Elizabeth Williamson – författare

Glasgow has a wide array of architectural treasures: the greatest medieval cathedral in Scotland; fragments of a seventeenth- and eighteenth-century 'merchant city'; the well-preserved heart of a planned new town, Blythswood; a city centre dense with Victorian and Edwardian commercial buildings; stately nineteenth-century terraces lining the Great Western Road and picturesquely crowning Woodlands Hill; opulent villas in suburbs like Pollokshields and Kelvinside; and streets of tenements from the workaday to the grand. The twentieth century has encircled the city with a broad belt of public housing, and this too has a fascinating history that encompasses garden suburbs, early experiments in high-rise, comprehensive redevelopments and new interpretations of the tenement tradition. Charles Rennie Mackintosh and Alexander 'Greek' Thomson are, of course, internationally known, but the exceptional talents of Glasgow's many other architects, such as Charles Wilson, James Salmon Jr. and Jack Coia, have helped to shape the city's distinctive character.

A comprehensive guide to County Durham, one of Northern England’s most fascinating and architecturally diverse countiesThis volume surveys one of northern England’s most varied and rewarding counties. County Durham, flanked by the rivers Tyne and Tees, boasts Durham Cathedral, England’s most impressive Norman church, located unforgettably alongside Durham Castle on the cliff tops above the River Wear. Exceptionally rich in Anglo-Saxon churches and sculpture, County Durham features the legacy of the brilliant culture of the age of Bede. Many of Durham’s extraordinary castles remain inhabited, with palatial interiors from the Georgian and Victorian periods. In addition to fine gentry houses and stone-built market towns, the county also reveals the legacy of historic industries, including early railway buildings, collieries and lead mines. During the 20th century, a new generation of innovative buildings for culture and education at Gateshead and Sunderland emerged. Specially commissioned photography and maps complement an exceptional guide to this architecturally rich northern English county.

This volume covers some of the finest landscape and architecture in southern England, much of it set within the South Downs National Park. The county’s small towns and villages feature a pleasing mix of stone, timber, and brick houses of every period. Among numerous atmospheric country houses are the Tudor ruins of Cowdray, the Elizabethan mansion at Parham, and the French-inspired Petworth in its great park, famously captured in Turner’s paintings. On the grandest scale is the mighty Arundel Castle, seat of the Duke of Norfolk, while Chichester, the only city in West Sussex, boasts one of the country’s most important 12th-century cathedrals. Among many major ecclesiastical and educational establishments built in the 19th century, none is more impressive than Lancing College set high above the coast. New research accompanies 130 specially commissioned color photographs in this authoritative and expert guide.

A richly illustrated exploration of the architecture of one of England’s hidden gems—NottinghamshireThis volume offers an enlightening introduction to the memorable and surprising buildings of one of England’s least-known counties. Located in the center of England, Nottinghamshire boasts a rich history, including its storied connection to the legendary Robin Hood. Nottinghamshire features the exquisite medieval churches of Newark, Worksop Priory, and Southwell Minster. Country houses offer a fascinating range of architectural styles: Wollaton Hall shows Elizabethan architecture at its most fantastic, and Bunny Hall demonstrates the English Baroque at its most bizarre. Newstead Abbey, home of the poet Lord Byron, incorporates the haunting monastic ruins from a former Augustinian abbey. The city of Nottingham teems with Victorian and Edwardian commercial buildings, and is enlivened by a local tradition of first-rate Modernist architecture. With new color photography, maps, and illustrations, this volume is the ideal guide to one of England’s most fascinating counties.

The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.

Winner of the James A. Duke Award for Excellence in Botanical Literature Award from the American Botanical CouncilCompiled by the American Herbal Pharmacopoeia, this volume addresses the lack of authoritative microscopic descriptions of those medicinal plant species currently in trade. It includes an atlas providing detailed text and graphic descri

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.

The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater''s appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.

The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater''s appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater''s broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater''s broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

On college and university campuses across the United States, scholar-teachers and their students find themselves in conditions of both real threat and tremendous possibility. Building on the recent surge of interest in equitable pedagogy within the field of Shakespeare and Renaissance literary studies, Situating Shakespeare Pedagogy in U.S. Higher Education makes a case for anchoring our teaching in these institutional power dynamics that have historically contributed to systemic injustice and continue to affect our work on a daily basis. Each of the contributors to this collection speaks directly to the intersection between their own identities, the lived experiences of their students, and the particular qualities of the institutions where they teach including student demographics, curricular requirements, geographical location, and comparative levels of administrative support for implementing social justice approaches. From this perspective, they provide hope and practical guidance for scholar-educators who want to meet our students where they are.

On college and university campuses across the United States, scholar-teachers and their students find themselves in conditions of both real threat and tremendous possibility. Building on the recent surge of interest in equitable pedagogy within the field of Shakespeare and Renaissance literary studies, Situating Shakespeare Pedagogy in U.S. Higher Education makes a case for anchoring our teaching in these institutional power dynamics that have historically contributed to systemic injustice and continue to affect our work on a daily basis. Each of the contributors to this collection speaks directly to the intersection between their own identities, the lived experiences of their students, and the particular qualities of the institutions where they teach including student demographics, curricular requirements, geographical location, and comparative levels of administrative support for implementing social justice approaches. From this perspective, they provide hope and practical guidance for scholar-educators who want to meet our students where they are.

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

Winner of the James A. Duke Award for Excellence in Botanical Literature Award from the American Botanical CouncilCompiled by the American Herbal Pharmacopoeia®, this volume addresses the lack of authoritative microscopic descriptions of those medicinal plant species currently in trade. It includes an atlas providing detailed text and graphic descriptions of more than 140 medicinal plant species and their adulterants. Designed to meet the needs of the herbal products industry, regulatory agencies, and academic researchers, the book covers plant anatomy at a level appropriate for the pharmacognostic analysis of plant tissues, provides extensive coverage of the history and importance of botanical microscopy, and gives instruction on how to set up a microscopy lab and prepare, view, and archive whole and powdered plant parts for microscopic analysis. The botanicals covered represent 90 percent of the dollar value of botanical sales in the United States. The focus is on those species that are in high use, and those that are commonly adulterated. It also covers a number of popular Asian botanicals, providing the first English language description for many of these.

Winner of the James A. Duke Award for Excellence in Botanical Literature Award from the American Botanical CouncilCompiled by the American Herbal Pharmacopoeia, this volume addresses the lack of authoritative microscopic descriptions of those medicinal plant species currently in trade. It includes an atlas providing detailed text and graphic descri

This completely new edition reveals a county of contrasts. The semi-rural suburbia of outer-Outer London, with its important early Modern Movement houses, is counterbalanced by magnificent mansions and parks, like idyllic Stowe and the Rothschilds' extravaganza at Waddesdon. The Saxon Church at Wing, the exquisite seventeenth-century Winslow Hall, and Slough's twentieth-century factories all contribute to Buckinghamshire's rich inheritance. In this new edition, the unspoilt centres of small towns, like Amersham and Buckingham, are revisited and Milton Keynes, Britain's last and most ambitious New Town, is explained and explored. The rich diversity of rural buildings, built of stone, brick, timber, and even earth, is investigated with scholarship and discrimination. This accessible and comprehensive guide is prefaced by an illuminating introduction and has many excellent illustrations, plans and maps.

This is the essential guide to the architecture of Pevsner’s “county of contrasts,” home to an amazingly diverse assortment of landmarks. Among Derbyshire’s many distinguished country houses are Haddon Hall and Hardwick Hall. 17th-century highlights include the adventurous architecture of Bolsover Castle and the Baroque splendors of Chatsworth, while the dazzling Neoclassical interiors of Kedleston Hall are the summit of the county’s many Georgian achievements. Numerous spa towns, pioneering industrial settlements, and parish churches from Anglo-Saxon to modern are also included. The settings range from the Trent valley to the sublime landscape of the Peak District, making Derbyshire one of England’s most visually arresting counties.