Häftad, Engelska, 2021
302 kr
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Gustav Friedrich Waagen – författare
Visar alla böcker från författaren Gustav Friedrich Waagen. Handla med fri frakt och snabb leverans.
44 produkter
44 produkter
- Inbunden, Engelska, 2022
441 kr
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- Häftad, Engelska, 2022
316 kr
Skickas inom 5-8 vardagar
- Inbunden, Engelska, 2022
446 kr
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- Häftad, Engelska, 2022
316 kr
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- Inbunden, Engelska, 2022
417 kr
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- Häftad, Engelska, 2022
300 kr
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- Inbunden, Tyska, 2022
459 kr
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- Häftad, Tyska, 2022
326 kr
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- Inbunden, Engelska, 2023
474 kr
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- Inbunden, Tyska, 2023
449 kr
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- Inbunden, Engelska, 2023
460 kr
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- Inbunden, Tyska, 2023
402 kr
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- Inbunden, Tyska, 2023
446 kr
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- Häftad, Engelska, 2023
359 kr
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- Häftad, Engelska, 2023
345 kr
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- Häftad, Tyska, 2023
305 kr
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- Häftad, Tyska, 2023
314 kr
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- Häftad, Tyska, 2023
288 kr
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- Häftad, Engelska, 2015
672 kr
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This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface to the first volume, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes, after an introductory essay, provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance and quality. Volume 2 describes the artworks in Buckingham Palace, Apsley House and other private collections in London. - Häftad, Engelska, 2015
656 kr
Skickas inom 5-8 vardagar
This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface to the first volume, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes, after an introductory essay, provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance and quality. Volume 3 describes collections in stately homes, museums and public galleries outside London. - Häftad, Engelska, 2015
705 kr
Skickas inom 5-8 vardagar
This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance. Volume 4 is a supplement describing more works in the British Museum and National Gallery, as well as private collections including that of the Prince Consort. - Häftad, Engelska, 2015
656 kr
Skickas inom 5-8 vardagar
This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance. After an essay on the history of art collecting in Britain, Volume 1 describes the treasures of the British Museum, the National Gallery and the Royal Academy. - Häftad, Franska, 2012
371 kr
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- Inbunden, Engelska, 2015
470 kr
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- Häftad, Franska, 2018
144 kr
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- Häftad, Franska, 2022
157 kr
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- Häftad, Franska, 2018
215 kr
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- Häftad, Franska, 2018
159 kr
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- Häftad, Franska, 2018
159 kr
Skickas inom 5-8 vardagar
