10 vardagar

This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface to the first volume, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes, after an introductory essay, provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance and quality. Volume 2 describes the artworks in Buckingham Palace, Apsley House and other private collections in London.

Treasures of Art in Great Britain

Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss.

AvGustav Friedrich Waagen,Elizabeth Eastlake

Häftad, Engelska, 2015

544 kr

Skickas inom 7-10 vardagar

This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface to the first volume, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes, after an introductory essay, provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance and quality. Volume 3 describes collections in stately homes, museums and public galleries outside London.

Treasures of Art in Great Britain

Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss.

AvGustav Friedrich Waagen,Elizabeth Eastlake

Häftad, Engelska, 2015

590 kr

Skickas inom 7-10 vardagar

This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance. Volume 4 is a supplement describing more works in the British Museum and National Gallery, as well as private collections including that of the Prince Consort.

Treasures of Art in Great Britain

Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss.

AvGustav Friedrich Waagen,Elizabeth Eastlake

Häftad, Engelska, 2015

544 kr

Skickas inom 7-10 vardagar

This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance. After an essay on the history of art collecting in Britain, Volume 1 describes the treasures of the British Museum, the National Gallery and the Royal Academy.